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AI art "狂気に落ちた童女" featuring #ドレス, #赤目, #上半身, #短髪, #ソロ, #黒髪, #横顔, #くせ毛, #発光, #光る目, #オフショルダー, #肩出し, #黒いワンピース, #女の子, #側面, #セミロング and #DanTMIXのプロモーション
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狂気に落ちた童女

ハーメルンに投稿されている文章をほぼそのままプロンプトとして採用したものです。 世界観（ダンまち世界・二次層創作世界）についてが文中にないため、 実際のシーンとは異なりますがこれはこれで良い雰囲気のできかと。 オラリオで斬魄刀打つ転生者の話 犠牲者(リリルカ) https://syosetu.org/novel/348489/38.html 投稿のデイリークエスト用に。 非選択タグ：なし

参加作品
DanTMIX プロモーションコンテスト
#ドレス#赤目#上半身#短髪#ソロ#黒髪#横顔#くせ毛#発光#光る目#オフショルダー#肩出し#黒いワンピース#女の子#側面#セミロング
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Vrtra

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コメント

1girl, loli, monster girl, covered in blood, blood on skin, bloody clothes, internal bleeding, bruised skin, dark skin, ominous atmosphere, tky_chatgpt_anime_boost, high contrast, rim lighting, backlighting, chromatic aberration, glow, bloom, sparkles, particle effects, vibrant colors, dramatic lighting, cel shading, detailed rendering, gouache rendering, gouache style, painterly brush strokes, (beautiful eyes, detailed eyes:1.2), (perfect_hands, correct_anatomy:1.2), (ultra-detailed), dynamic_shading, dynamic_angle, perfect_illumination, highly_dynamic_pose, intricate_details, ((4k, 8k, UHD)), (low_exposure:1.3), ((better_details:1.5))
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オリジナルプロンプト
　その化物(バケモノ)は、まだ幼い童女だった。 　その化物(バケモノ)の全身は傷だらけの上血でグッショリと濡れており、そしてボタボタと零れ落ちる筈の血や、一歩踏み出す度に身体の至る場所にある傷口から吹き出る血は空中でその動きを止め、クルリと動きを変えて化物(バケモノ)の内側に戻っていた。 　その皮膚は返り血で分かりづらいが全体的に酷い内出血が起きており、全身くまなく皮膚の下がドス黒く染まりきっていた。 　その化物(バケモノ)は、どのようなモンスターよりも禍々しい姿をしていた。 # https://syosetu.org/novel/348489/38.html \ negaPrompt_modelDef ,PromptHelper_on # Model_XL ,Credit_Low ,Resolution_3x3 ,SampMethod_EulerA ,Steps_def ,LoRA_rear ,Priority_low
縦横比
768 x 768
サンプリングステップ
8
サンプリング方法
Euler a
CFGスケール
3
シード
129
ネガティブ
bad quality, worst quality, worst detail, bad, low quality, bad anatomy, polydactyly, extra digits, extra legs, bad hands, bad hand, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands, text, signature, trademark, copyright, logo, patreon,

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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