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AI art "Himecut Monika" featuring #ドキドキ文芸部! and #モニカ
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Himecut Monika

Monika with a Himecut but now without the ribbon.

#ドキドキ文芸部!#モニカ
Avatar image of Alan W. G. M

Alan W. G. M

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character: monika_(doki_doki_literature_club), copyright: doki_doki_literature_club 1girl, solo, large breasts, brown hair, long hair, very long hair, hime cut, blunt bangs, blunt sidelocks, straight hair, green eyes, hair down, no hair ribbon, no hairband, Kita High school uniform, white serafuku, blue sailor collar, long sleeves, red chest bow, blue pleated mini skirt, pleated skirt, inside room, indoors, first-person view, pov, from below, close-up, looking at viewer, sexy smile, half-closed eyes, blush, head tilt, leaning forward, arms behind back, warm light, golden ambient light, sunset glow, window light, bookshelves, First-person view from below, the camera set low on a desk or table edge so the viewer's own eye-line sits at chest height and the girl leans forward over the lens; a single girl fills the frame from mid-thigh up, her brown hair left loose and very long, cut in a true hime cut — straight blunt bangs stopped just above her brows and blunt-ended sidelocks framing her jaw on both sides, the rest falling past her waist behind her back and over one shoulder. Her hair is completely unadorned: no ribbon, no hairband, nothing tied in it, no accessories at the temples. She wears the Kita High school sailor uniform: a white serafuku blouse with a blue sailor collar spread across her shoulders, long sleeves buttoned at the cuffs, a red bow knotted at the centre of her chest and sitting proud of the blouse, and a blue pleated mini skirt whose hem rides high, the pleats opening as she leans. Her green eyes are locked straight into the camera over the top of the frame, half-lidded, one eyebrow faintly arched, the corners of her mouth pulled into a slow knowing smile with her lips parted; her head tilts a few degrees to her left. Both hands are clasped behind her back, which pushes her chest forward toward the lens and pulls the blouse taut across it, the red bow stretching with the movement; her weight rests on her right hip, one knee bent, so the skirt swings a little to that side. Contact points: her lower body braced against the front edge of a desk, thighs against its lip, the desk carrying the forward lean. The room is a school clubroom at late afternoon: bookshelves and stacked chairs behind her in soft focus, a window out of frame to her right pouring warm low sun across the scene so the light rakes along the left side of her face and the blue collar, catching the loose strands of her hair and the white blouse, while the backs of the shelves fall into deep brown shadow; a long soft shadow of her leaning body is cast across the desk toward the camera. Palette restricted to warm gold and honey light, the brown of her hair and the room's wood, the white of the blouse, and the blue of collar and skirt against the single red bow. Dust motes drift in the window shaft. Intimate, teasing.
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オリジナルプロンプト
Monikadoki_doki_literature_club,1girl, large breasts, warm light,, alternate hairstyle, alternate_costume, brown_hair, long_hair, hime_cut, inside room, looking at camera, sexy smile,. Kita_High_school_uniform, blue sailor collar, blue skirt, red, chest bow, long sleeves, mini skirt, 1rst person view
モード
flash
縦横比
1104 x 1824
プロンプト自動変換

利用したモデルとLoRA

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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