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Sirin Ely

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artist: ratatatat74 solo, 1girl, full body, long hair, white hair, straight long white hair, bangs, blunt bangs, blue eyes, large breasts, jewelry, gold jewelry, hair ornament, silk, chiffon, chinese clothes, hanfu, chinese ancient style fairy, flowing silk and chiffon drapery, lamia, monster girl, long thick snake tail, snake tail instead of legs, no human legs, smooth snake scales, detailed scales, glossy scales, shiny scales, tail, lower body, risque, revealing clothes, bare shoulders, looking at viewer, standing, tail coiled on the ground, from below, full body shot, dutch angle, dynamic pose, backlighting, rim lighting, high contrast, sharp cel-shading, vibrant accent colors, cinematic perspective, wide angle, moody atmosphere, sharp eyes, high quality, masterpiece</|DSML| parameter> </|DSML| invoke> </|DSML| calls>
パラメーターを見る
オリジナルプロンプト
full body, 1girl ,1girl, long hair, white hair, large breasts, blue eyes, bangs ,Ratatatat74, , ratatat74, artist style, risque,peiyuhan, 1girl, breasts, solo, long hair, jewelry, large breasts, white hair, blue eyes, silk, chiffon,Chinese Ancient Style Fairy, lower body, lamia, long thick snake tail instead of human legs, smooth snake scales, serpentine tail, no human legs, detailed scales, glossy texture
モード
pro
品質タグ
﹝プロンプト﹞
縦横比
1104 x 1824
サンプリング方法
Euler
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換

利用したモデルとLoRA

ほかの類似作品

続きを読む
AI artwork
se
artist: ratatatat74 full body, 1girl, solo, long hair, white hair, bangs, blue eyes, large breasts, jewelry, Chinese ancient style fairy attire, silk, chiffon, lamia, snake tail instead of legs, long thick serpentine tail, smooth snake scales, detailed scales, glossy scale texture, from below, dutch angle, foreshortening, standing on coiled tail, arms raised, outstretched arm, floating hair, sidelong glance, light smile, high contrast, rim lighting, backlighting, sharp cel-shading, vibrant accent colors, wide angle lens Seen from a low, tilted three-quarter angle near the floor, the single figure rises above the camera; her long thick serpentine tail takes the foreground and curves back and up out of frame behind her shoulders. The tail is her entire lower body -- a single continuous serpentine column of muscle and scale, no human hips and no human legs anywhere along its length -- its coils resting on a dark broken stone pavement pitted with cracks. The tip of the tail stacks three fat coils on the flagstones; two coils carry her weight, and the third lifts off the ground, its underside pressed flat over the stone so that the smooth ventral scutes catch a wet gleam along their keel. Each diamond of the dorsal scales is drawn individually, larger and clearer toward the camera and tightening into a fine mesh with distance, the surface gloss so polished that a bright rim highlight runs the whole outer edge of every curve. Her torso turns half away from the lens while her head comes back over her left shoulder, chin dipped and eyes cut sideways toward the viewer beneath half-lowered lids, one brow raised and the corner of her lips pulled into a small closed smile. Her long white hair swings in one heavy ribbon out to her right, lifted by her own turning motion, its ends drifting across the light; straight fringe bangs fall to her brows. Her silk upper robe is the pale grey-white of pearl, high-collared and crossed at the throat, with wide sleeves of translucent chiffon layered over it -- the chiffon gauze fine enough to show the silk's sheen beneath, its hems scalloped and its long ribbons trailing loose from her waist into the air behind her. Gold jewelry: a tiered gold hairpin skewered through the crown of her hair, a collar of small gold discs at her throat, and a broad gold armlet clamped high on each upper arm. Her right arm reaches up and out, fingers half-curled, the open chiffon sleeve sliding down her forearm; her left arm crosses low across her body, hand resting at the sash where a fine gold chain hangs. Behind her looms a ruined urban shell of concrete and rusted steel, window frames empty, structure tilted by the lens. The only light source is a hard bright glow behind her left shoulder, so she reads as a dark-edged silhouette against it: the concrete behind is dimmed to deep umber, everything in front of her stays shaded, and every rim on the crown of her hair, the leading edge of her sleeve, the gold discs and the whole back-facing curve of the tail is cut by a thin hot line. Her cast shadow is thrown forward and down toward the viewer, dark on the stone. Palette is white, pearl grey, gold and deep red-brown stone, with one saturated teal bloom glowing in the far window frame. Far below a cracked lens-flare on the pavement the wet stone shows a faint reversed reflection of her tail, darker and softer than its source. Moody, effortlessly regal.
Sirin Ely
1
AI artwork
vp
copyright: honkai:_star_rail, honkai_(series) Full body, close-up view, front view, the character's upper body is completely upright and facing the screen, upper body straight, the image can see the complete upper body and snake tail of the snake girl, snake girl, half-human half-snake, a creature divided at the waist with the upper body of a young female and the lower body of a snake tail, long white hair, deep red eyes, reptilian slit pupils, character's face shape is slightly square with a rounded chin, skin is fair, breasts are plump, chest size approximately E-cup level; Black and gold colored cheongsam, white embroidered patterns, slim-fit cheongsam; The lower body is a snake tail covered in white scales with light gray belly scales, the tail curve extends smoothly and naturally from the lower body and is fully displayed in the image, the snake tail is long and rounded, the curve is smooth and flows naturally; The scene is a bedroom, dim lighting, the character is lying on her side on the bed, the upper body is in a side-lying posture resting on top of a tall pillar, expression looks very bewildered, lazy posture, left arm bent with the left forearm placed on the bed, right arm straight and placed on the bed; (lamia tail:1.3), (large coiled tail:1.2), (thick snake tail:1.2), tail resting on bed, tail wrapping around body, (tail coiled in a circle:1.2), tail curving, heavy tail, massive tail, (lying on stomach:1.2), prone position, resting head on hand, relaxed posture; Overall adopts a 2D Japanese anime style, Japanese Anime Style, typical 2D female face, with a texture similar to 3D anime games, using 2D flat art style, front view, 9:16 vertical version, detailed facial depiction, anime coloring, flat color, black outline, hi3, honkai impact style, honkai impact cg; The character's snake tail will not have broken curves or errors. The proportions of the character's upper body refer to normal human proportions, do not make the head look large and the body small, arm proportions are normal. Overall adopts a 2D Japanese anime style, Japanese Anime Style, typical 2D female face, with a texture similar to 3D anime games, using 2D flat art style, front view, 9:16 vertical version, detailed facial depiction, anime coloring, flat color, black outline, hi3, honkai impact style, honkai impact cg, Honkai Star Rail Art Fine light and shadow, ultra detailed, intricate details, micro details, highly detailed texture, detailed hair strands, glass-like reflection, transparent highlights, detailed fabric folds, luxury fabric, delicate rendering, cinematic lighting, volumetric lighting, high-end ani, monster girl with long coiled serpent lower body and glossy anime coloring, ((Anime screencap)), (Anime coloring:1.4), source_anime
Virland Pascar
AI artwork
Avatar image of 紅朱雀@主に自分の使う立ち絵制作と推しのファンアート制作
an art of a female devil wearing a black dress standing still and staring at the camera, 1girl, solo, long hair, full body, dress, black background, blonde hair, looking at viewer, halo, standing, black dress, highest quality, ultra-high definition, 4k, high resolution, cinematic lighting, anime style, fantastical futuristic magic effects, anime illustration, [body/skin: transparent iridescent snake scales - top priority], beautiful dark-skinned girl, highest quality, ultra-high definition, 4k, high resolution, large capacity, cinematic lighting, anime style, fantastical futuristic magic effects, solo, female, beautiful skin, slender, blue hair, long hair, low ponytail hair, side flaps, symmetrical bangs, crossed bangs, clear eyes, bewitching eyes, odd eyes, blue eyes, red eyes, round glasses, 4k, large capacity, full body, front view, standing, full shot, Himeno, full body, Kankandara, solo, female, apparition, lamia, snake eyes, snake patterns, slender curved beauty, anime illustration, great quality, best quality.
紅朱雀@主に自分の使う立ち絵制作と推しのファンアート制作
AI artwork
Avatar image of Kitty
A full body shot from a 3/4 view features a naga girl, a half-human half-snake hybrid, centered in the frame. She possesses long white hair with pastel pink streaks and heterochromic eyes, with the right eye being pale blue and the left eye pale green. Her lips and cheeks are a natural pastel pink, and her eyelids have a soft pastel pink shimmer. She is wearing a white top that leaves her abdomen exposed. From the hips down, her body transitions into a single, long, thick snake tail with pastel pink scales and a white underbelly. She is posed gracefully, with her tail curving around her body and her hands resting gently on her hips. The background is a simple, neutral space that emphasizes the character. The visual style is a high-quality anime illustration with clean lines, vibrant colors, and soft, luminous lighting that enhances the pastel tones of her appearance.
Kitty

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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