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- オリジナルプロンプト
- Mannequin with inward‑curled bob hair, glasses, and a shy otaku-style face with blushing cheeks; shown from behind in a safe, natural squatting pose. Wearing black short-length spats and black frilled socks. Captured from an extreme bottom-up floor-level angle.
- モード
- flash
- 縦横比
- 1104 x 1824
プロンプト自動変換
利用したモデルとLoRA
ほかの類似作品
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1girl, solo, mannequin, inward-curled bob, blunt bangs, bob cut, glasses, shy expression, blushing, squatting, from behind, looking back, extreme bottom-up angle, floor-level camera, foreshortening, black short spats, black frilled socks, frills, bare legs, full body, plain background
Extreme bottom-up floor-level view, camera resting on the floor and tilted steeply upward so the soles and the underside of the spats dominate the foreground and the head sits high in the frame, foreshortened and small. A single mannequin-girl crouches in a low, natural squat: heels lifted slightly, weight settled on the balls of both feet with the toes gripping the floor, knees splayed just wide enough for the pose to read as relaxed rather than rigid, thighs nearly horizontal. The pale segmented joint lines of a mannequin show at the knees and wrists, glossy shell surface over a duller underlayer. Her inward-curled bob falls densely to just below the jaw, the blunt bob ends curling in toward the cheeks in a dark, glassy mass; a few strands splay at the nape where the head has turned. Round glasses are pushed slightly high on the nose, and because she is seen from behind the frames catch only as thin arcs of rim at the temple and one lens edge flecked with reflected light. Her head turns just enough over the right shoulder that the far cheek shows its flare of blush from under the curl — a shy, otaku-ish cast: brows drawn slightly up and together, eyes turned down and away toward the floor, lips pressed into a small uncertain line, both cheeks hot with red that rouges the shell surface. Both arms hang down between the knees, hands loosely clasped at the shins, fingertips just brushing the tops of her socks. Black short spats sit high on the thigh, snug and cropped short, their seams stretched taut by the squat so the fabric creases into shallow fans across the hip and the hem cuts a clean horizontal line; below, bare legs, then black socks finishing in a frilled cuff that rumples around each ankle where it meets the floor. The light is a single soft source low and behind her from the left, raking across the floor and lighting the rims of the spats and the sock frills from underneath; the shadow spills out long in front of her feet, foreshortened by the camera angle. Cool neutral palette of pale porcelain, black fabric and a warm blush accent, one tiny specular highlight sliding along the glasses rim. Quiet, offbeat, softly embarrassed.
むぎ
1girl, solo, mannequin, inward-curled bob, blunt bangs, bob cut, glasses, shy expression, blushing, squatting, from behind, looking back, extreme bottom-up angle, floor-level camera, foreshortening, black short spats, black frilled socks, frills, bare legs, full body, plain background
Extreme bottom-up floor-level view, camera resting on the floor and tilted steeply upward so the soles and the underside of the spats dominate the foreground and the head sits high in the frame, foreshortened and small. A single mannequin-girl crouches in a low, natural squat: heels lifted slightly, weight settled on the balls of both feet with the toes gripping the floor, knees splayed just wide enough for the pose to read as relaxed rather than rigid, thighs nearly horizontal. The pale segmented joint lines of a mannequin show at the knees and wrists, glossy shell surface over a duller underlayer. Her inward-curled bob falls densely to just below the jaw, the blunt bob ends curling in toward the cheeks in a dark, glassy mass; a few strands splay at the nape where the head has turned. Round glasses are pushed slightly high on the nose, and because she is seen from behind the frames catch only as thin arcs of rim at the temple and one lens edge flecked with reflected light. Her head turns just enough over the right shoulder that the far cheek shows its flare of blush from under the curl — a shy, otaku-ish cast: brows drawn slightly up and together, eyes turned down and away toward the floor, lips pressed into a small uncertain line, both cheeks hot with red that rouges the shell surface. Both arms hang down between the knees, hands loosely clasped at the shins, fingertips just brushing the tops of her socks. Black short spats sit high on the thigh, snug and cropped short, their seams stretched taut by the squat so the fabric creases into shallow fans across the hip and the hem cuts a clean horizontal line; below, bare legs, then black socks finishing in a frilled cuff that rumples around each ankle where it meets the floor. The light is a single soft source low and behind her from the left, raking across the floor and lighting the rims of the spats and the sock frills from underneath; the shadow spills out long in front of her feet, foreshortened by the camera angle. Cool neutral palette of pale porcelain, black fabric and a warm blush accent, one tiny specular highlight sliding along the glasses rim. Quiet, offbeat, softly embarrassed.
むぎ
1girl, solo, adult woman, mature female, inward-curled bob, short brown bob, hair curled under at the jawline, round black-framed glasses, soft gentle expression, shy blush, blushing cheeks, looking back over shoulder, half-closed eyes, small closed-lip smile, oversized long-sleeve top, cream knit top, moe sleeves, sleeves past wrists, hands hidden in sleeves, black short spats, black frilled socks, frills at the ankle cuffs, squatting, deep squat, from behind, from below, extreme low angle, worm's-eye view, floor-level camera, foreshortening, single light source, dim room,
The camera sits flat on the floorboards, tilted straight up: the view opens on the soles of her frilled socks planted flat and slightly apart in the near foreground, huge and dark-edged, the black frill rings crushed and splayed against the boards where her weight presses them. Her knees rise steeply away from the lens, foreshortened, the black spats taut across the backs of her thighs and pulled into a short seat as her hips settle low; the oversized cream top hangs off her back in a loose tent of knit, its hem draping past her waist and bunching in soft folds above the spats, moe sleeves sliding down so the cuffs swallow her hands where they rest between her knees. Her inward-curled bob falls forward off her crown, the curled ends flipping under toward her jaw, and because her head is turned back over her right shoulder toward the lens we catch the edge of her cheek, the curve of one round black frame and the shy flush blooming across it; her eyes are lowered, lids half down, a small closed-lip smile held carefully, and her gaze drifts off to the side rather than meeting the lens. A single warm lamp high behind her is the only light source: it rims the top of her head and the shoulders of the top in a thin glow, drops the fronts of her thighs and the undersides of her sleeves into full darkness, and lays a soft short shadow of her hips onto the floorboards behind her heels, while the boards between the lens and her socks catch a little bounce light. Palette restricted to cream knit, black spats and socks, warm brown hair and lamplight amber against a dim grey-brown room; the empty floor fills the foreground. Quiet, tender.
むぎ
1girl, solo, adult woman, mature female, inward-curled bob, short brown bob, hair curled under at the jawline, round black-framed glasses, soft gentle expression, shy blush, blushing cheeks, looking back over shoulder, half-closed eyes, small closed-lip smile, oversized long-sleeve top, cream knit top, moe sleeves, sleeves past wrists, hands hidden in sleeves, black short spats, black frilled socks, frills at the ankle cuffs, squatting, deep squat, from behind, from below, extreme low angle, worm's-eye view, floor-level camera, foreshortening, single light source, dim room,
The camera sits flat on the floorboards, tilted straight up: the view opens on the soles of her frilled socks planted flat and slightly apart in the near foreground, huge and dark-edged, the black frill rings crushed and splayed against the boards where her weight presses them. Her knees rise steeply away from the lens, foreshortened, the black spats taut across the backs of her thighs and pulled into a short seat as her hips settle low; the oversized cream top hangs off her back in a loose tent of knit, its hem draping past her waist and bunching in soft folds above the spats, moe sleeves sliding down so the cuffs swallow her hands where they rest between her knees. Her inward-curled bob falls forward off her crown, the curled ends flipping under toward her jaw, and because her head is turned back over her right shoulder toward the lens we catch the edge of her cheek, the curve of one round black frame and the shy flush blooming across it; her eyes are lowered, lids half down, a small closed-lip smile held carefully, and her gaze drifts off to the side rather than meeting the lens. A single warm lamp high behind her is the only light source: it rims the top of her head and the shoulders of the top in a thin glow, drops the fronts of her thighs and the undersides of her sleeves into full darkness, and lays a soft short shadow of her hips onto the floorboards behind her heels, while the boards between the lens and her socks catch a little bounce light. Palette restricted to cream knit, black spats and socks, warm brown hair and lamplight amber against a dim grey-brown room; the empty floor fills the foreground. Quiet, tender.
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