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AI art "もはや別人にw ②" featuring #頬染め, #ロングヘア, #ケーキ, #青髪, #ピンク髪, #食べ物, #笑顔, #リボン, #苺, #コップ, #お茶, #碧眼, #開口, #複数の女性, #ティーカップ, #長袖, #白シャツ and #閉じ口
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もはや別人にw ②

#頬染め#ロングヘア#ケーキ#青髪#ピンク髪#食べ物#笑顔#リボン#苺#コップ#お茶#碧眼#開口#複数の女性#ティーカップ#長袖#白シャツ#閉じ口
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character: moria_luluka_(civilian), howa_kurea. A medium shot from a side-angle depicts moria_luluka_(civilian) and howa_kurea sitting opposite each other at a table inside a brightly lit, cozy cafe. moria_luluka_(civilian) sits on one side with a cool, composed expression, though her cheeks are faintly flushed with a soft pink hue; she rests her hands neatly on the table. Opposite her, howa_kurea is smiling warmly, her own cheeks lightly blushing as she looks toward the dessert. Between them sits a massive, towering three-tiered cake and two delicate teacups filled with steaming amber tea. The cafe interior is airy and cheerful, with warm wooden textures and soft sunlight filtering through the windows. The visual style is a glossy, glass-like anime aesthetic featuring lively, bouncing linework and oversized, expressive eyes with intense, sparkling highlights. The color palette is bright and clean, with shimmering effects and high-contrast rendering that gives the scene a polished, vibrant mood.
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オリジナルプロンプト
2girls,『名探偵プリキュア!』の森亜るるかと帆羽くれあ、明るい喫茶店の店内で、向かいあって座っている二人、テーブルの上に置かれた巨大な三段重ねケーキを前にクールな表情の森亜るるか、るるかは微かに頬を赤らめている、ケーキを前に微笑んでいる帆羽くれあ、くれあは微かに頬を赤らめている、二人の前には紅茶の入ったティーカップが置かれている、
モード
lite
スタイル
ガラス風アニメ
縦横比
768 x 1280
ウォーターマーク
オン
スタイル: ガラス風アニメ

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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