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AI art "無重力の撮影会" featuring #東方Project, #ミニスカート, #頬染め, #黒髪, #射命丸文, #ハイアングル, #飛行, #雲, #カメラ目線, #女の子, #鳥, #指フレーム and #青空
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無重力の撮影会

#東方Project#ミニスカート#頬染め#黒髪#射命丸文#ハイアングル#飛行#雲#カメラ目線#女の子#鳥#指フレーム#青空
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adam222

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(masterpiece, best quality:1.3), 1girl, solo, aya shameimaru, touhou project, short black hair, red tokin hat, white shirt, black skirt, black crow wings, looking at viewer, happy smile, open mouth, cheerful expression, beautiful detailed eyes, centered composition, full body, head up and feet down, floating in mid-air, making a finger frame with both hands, frame gesture, holding hands in a rectangle shape in front of face, looking through fingers, feet spread slightly, feeling the wind, wind blown hair, wind blown clothes, visible wind trails, strong wind ripples surrounding the character, glowing white air currents, swirling breeze, surreal upside-down world, multiple inverted white birds flying upside down in the sky, an inverted landscape at the top of the image with a lush forest, a small village with tiny houses, and low mountains hanging from above, looking down at the blue sky and scattered clouds below, strong sunlight from bottom right, bright lens flare, intense rim lighting, dramatic lighting, counter-light from below, fantasy background.
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モード
pro
縦横比
1392 x 1792
サンプリング方法
Euler
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit, (worst quality, low quality:1.4), deformed, bad anatomy, bad hands, missing fingers, extra fingers, mutated hands, poorly drawn hands, bad eyes, mutation, deformed iris, blurry, cropped, watermark, signature, text, monochrome, extra limbs, fused fingers, too many fingers, deformed fingers, gross proportions, malformed limbs, (upside-down character:1.2), normal birds, upright birds, ground, floor, soil

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#進撃の巨人#ミカサ・アッカーマン
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