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AI art "Sadako Yamamura on the bathroom"
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Sadako Yamamura on the bathroom

#ビキニ#おっぱい#水着#胸の谷間#超ロングヘア#濡れ#山村貞子#ロングヘア#ソロ#巨乳#黒髪#色白#太もも#幽霊#濡れ透け#リング#両目隠れ#肩出し#透けへそ#女の子#洗面所#異色肌
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Solo, yamamura sadako, grey skin, colored skin, hair over eyes, very long hair, 1girl, Sadako Yamamura, hair over eyes, standing, bathroom, large breasts, thick thighs, tight clothing, bare shoulders, cleavage, bare shoulders, seductive, tonka_kryga art style, yamamura sadako, grey skin, colored skin, hair over eyes, very long hair, thick, Bluefrok, swimsuit, bathtub, semi-transparent clothing, glistening body
パラメーターを見る
縦横比
768 x 1280
サンプリングステップ
5
サンプリング方法
Euler a
CFGスケール
1.1
ネガティブ
bad quality,worst quality,worst detail,sketch,censor
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利用したモデルとLoRA

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AI artwork
GT
character: yamamura_sadako, copyright: the_ring 1girl, solo, yamamura_sadako (the_ring), very_long_black_hair, hair_over_eyes, hair_over_face, hair_covering_one_eye, black_eyes, pale_grey_skin, colored_skin, large_breasts, thick_thighs, skindentation, visible_collarbone, sharp_teeth, open_mouth, looking_at_viewer, sitting, white_dress, long_sleeves, off_shoulder, thighhighs, bare_shoulders, bare_ears, unadorned_wrists, bare_hands, indoors, from_below, full_body, dutch_angle, tense_atmosphere, Low three-quarter camera tilted slightly off level, looking up at her: the tall woman sits on a bare wooden floor in a stripped, dim room, one knee drawn up and the other leg folded to the side, her weight sunk onto her left hip so the white dress pulls taut across her chest and rucks into slack loops of wet cloth at the waist, the fabric biting shallow indentations into her hip and thigh where she leans. Very long black hair falls in a heavy sheet from her crown, parted so a thick black curtain slides straight down over one eye and past the cheekbone; the other black eye stays fully on the viewer, lid low, pupil fixed. Her mouth hangs open, upper lip lifted, sharp teeth bared in a thin shine along the gum line. The white dress has slipped off both shoulders: bare shoulders and a bare collarbone catch the light, and long sleeves start below the upper arm and hang loose past her wrists to her knuckles. Pale grey skin, slightly cool and matte, the tone deepening to charcoal in the creases of the elbow and under the jaw; the skindentation at her hip shows where the bunched white dress presses in. Both ears bare, both wrists bare, no jewellery anywhere on her. Thighhighs in dark charcoal hug her thick thighs, the elastic band cutting a visible edge against the grey skin above the knee. The only light comes from a single bare window behind and to the left of frame, cold and colorless: it rims the wet white fabric, lays a hard silver stripe along her collarbone and the tips of her teeth, and drops the floor and the far corners into near-total blackness so the room reads as a vacated box. The floorboards beneath her are dry, save for a darker patch of damp where the wet hem pools. Still, unblinking, unhurried — quiet dread.
GT

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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