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Linh Nguyen

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A digital anime illustration of the character from image1 holding a file folder. She has long blonde hair with a red bow, purple eyes, and a red bow tie, wearing the same outfit as image1: a white long-sleeved blouse with a ruffled plunging neckline and a short black skirt. She leans against a desk, grasping a stack of documents in her hands. The background is a bright office featuring a left-side window casting soft sunlight, a potted plant, and a computer monitor on the right. The art style stays the same as the input image1.
パラメーターを見る
オリジナルプロンプト
tạo @image1 cầm hồ sơ,tập hồ sơ
モード
pro
品質タグ
﹝プロンプト﹞
縦横比
768 x 1280
プロンプト自動変換

利用したモデルとLoRA

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a
character: irina_jelavic, A detailed anime illustration showcases Irina Jelavic from Assassination Classroom in a medium shot from a frontal angle. She has long blonde hair flowing past her shoulders and piercing blue eyes that look directly at the viewer with a confident, alluring smirk. She wears a stylish outfit comprising a black pencil skirt and a crisp white shirt left slightly open at the top, secured with a black belt around her waist, and a thigh strap on her right leg. Her posture is relaxed yet poised, standing with a slight lean; her left hand is casually placed on her hip, and her right hand holds a professional-looking dossier file at her side. She is positioned centrally against a simple, elegant office interior background with subtle decorative elements like potted plants and framed pictures. High-quality studio lighting creates clean lines and sharp contrasts, with a sophisticated color palette dominated by blacks, whites, and neutral tones. The overall mood is professional, sleek, and subtly seductive, rendered with polished, high-definition digital art techniques.
Albert

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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