無料で新規登録して、今すぐ10,000クレジットをゲット!

創作を始めるあなたに、新規登録当日から使えるクレジットをプレゼント!

PixAI iOS版 App Storeでの一時配信停止について — PixAIをご利用の皆さまへ 現在、PixAI iOSアプリはApp Storeでの検索およびダウンロードができない状態となっております。早期の配信再開に向けて、Appleと協議を進めております。ご不便をおかけし、誠に申し訳ございません。…

詳細を見る
AI art "夕暮れの東京タワーと下町の風景" featuring #和服, #子供, #夕暮れ, #クレーン, #複数の女性, #東京タワー, #送電線 and #建物
新しい作品を生成無料で生成無料で生成

夕暮れの東京タワーと下町の風景

古き良き下町の路地から見上げる東京タワーの夕景がとても心に沁みます。ノスタルジックな雰囲気の中、家族の温かい会話が聞こえてきそうな、そんな優しい作品に仕上がりました。気に入っていただけたら、いいねとフォローをお願いします!

#和服#子供#夕暮れ#クレーン#複数の女性#東京タワー#送電線#建物
さらに表示

コメント

three people, from below, wide shot, low horizon, Tokyo Tower under construction, lattice steel tower rising half-built, Showa 33, 1958, old Tokyo shitamachi downtown, novelist, boy, girl, group employment, heartwarming, standing together, looking up, sky, dusk The camera sits low, tilted up past the rooflines of a shitamachi back street: a wide shot from below, the horizon low in the frame so that the half-built Tokyo Tower dominates the upper third, its rust-red lattice steel climbing into a pale evening sky with the crane arm and scaffolding still clinging to its unfinished tip, girders truncating in mid-air where the next section has not been riveted yet. Along the bottom two-thirds: a narrow lane of two-storey wooden row houses, weathered clapboard and soot-darkened plaster, tiled eaves overlapping into the street, laundry poles jutting out with towels and a work shirt hanging slack, a bicycle leaning against a wall, a hanging shop curtain faded at the fold, a single power pole with sagging wires crossing the sky. The three figures stand in the middle of the lane on the packed dirt, seen from below and slightly behind their shoulder line, all three with their faces lifted toward the tower. On the right, the novelist: a middle-aged man in a rumpled dark kimono jacket over a creased shirt, sleeves pushed to the elbow, a hand resting on a notebook tucked under his arm, thinning hair combed back, thin-rimmed glasses catching the light, his chin raised, a tired fondness around the eyes. In the center, slightly forward, the boy: small, maybe eight, in a patched short-sleeve shirt and shorts with knees worn thin, sandals, both hands shoved into his pockets, head tipped far back so his whole face is upturned, mouth slightly open in wonder, hair sticking up at the crown. On the left, the girl: a young woman from the countryside, hair in two low braids under a plain cloth headband, a cotton work blouse tucked into a dark skirt, a cloth bundle slung over one shoulder, one hand shading her eyes as she looks up, a small open smile, the other hand loose at her side. Light comes from the low sun behind the row houses on the left, warm orange raking across the faces and the split ends of the laundry, casting long shadows of all three diagonally to the right across the dirt lane; the tower's upper lattice still catches the light while its lower girders sit in cool blue shadow. Palette of warm amber, rust red, weathered grey-brown wood, and a cool twilight blue in the sky, nothing neon or modern. Dust motes float in the slanted light, and the towels on the line stir just enough to show the breeze moving toward the tower. Quiet, heartwarming.
パラメーターを見る
オリジナルプロンプト
映画『ALWAYS 三丁目の夕日』, 昭和33年 (東京タワー建設中), 記念すべき第1作。青森から集団就職で上京した六子や、身寄りのない少年・淳之介を預かることになった小説家・茶川の交流を描く, 西岸良平の漫画『三丁目の夕日』を原作に、山崎貴監督がVFX(CG技術)を駆使して昭和の古き良き東京の下町を再現した感動の人間ドラマです,
モード
pro
品質タグ
﹝プロンプト﹞
縦横比
1104 x 1824
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換

利用したモデルとLoRA

ほかの類似作品

続きを読む

もっと探す

おすすめユーザー

あなたにおすすめ

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬