【お知らせ】生成速度の低下とGPUリソース不足について — PixAIをご利用の皆さまへ いつもPixAIをご利用いただき、誠にありがとうございます。 現在、PixAI全体で生成速度が低下し、通常よりも生成待ちの時間が長くなっています。ご利用の皆さまにはご不便をおかけしており、心よりお詫び申し上げま…
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- オリジナルプロンプト
- 26-year-old Caucasian male, athletic build, broad shoulders, athletic muscular frame, pale clear skin, wispy brown hair falling over forehead, strong jawline, clean-shaven, brooding eyes, wearing an elaborate feminine white silk wedding dress, form-fitting gown, delicate lace veil, white thigh-high stockings, white garter, white lace panties, white high heels, juxtaposition of masculine physique and feminine bridal attire
- モード
- flash
- 縦横比
- 1104 x 1824
プロンプト自動変換
利用したモデルとLoRA
ほかの類似作品
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hb
1boy, solo, 26-year-old male, caucasian, athletic build, broad shoulders, muscular, muscular male, pale skin, clear skin, wispy brown hair, brown hair falling over forehead, strong jawline, clean-shaven, brooding eyes, serious expression, white silk wedding dress, form-fitting gown, bridal gown, elaborate dress, delicate lace veil, white thigh-high stockings, white garter, white lace panties, white high heels, masculine physique in feminine bridal attire, full body, standing, from below, dutch angle, looking down at viewer, hands on hips, head tilt, sidelong gaze, indoor, empty cathedral nave, tall arched windows, stone floor, single light source, high contrast, cool white palette,
Composed from a low, canted angle that runs up the length of him: one tall, athletic man of twenty-six stands alone in the middle of an emptied cathedral nave, the camera set near knee height and tilted a few degrees off plumb so the stone columns lean and the vaulting crowds in above his head. He is broad-shouldered and heavily built, and the white silk gown is cut close and merciless about it -- the fabric strains flat across the width of his chest and pulls taut over his deltoids, its boned bodice laced shut around a ribcage built for something else entirely, the skirt falling slim over muscular thighs and flaring just at the floor. His weight is settled on the left hip, right knee slightly bent, both heels planted on the stone; the tips of the white high heels press into the floor and the white thigh-high stockings narrow from his calves to the garter band biting into one thigh where the hem of the skirt rides up, white lace panties visible for a finger's width beneath the silk. His right hand sits flat on his hip and grips the gown's seam, knuckles pale; his left arm hangs with the lace veil gathered loosely between two fingers so the delicate netting falls from his knuckles past his shoulder in a long, trembling column. Wispy brown hair falls in damp strands over his forehead; the veil's lace edge drapes over the crown of his head and trails behind him, its patterned shadows laid across his pale clear skin. He has a strong jaw, shaved smooth to the edge of the bone, and his eyes are heavy-lidded and dark, brooding, looking down past the tilted frame at the viewer without warmth, one brow dropped lower than the other, lips closed and flat. The single light source is the tall window at the far end of the nave; it strikes the left side of his face, the front of the gown and the tops of his shoulders, and everything behind him -- the pews, the columns, the far door -- falls into unbroken darkness exactly where the light stops. Where the silk pulls tightest the highlights are hard and cool and the shadowed side of the gown is the colour of watered milk; the only warm note is the brown of his hair. White, bone-grey and black, nothing else admitted. The lace veil hangs motionless, then sways a half-second after his fingers move -- quiet, confrontational.
honey bee
hb
1boy, solo, 26-year-old male, caucasian, athletic build, broad shoulders, muscular, muscular male, pale skin, clear skin, wispy brown hair, brown hair falling over forehead, strong jawline, clean-shaven, brooding eyes, serious expression, white silk wedding dress, form-fitting gown, bridal gown, elaborate dress, delicate lace veil, white thigh-high stockings, white garter, white lace panties, white high heels, masculine physique in feminine bridal attire, full body, standing, from below, dutch angle, looking down at viewer, hands on hips, head tilt, sidelong gaze, indoor, empty cathedral nave, tall arched windows, stone floor, single light source, high contrast, cool white palette,
Composed from a low, canted angle that runs up the length of him: one tall, athletic man of twenty-six stands alone in the middle of an emptied cathedral nave, the camera set near knee height and tilted a few degrees off plumb so the stone columns lean and the vaulting crowds in above his head. He is broad-shouldered and heavily built, and the white silk gown is cut close and merciless about it -- the fabric strains flat across the width of his chest and pulls taut over his deltoids, its boned bodice laced shut around a ribcage built for something else entirely, the skirt falling slim over muscular thighs and flaring just at the floor. His weight is settled on the left hip, right knee slightly bent, both heels planted on the stone; the tips of the white high heels press into the floor and the white thigh-high stockings narrow from his calves to the garter band biting into one thigh where the hem of the skirt rides up, white lace panties visible for a finger's width beneath the silk. His right hand sits flat on his hip and grips the gown's seam, knuckles pale; his left arm hangs with the lace veil gathered loosely between two fingers so the delicate netting falls from his knuckles past his shoulder in a long, trembling column. Wispy brown hair falls in damp strands over his forehead; the veil's lace edge drapes over the crown of his head and trails behind him, its patterned shadows laid across his pale clear skin. He has a strong jaw, shaved smooth to the edge of the bone, and his eyes are heavy-lidded and dark, brooding, looking down past the tilted frame at the viewer without warmth, one brow dropped lower than the other, lips closed and flat. The single light source is the tall window at the far end of the nave; it strikes the left side of his face, the front of the gown and the tops of his shoulders, and everything behind him -- the pews, the columns, the far door -- falls into unbroken darkness exactly where the light stops. Where the silk pulls tightest the highlights are hard and cool and the shadowed side of the gown is the colour of watered milk; the only warm note is the brown of his hair. White, bone-grey and black, nothing else admitted. The lace veil hangs motionless, then sways a half-second after his fingers move -- quiet, confrontational.
honey bee
hb
1boy, solo, 26-year-old male, caucasian, athletic build, broad shoulders, muscular, muscular male, pale skin, clear skin, wispy brown hair, brown hair falling over forehead, strong jawline, clean-shaven, brooding eyes, serious expression, white silk wedding dress, form-fitting gown, bridal gown, elaborate dress, delicate lace veil, white thigh-high stockings, white garter, white lace panties, white high heels, masculine physique in feminine bridal attire, full body, standing, from below, dutch angle, looking down at viewer, hands on hips, head tilt, sidelong gaze, indoor, empty cathedral nave, tall arched windows, stone floor, single light source, high contrast, cool white palette,
Composed from a low, canted angle that runs up the length of him: one tall, athletic man of twenty-six stands alone in the middle of an emptied cathedral nave, the camera set near knee height and tilted a few degrees off plumb so the stone columns lean and the vaulting crowds in above his head. He is broad-shouldered and heavily built, and the white silk gown is cut close and merciless about it -- the fabric strains flat across the width of his chest and pulls taut over his deltoids, its boned bodice laced shut around a ribcage built for something else entirely, the skirt falling slim over muscular thighs and flaring just at the floor. His weight is settled on the left hip, right knee slightly bent, both heels planted on the stone; the tips of the white high heels press into the floor and the white thigh-high stockings narrow from his calves to the garter band biting into one thigh where the hem of the skirt rides up, white lace panties visible for a finger's width beneath the silk. His right hand sits flat on his hip and grips the gown's seam, knuckles pale; his left arm hangs with the lace veil gathered loosely between two fingers so the delicate netting falls from his knuckles past his shoulder in a long, trembling column. Wispy brown hair falls in damp strands over his forehead; the veil's lace edge drapes over the crown of his head and trails behind him, its patterned shadows laid across his pale clear skin. He has a strong jaw, shaved smooth to the edge of the bone, and his eyes are heavy-lidded and dark, brooding, looking down past the tilted frame at the viewer without warmth, one brow dropped lower than the other, lips closed and flat. The single light source is the tall window at the far end of the nave; it strikes the left side of his face, the front of the gown and the tops of his shoulders, and everything behind him -- the pews, the columns, the far door -- falls into unbroken darkness exactly where the light stops. Where the silk pulls tightest the highlights are hard and cool and the shadowed side of the gown is the colour of watered milk; the only warm note is the brown of his hair. White, bone-grey and black, nothing else admitted. The lace veil hangs motionless, then sways a half-second after his fingers move -- quiet, confrontational.
honey bee
hb
character: nanami_kento
1boy, solo, mature male, masculine, muscular build, broad shoulders, short blonde hair, side part, neatly trimmed beard, body hair, chest hair, hairy arms, hairy legs, muscular arms, strapless white wedding dress, corseted bodice, boning, high slit, white wedding veil, lace trim, holding bouquet, bridal bouquet, garter straps, white thighhigh stockings, high heels, white pumps, standing, stoic, solemn expression, looking at viewer, from below, full body, cathedral, church altar, stone steps, candles, stained glass window
A full-body shot from below captures a towering, broad-shouldered mature man standing upright on the polished marble steps of a grand cathedral altar. He has neatly combed, side-parted short blonde hair and a meticulously groomed beard along a sharp, square jaw. A translucent white lace-trimmed wedding veil sits delicately atop his head, cascading back over his broad, exposed shoulders. His powerfully built, masculine frame is clad in a pristine white bridal gown featuring an intensely fitted, boned satin corset with a strapless sweetheart neckline; dark blonde chest hair sprouts naturally above the neckline, accentuating his thick pectoral muscles and the wide spread of his collarbones. Both muscular, hairy arms are bare, with defined triceps and vascular forearms flexed as his large hands gently clasp the satin-ribboned stem of a lush bouquet of ivory roses and eucalyptus at his waist. The voluminous white skirt drops to the floor but parts along a dramatic high leg slit, revealing one muscular, hair-dusted thigh encircled by a taut white lace garter strap connecting to a sheer white thigh-high stocking. His feet are planted securely on the stone in elegant white pointed-toe high heels, carrying his heavy athletic weight with poise. His expression is stoic, calm, and solemn, fixing a level, steady gaze directly down toward the viewer. Warm candlelight from towering gold candelabras glints along the satin sheen and reflects off the stone floor, while cool daylight filters through a distant stained-glass rose window behind him, rimming his veil in a soft halo. The rigid vertical boning of the corset strains taut against his deep chest, while the gossamer tulle of the veil drifts gently in the nave's subtle air currents. Solemn dignity.
honey bee
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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1
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