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AI art "Lelouch's Yorha" featuring #ルルーシュ・ランペルージ, #コードギアス反逆のルルーシュ, #ニーアオートマタ and #zetaCollab

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Lelouch's Yorha

参加作品

PixAI × zeta オリキャラコンテスト2026 #zetaCollab

#ルルーシュ・ランペルージ #コードギアス反逆のルルーシュ #ニーアオートマタ

投稿日は Oct 26, 2026

AN Kamen

さらに表示

character: lelouch_vi_britannia, a2_(nier:automata), 10h_(nier_reincarnation), commander_(nier:automata), operator_6o, operator_21o, copyright: code_geass, nier, nier:automata, nier_reincarnation, yorha harem, 6 girls, 1 boy, lelouch vi britannia, black_hair, short_hair, sidelocks, purple_eyes, seductive eyes, half-closed eyes, smirk, white-gold suit, gold-trimmed white jacket, high collar, gold epaulettes, black gloves, sitting on a throne, throne room, commander_(nier:automata), blonde_hair, very_long_hair, ponytail, parted_bangs, blue_eyes, white_gloves, black-knights female dress uniform, operator_6o, blonde_hair, twin_braids, black_hairband, blue_eyes, black_gloves, black-knights female dress uniform, huge thighs, ripped leggings, operator_21o, blonde_hair, short_hair, blue_eyes, black_gloves, black-knights female dress uniform, huge thighs, ripped leggings, 10h_(nier_reincarnation), white_hair, medium_hair, wolf_cut, blue_eyes, black_gloves, black-knights female dress uniform, huge thighs, ripped leggings, a2_(nier:automata), white_hair, long_hair, hair_between_eyes, mole_under_mouth, robot_joints, black_gloves, black-knights female dress uniform, huge thighs, ripped leggings, s21_(yorha), black-knights female dress uniform, huge thighs, ripped leggings, female slave, collar, kneeling, from below, dutch angle, wide shot, dramatic lighting, looking at viewer, looking at another The camera sits low and tilted, looking up from the foot of a black marble dais so the throne looms and every standing figure towers above the lens. At the center, seated on the throne, a young man with short black hair and long sidelocks framing his face leans back into the high backrest, one ankle crossed over the other knee, his black-gloved left hand draped over the armrest with fingers curled loosely and his right hand raised to his chin, one finger pressed to his lower lip. His half-lidded purple eyes look down the length of the dais with heavy-lidded seduction, and one corner of his mouth pulls up into a slow smirk. He wears a white-gold suit: a fitted white jacket with a tall gold-edged collar and gold epaulettes, a black shirt beneath, gold-trimmed cuffs, a gold chain at the hip, and black gloves; the throne's carved gold finials rise behind his shoulders and his long shadow spills down the steps toward the viewer. Arranged in a loose arc on the dais and the steps below him, surrounding him, the six women of the harem all wear the same uniform cut in the female dress version: dark high-collared fitted jacket-dresses with contrasting trim, cinched belts, and flared skirts, and each pair of legs is heavy and full, muscles pressing the fabric taut at the thighs, with ladders of rips torn across their leggings exposing skin in jagged windows. At his right shoulder a woman with very long blonde hair bound in a high ponytail and parted bangs, white-gloved hands folded at her waist, stands straight and looks down at him with cool appraisal. Beside her a blonde with twin braids looped through a black hairband leans her hip against the throne's arm, one black-gloved hand braced on it, chin tipped up toward him and a bright, eager look on her face, her braids swinging forward. A short-haired blonde with blue eyes, black gloves on, stands a half-step behind, lips pressed thin, gaze flicking sideways at her sisters. At his left a white-haired woman with a wolf-cut and blue eyes tilts her head toward him with a teasing half-smile, one hand on her hip, the ripped knee of her leggings split wide. Farther down the steps a long white-haired woman with a mole under her mouth and dark segmented joints at her wrists crouches on one knee, elbow on the other thigh, chin propped on her fist, watching him with a flat appraising stare. And at the very front, lowest of all, one woman kneels on the step nearest the viewer, a plain dark band around her throat marking her as the slave, both palms flat on the marble, shoulders hunched, head lifted so her eyes look straight up into the camera; her thighs spread wide beneath the torn leggings and every rip in them pulls open at the seams around the pressure of her weight. Every face is turned inward on the seated man, and his own veiled gaze drifts across them and then down the lens. The hall behind them is a vast dark chamber of black stone with tall narrow windows, and a single cold shaft of light falls from a high window onto the dais, striking the gold of the uniform and the throne and leaving the aisles in absolute dark, so the marble under the kneeling woman catches only a thin reflected ribbon of that same light. Dust hangs visible in the beam. The palette is severe: white and gold against black stone, with the plain unlit gray of the uniform trim and the pale flesh at the torn leggings as the only other colors. A smear of light on the polished floor marks exactly where the beam breaks around the throne's arm. Grand, imperious, and tense with heat.

Lelouch's Yorha

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