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AI art "一期一振 - タイガー・アイ・クォーツ" featuring #刀剣乱舞-ONLINE- and #一期一振
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一期一振 - タイガー・アイ・クォーツ

#刀剣乱舞-ONLINE-#一期一振
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A square 1:1 composition in a fictional contemporary mineral gallery. A broad horizontal polished slab of tiger's-eye quartz occupies the left half of the image, while Ichigo Hitofuri stands on the right, absorbed by its sweeping golden bands. The crop runs from the top of his head to the middle of his thighs. The camera is slightly below his face level and to his front-left, keeping his three-quarter face, the mineral surface and the space between them visible. The slab hangs at his chest-to-shoulder height on the same wall plane beside him; its length is about one meter and its height about thirty centimeters, not a gigantic wall of gemstone. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, smooth even complexion, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, moderate brow thickness, clear brow-to-eye distance, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25). His eyebrows rise with genuine admiration and his lips part, their corners almost level. His gaze remains fixed on a narrow golden band near the middle of the slab. His chest turns toward the display and his shoulders loosen; the stillness of his posture suggests that he is delighted by an unexpected depth in the stone rather than simply posing beside it. His left hand rests against a low guardrail, its fingers relaxed; his right arm hangs naturally by his coat, clear of the display. He wears a long, unfastened charcoal-blue wool coat over a deep forest-green single-breasted waistcoat and a pale gray fine-cotton shirt. The coat has narrow notched lapels with a darker facing, a clean front edge and two low flap pockets; its front panels remain separate from the throat to the lower crop. The waistcoat is closed by small dark metal buttons down to the natural waist, with the pale shirt and its short upright collar visible above its V-shaped opening. The coat sleeves end in tailored split cuffs with one small button each. One cuff creases softly where his arm rests on the rail; the hanging sleeve falls straight. The wool is dry and dense, the waistcoat softly textured, and the shirt smooth. Dark tailored trousers appear below the waistcoat. The real, solid slab has irregular edges and a flattened, polished face. Gold and honey-brown chatoyant streaks run horizontally through deep brown, reddish iron-rich bands and occasional muted dark mineral layers. Narrow reflective bands follow the fibrous grain; the stone itself does not emit light. A continuous metal support lip carries its lower edge, with small retaining brackets at its top corners. The wall behind it is matte charcoal. A slender rail crosses only the lower foreground, with its short posts attached to the pale stone floor. The dark wall, one side return and a small wedge of flooring are the only architectural elements needed for the gallery. A warm directional gallery lamp from the upper left brings out the gold along the stone's grain. A weaker cool reflection from the right keeps the pale face, the buttons and the dark fabric readable. Soft contact shadows sit behind the slab brackets and beneath his resting hand. Reflections remain localized to the polished stone and metal, while the wool absorbs most of the light. single coherent lighting setup. masterpiece, best quality, detailed illustration
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モード
pro
縦横比
992 x 992
サンプリング方法
Euler
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit

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