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Ed Ryan

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Ed Ryan

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1girl, solo, dark red hair, ponytail, high ponytail, shiny hair, green eyes, sparkling eyes, oversized hoodie, open hoodie, grey hoodie, low cut tank top, white ribbed tank top, dog tags, necklace, denim shorts, frayed shorts, black combat boots, lace-up boots, standing, head tilt, head cocked to the side, from below, low angle, cowboy shot, bored, half-closed eyes, jitome, looking at viewer, arms at sides, slack shoulders, completely white background, plain white field, no other objects Low angle inside a seamless completely white studio void that stretches to every edge of the frame with nothing else in it -- no floor line, no horizon, the white running unbroken behind her boots and past her shoulders. A single young woman stands square to the middle of the frame, hips shifted onto her right leg, left knee loose and slightly bent so the boot toe rolls inward, both arms hanging slack at her sides with her thumbs hooked into the front pockets of the frayed denim shorts and her fingers limp over the denim edge. Her head is cocked hard over to her left shoulder, ear close to the hoodie collar, chin lifted a few degrees so she is looking down the bridge of her nose at the lens; her eyelids sit half shut, brows flat and unimpressed, lips a straight closed line with one corner faintly pulled down, a slow impatient exhale visibly lifting one rib of the tank. Dark red hair is gathered into a high ponytail tied behind the crown, the tail falling forward over her right shoulder in a heavy loose curve that ends just above her collarbone, a few flyaway strands clinging across her cheek; her green eyes catch the light as two clean polished specular points, wet and clear against the low flat lids. The oversized grey hoodie hangs unfastened and far too big, sleeves bunched and swallowed past her knuckles and pushed up once, the wide hem drooping slack around her hips and riding open so the white ribbed tank shows down its low scooped neckline; two small metal dog tags hang from a ball chain in the hollow of the exposed chest, one tag lying flat and the second tipped at an angle against it, both catching a thin bright edge of light. The denim shorts are cut off short and frayed at the hems, and black leather combat boots sit laced tight up her ankles, a scuff on the left toe cap. Everything is lit by one soft, even, high frontal studio key that bleaches the white field behind her to a flat blank sheet while leaving only a soft grey contact shadow compressed under each boot sole and a thin shading down the inside of the hoodie's open front and beneath the dog tags against her chest; no other light source exists and beyond that key the background is unbroken pure white. Restrained palette of the pale warm off-white tank, the muted grey hoodie, the warm near-black red of her ponytail as the one saturated accent, and the cool grey-white studio white filling every remaining edge of the frame, with the denim reading a faded blue-grey and the boots a clean deep black. Detail budget goes to her face and the cock of her head, the slack drape of the oversized sleeves, the metal of the dog tags and the laced boots at the bottom of the crop. Deadpan, effortlessly cool.
パラメーターを見る
オリジナルプロンプト
a girl with a dark red ponytail, and shining green eyes. she is wearing an oversized open hoody and a low cut tank top with dog tags around her neck, she is wearing jean shorts and black combat boots. she is standing cocking her head at the camera with a bored look on her face. completely white background
モード
pro
スタイル
ネオンポスター
品質タグ
﹝プロンプト﹞
縦横比
1104 x 1824
サンプリング方法
Euler
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit
スタイル: ネオンポスター
プロンプト自動変換

利用したモデルとLoRA

Tsubaki.3 - AI Modelのカバー画像

PixAI DiT.3

Tsubaki.3
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AI artwork
er
1girl, solo, dark red hair, ponytail, high ponytail, shiny hair, green eyes, sparkling eyes, oversized hoodie, open hoodie, grey hoodie, low cut tank top, white ribbed tank top, dog tags, necklace, denim shorts, frayed shorts, black combat boots, lace-up boots, standing, head tilt, head cocked to the side, from below, low angle, cowboy shot, bored, half-closed eyes, jitome, looking at viewer, arms at sides, slack shoulders, completely white background, plain white field, no other objects Low angle inside a seamless completely white studio void that stretches to every edge of the frame with nothing else in it -- no floor line, no horizon, the white running unbroken behind her boots and past her shoulders. A single young woman stands square to the middle of the frame, hips shifted onto her right leg, left knee loose and slightly bent so the boot toe rolls inward, both arms hanging slack at her sides with her thumbs hooked into the front pockets of the frayed denim shorts and her fingers limp over the denim edge. Her head is cocked hard over to her left shoulder, ear close to the hoodie collar, chin lifted a few degrees so she is looking down the bridge of her nose at the lens; her eyelids sit half shut, brows flat and unimpressed, lips a straight closed line with one corner faintly pulled down, a slow impatient exhale visibly lifting one rib of the tank. Dark red hair is gathered into a high ponytail tied behind the crown, the tail falling forward over her right shoulder in a heavy loose curve that ends just above her collarbone, a few flyaway strands clinging across her cheek; her green eyes catch the light as two clean polished specular points, wet and clear against the low flat lids. The oversized grey hoodie hangs unfastened and far too big, sleeves bunched and swallowed past her knuckles and pushed up once, the wide hem drooping slack around her hips and riding open so the white ribbed tank shows down its low scooped neckline; two small metal dog tags hang from a ball chain in the hollow of the exposed chest, one tag lying flat and the second tipped at an angle against it, both catching a thin bright edge of light. The denim shorts are cut off short and frayed at the hems, and black leather combat boots sit laced tight up her ankles, a scuff on the left toe cap. Everything is lit by one soft, even, high frontal studio key that bleaches the white field behind her to a flat blank sheet while leaving only a soft grey contact shadow compressed under each boot sole and a thin shading down the inside of the hoodie's open front and beneath the dog tags against her chest; no other light source exists and beyond that key the background is unbroken pure white. Restrained palette of the pale warm off-white tank, the muted grey hoodie, the warm near-black red of her ponytail as the one saturated accent, and the cool grey-white studio white filling every remaining edge of the frame, with the denim reading a faded blue-grey and the boots a clean deep black. Detail budget goes to her face and the cock of her head, the slack drape of the oversized sleeves, the metal of the dog tags and the laced boots at the bottom of the crop. Deadpan, effortlessly cool.
Ed Ryan
AI artwork
er
1girl, solo, dark red hair, ponytail, high ponytail, shiny hair, green eyes, sparkling eyes, oversized hoodie, open hoodie, grey hoodie, low cut tank top, white ribbed tank top, dog tags, necklace, denim shorts, frayed shorts, black combat boots, lace-up boots, standing, head tilt, head cocked to the side, from below, low angle, cowboy shot, bored, half-closed eyes, jitome, looking at viewer, arms at sides, slack shoulders, completely white background, plain white field, no other objects Low angle inside a seamless completely white studio void that stretches to every edge of the frame with nothing else in it -- no floor line, no horizon, the white running unbroken behind her boots and past her shoulders. A single young woman stands square to the middle of the frame, hips shifted onto her right leg, left knee loose and slightly bent so the boot toe rolls inward, both arms hanging slack at her sides with her thumbs hooked into the front pockets of the frayed denim shorts and her fingers limp over the denim edge. Her head is cocked hard over to her left shoulder, ear close to the hoodie collar, chin lifted a few degrees so she is looking down the bridge of her nose at the lens; her eyelids sit half shut, brows flat and unimpressed, lips a straight closed line with one corner faintly pulled down, a slow impatient exhale visibly lifting one rib of the tank. Dark red hair is gathered into a high ponytail tied behind the crown, the tail falling forward over her right shoulder in a heavy loose curve that ends just above her collarbone, a few flyaway strands clinging across her cheek; her green eyes catch the light as two clean polished specular points, wet and clear against the low flat lids. The oversized grey hoodie hangs unfastened and far too big, sleeves bunched and swallowed past her knuckles and pushed up once, the wide hem drooping slack around her hips and riding open so the white ribbed tank shows down its low scooped neckline; two small metal dog tags hang from a ball chain in the hollow of the exposed chest, one tag lying flat and the second tipped at an angle against it, both catching a thin bright edge of light. The denim shorts are cut off short and frayed at the hems, and black leather combat boots sit laced tight up her ankles, a scuff on the left toe cap. Everything is lit by one soft, even, high frontal studio key that bleaches the white field behind her to a flat blank sheet while leaving only a soft grey contact shadow compressed under each boot sole and a thin shading down the inside of the hoodie's open front and beneath the dog tags against her chest; no other light source exists and beyond that key the background is unbroken pure white. Restrained palette of the pale warm off-white tank, the muted grey hoodie, the warm near-black red of her ponytail as the one saturated accent, and the cool grey-white studio white filling every remaining edge of the frame, with the denim reading a faded blue-grey and the boots a clean deep black. Detail budget goes to her face and the cock of her head, the slack drape of the oversized sleeves, the metal of the dog tags and the laced boots at the bottom of the crop. Deadpan, effortlessly cool.
Ed Ryan
AI artwork
er
1girl, solo, dark red hair, ponytail, high ponytail, shiny hair, green eyes, sparkling eyes, oversized hoodie, open hoodie, grey hoodie, low cut tank top, white ribbed tank top, dog tags, necklace, denim shorts, frayed shorts, black combat boots, lace-up boots, standing, head tilt, head cocked to the side, from below, low angle, cowboy shot, bored, half-closed eyes, jitome, looking at viewer, arms at sides, slack shoulders, completely white background, plain white field, no other objects Low angle inside a seamless completely white studio void that stretches to every edge of the frame with nothing else in it -- no floor line, no horizon, the white running unbroken behind her boots and past her shoulders. A single young woman stands square to the middle of the frame, hips shifted onto her right leg, left knee loose and slightly bent so the boot toe rolls inward, both arms hanging slack at her sides with her thumbs hooked into the front pockets of the frayed denim shorts and her fingers limp over the denim edge. Her head is cocked hard over to her left shoulder, ear close to the hoodie collar, chin lifted a few degrees so she is looking down the bridge of her nose at the lens; her eyelids sit half shut, brows flat and unimpressed, lips a straight closed line with one corner faintly pulled down, a slow impatient exhale visibly lifting one rib of the tank. Dark red hair is gathered into a high ponytail tied behind the crown, the tail falling forward over her right shoulder in a heavy loose curve that ends just above her collarbone, a few flyaway strands clinging across her cheek; her green eyes catch the light as two clean polished specular points, wet and clear against the low flat lids. The oversized grey hoodie hangs unfastened and far too big, sleeves bunched and swallowed past her knuckles and pushed up once, the wide hem drooping slack around her hips and riding open so the white ribbed tank shows down its low scooped neckline; two small metal dog tags hang from a ball chain in the hollow of the exposed chest, one tag lying flat and the second tipped at an angle against it, both catching a thin bright edge of light. The denim shorts are cut off short and frayed at the hems, and black leather combat boots sit laced tight up her ankles, a scuff on the left toe cap. Everything is lit by one soft, even, high frontal studio key that bleaches the white field behind her to a flat blank sheet while leaving only a soft grey contact shadow compressed under each boot sole and a thin shading down the inside of the hoodie's open front and beneath the dog tags against her chest; no other light source exists and beyond that key the background is unbroken pure white. Restrained palette of the pale warm off-white tank, the muted grey hoodie, the warm near-black red of her ponytail as the one saturated accent, and the cool grey-white studio white filling every remaining edge of the frame, with the denim reading a faded blue-grey and the boots a clean deep black. Detail budget goes to her face and the cock of her head, the slack drape of the oversized sleeves, the metal of the dog tags and the laced boots at the bottom of the crop. Deadpan, effortlessly cool.
Ed Ryan
AI artwork
er
1girl, solo, tall teenage girl, high ponytail, long dark red hair, ponytail, shining green eyes, bright green eyes, oversized open hoodie, open hoodie, low cut tank top, white tank top, cleavage, dog tags, silver dog tags around neck, denim shorts, jean shorts, frayed hem, black combat boots, black leather boots, standing, head cocked, head tilt, bored expression, half-closed eyes, jitome, looking at viewer, arms relaxed at sides, hands loose, weight on one leg, contrapposto, completely white background, plain white background, solid white backdrop, no background objects, cowboy shot, from front, three-quarter view, high contrast anime style, bold halftone dots, graffiti marks, punchy neon accents, thick outlines, pop-graphic composition, A tall teenage girl stands against a completely empty, seamless pure white field — no horizon line, no floor texture, no shadow falling on the ground, the white running unbroken to every edge of the frame. She is viewed straight on in a three-quarter turn, her hips angled slightly off-axis while her shoulders square toward the lens, weight carried on her right leg with the left knee softly bent, one hip pushed out, boots planted slightly apart. Her head is tipped heavily to her left in a cocked, sideways tilt, chin lifted just a fraction, and her eyes — shining, wet-looking green with bright catchlights — sit half-lidded and flat, watching the viewer with an unimpressed, heavy-lidded stare; her mouth is a straight, unbothered line, one brow faintly raised, the whole face reading as tired resignation rather than hostility. A high dark red ponytail rises from the crown of her head and falls past her shoulder, the tail sagging and swaying a little to the side opposite her head tilt, its tip curling against the oversized hoodie's collar. The hoodie hangs open and far too big for her, its shoulders sliding off her own, the sleeves swallowed past her wrists so only her fingertips show, the hem dropping to her upper thighs in heavy folds that break into deep shadow, charcoal-grey fleece with the fleece nap catching a fine rim of light along the seams. Beneath it the low-cut tank top is white cotton, sitting low across the collarbone, its fabric creasing softly where the open hoodie frames it. A single strand of silver dog tags hangs at the base of her throat, the metal discs overlapping and stacked, each disc catching a hard pinpoint highlight against the pale tank — the only reflective surface in the frame. Frayed blue denim shorts sit low at the hips, the raw hem feathering out in loose threads, and chunky black leather combat boots lace up past the ankle, scuffed at the toe, their grosgrain laces tied unevenly. Her arms hang loose at her sides, fingers relaxed and slightly curled, the backs of her hands just outside the hoodie's swallowed cuffs. The only light is one soft, broad frontal key from slightly above and in front: it lays a gentle, even glow on her face, throat and the white tank, lift a sheen along the green of her eyes and the rim of each silver tag, and gathers a soft neutral grey shadow under her jaw, in the folds of the oversized hoodie and between her boots — but casts nothing at all on the white field behind her, so she seems to float on the blank page. Palette is held to the girl and the white: dark crimson-red in the ponytail, muted crimson and dusty blush tones in the hoodie's shadows, warm cream in the tank and skin, washed denim blue at the shorts, deep black at the boots, silver at the tags, with the grainy halftone dots and thick ink outlines of a high-contrast street-graphic anime print cutting the figure out crisp against the pure white. Still, flat, effortlessly unbothered.
Ed Ryan

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