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AI art "新山聡美(芋煮会)" featuring #熟女, #食べ物, #笑顔, #おたま, #結婚指輪, #火, #川, #持つ, #料理, #響け！ユーフォニアム, #新山 聡美, #鍋 and #好きなものを好きなように2
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新山聡美(芋煮会)

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第2回「好きな作品」コンテスト
#熟女#食べ物#笑顔#おたま#結婚指輪#火#川#持つ#料理#響け！ユーフォニアム#新山 聡美#鍋
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絵知能

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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, gentle drooping eyes, the lower eyelid gently slopes down from the center to the outer corner, the lower eyelid line is clearly visible, the outer corners of the eyes are soft and round, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, if the ring finger of the left hand is depicted, place a wedding ring only on the left ring finger, high-quality depiction of a scene where a lone woman is enjoying an imoni-kai (taro root stew party), a seasonal autumn tradition, on a riverbed in Miyagi Prefecture on a sunny day in October. The setting is a riverbed near a shallow river where various sizes of round stones and gravel are exposed. Autumn grasses grow along the river, and low vegetation and trees are visible on the embankment. Bright autumn sunlight reflects on the water's surface, evoking the open outdoor air and the calm atmosphere unique to an autumn riverbank. Make it a rustic and warm scene of a Miyagi-style imoni-kai that local people enjoy with family and friends. In the foreground, there is a fire pit made of river stones, with a large metal pot placed on top. The pot is a deep, sturdy large pot used for actual outdoor cooking, showing rounded metal sides and dark-colored handles. Firewood burns beneath the pot, with orange-red flames warming the bottom. The flames are not too large and appear naturally between the stones. Around the pot are heated stones and firewood, and the ground is covered with river gravel and flat stones. Maintain a rustic atmosphere of actually making imoni on a riverbank, rather than being too orderly like a campsite facility. Inside the pot, Miyagi-style imoni is simmering. Large pieces of taro, pork, daikon radish, carrots, burdock, konjac, mushrooms, and long green onions are plenty in the miso-based broth. The broth is a warm miso color, and the surface of the simmered ingredients has a natural gloss. White steam rises softly from the mouth of the pot and spreads into the autumn air. The steam is softly translucent in the sunlight, conveying that the pot is boiling hot. The ingredients are naturally visible in the pot, giving the feel of home-style imoni in the middle of cooking. Around the pot, a minimum of necessary tools are placed, such as a ladle used for cooking, long wooden cooking chopsticks, and small containers that held the ingredients. Character design such as facial features and hair characteristics of the woman is left to the character LoRA; clothing, accessories, posture, and expression shall follow the specifications of this prompt. The woman is the only person in this scene and is depicted as the protagonist cooking the imoni. She is crouching alone right next to the large pot, stirring the imoni while checking the contents. Her body is naturally turned toward the pot, with her upper body leaning slightly forward. With one hand, she holds a metal ladle with a long handle, slowly stirring the ingredients in the pot. The other hand is not too close to the edge of the pot, either holding long wooden cooking chopsticks or resting naturally near her knee to stabilize her posture. The shape of the wrists and fingers is natural, and the cooking motion is unforced. The woman's gaze is directed at the ingredients in the pot, conveying that she is cooking while checking the progress. The woman's expression is calm, with a modest smile as if she is enjoying making the imoni. Give her a natural, everyday expression, looking at the steaming pot and checking the taste and tenderness. She should not be posing for the camera or laughing exaggeratedly, but capturing a natural moment as if photographed mid-cooking. Her long hair is lightly arranged so as not to interfere with cooking, but not tied too tightly, flowing naturally around her shoulders. Her hair is not disturbed by strong wind and blends into the calm outdoor autumn air. The woman's clothing is a movable, neat, and elegant autumn casual style suitable for an imoni-kai on a riverbed in October. On her upper body, she is wearing a soft beige or light greige long-sleeved knit. The knit is a material with a subdued stitch, has moderate looseness, and forms natural wrinkles while crouching and cooking. The bottoms are dark indigo blue denim pants, with realistic creases corresponding to the crouching posture. On her feet are subdued brown or dark beige outdoor shoes or short boots, easy to walk in on the river stones. If necessary, add a simple apron around her waist for practical cooking utility. Accessories should be modest, such as small earrings, and she should not wear large decorations that interfere with cooking. The overall look is coordinated in natural autumn colors, creating a clean, adult-woman impression without being too flashy. The woman's posture is a stable position, either lightly bending one knee to crouch or bending both knees to align her gaze with the height of the pot. Her center of gravity is naturally low, supporting her body effortlessly on the stony riverbed ground. The positional relationship between the face, arms, legs, and fingers is realistic, maintaining a human structure suited for the action of handling the pot. The woman's body is not too close to the pot, and her face is in a position where it is not completely hidden by the steam. The relationship between the hand holding the ladle and the ingredients in the pot is clear, making it obvious at a glance that she is actually stirring the pot. In the background, a shallow river flowing through the riverbed and grasslands and autumn trees on the opposite bank are visible. Along the shore, in addition to grass that remains green, slightly yellowed grass and plants starting to wither are mixed, naturally representing the season of October. The river stones are irregular in size and shape, with rounded gray and brown stones overlapping. In the distance, low embankments and trees are visible, evoking a bright sky and calm autumn nature. The riverbed is not crowded, and no other people appear in the screen. While focusing on the woman and the pot, leave the background to convey the expanse of the riverbed and the situation of making imoni outdoors. The camera is placed at a position capturing the woman and the pot from a diagonal front. Place the large pot slightly forward from the center of the screen, and show the crouching woman cooking next to it prominently. The composition should simultaneously show the woman's face and upper body, the hand holding the ladle, the mouth of the large pot, the ingredients in the pot, and the firewood under the pot. The woman is shown as a natural medium shot where part of the whole body is visible, not a portrait showing only the face. The pot is placed in the foreground at the bottom of the screen, and the steam rises naturally from the woman's hand toward her face. Leave a wide view of the river, the stony riverbed, and the autumn vegetation in the background to make it clear that it is an imoni-kai scene. Use a horizontal composition where the positional relationship between the woman and the pot is clear, conveying the cooking motion and the warmth of the imoni. The light is natural bright autumn daylight. The sun is not too high, softly illuminating the entire riverbed. Natural light hits the woman's face, making her expression and eyes clearly visible. There are shadows and wrinkles in the beige knit and denim according to the material, and the metal part of the pot has a modest luster reflecting the sky and surrounding stones. The white steam coming from the pot looks three-dimensional as it receives backlight or side light, and the orange of the firewood reflects faintly on the bottom of the pot. The overall screen is bright and refreshing, but not overexposed, so the details of the woman, pot, river stones, and ingredients are clearly visible. Carefully and naturally depict the textures of the riverbed stones, the natural surface of the river water, autumn vegetation, firewood, steam, the metal pot, and the imoni with simmered taro and vegetables. The woman's expression, fingers, and crouching posture are natural, and the motion of stirring the pot is convincing. Through the warm steam, firewood, and bright autumn air, convey the joy of a Miyagi-style imoni-kai and the calm atmosphere of gathering around food on an autumn riverbank. Make it a high-quality image with a sense of presence, as if a real landscape and person were photographed. Do not add titles, logos, watermarks, or signatures to the image.
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オリジナルプロンプト
10月の晴れた日、宮城県の河川敷で秋の風物詩である芋煮会を一人の女性が楽しんでいる情景を高品質に描く。舞台は浅い川のそばに広がる、大小さまざまな丸い石や砂利が露出した河川敷。川沿いには秋の草が生え、土手には低い草木や木々が見える。水面には明るい秋の日差しが反射し、開放的な屋外の空気と、秋の河原ならではの穏やかな雰囲気が感じられる。宮城の地域の人々が家族や友人と楽しむ、素朴で温かな秋の芋煮会の一場面にする。 画面の手前には、河原の石を組み合わせた火床があり、その上に大きな金属製の鍋が置かれている。鍋は実際に屋外調理で使われるような、深さのある丈夫な大鍋で、丸みのある金属の側面と黒っぽい持ち手が見える。鍋の下では薪が燃え、赤橙色の炎が鍋底を温めている。炎は大きく燃え上がりすぎず、石の間から自然に見える。鍋の周囲には熱を受けた石や薪があり、地面には河原の砂利や平たい石が広がっている。キャンプ場の設備のように整然としすぎず、河原で実際に芋煮を作っている素朴な雰囲気を大切にする。 鍋の中では宮城風の芋煮が煮えている。大きめに切った里芋、豚肉、大根、にんじん、ごぼう、こんにゃく、きのこ、長ねぎなどの具材が、味噌仕立ての汁の中にたっぷりと入っている。汁は温かな味噌色で、煮込まれた具材の表面には自然な艶がある。鍋の口からは白い湯気がふんわりと立ち上り、秋の空気の中に広がっている。湯気は陽光を受けて柔らかく透け、鍋が熱々に煮えていることが伝わる。具材は鍋の中に自然に見え、調理途中の家庭的な芋煮らしさが感じられる。鍋の周囲には、調理に使うお玉や長い木製の調理箸、食材を入れていた小さな容器などが必要最小限に置かれている。 女性の顔立ち、髪の特徴などのキャラクター造形はキャラクターLoRAに任せ、服装、アクセサリ、姿勢、表情はこのプロンプトの指定に従う。女性はこの情景の唯一の人物であり、芋煮を調理している主役として描く。大鍋のすぐそばに一人でしゃがみ込み、鍋の中を確認しながら芋煮をかき混ぜている。身体は鍋の方へ自然に向け、上半身を少し前に傾けている。片手では長い柄の金属製のお玉を持ち、鍋の中の具材をゆっくりとかき混ぜている。もう片方の手は鍋の縁に近づけすぎず、長い木製の調理箸を持つか、姿勢を安定させるために膝の近くに自然に添えている。手首や指の形は自然で、調理している動作に無理がない。女性の視線は鍋の中の具材へ向き、出来上がりを確かめながら調理している様子が伝わる。 女性の表情は穏やかで、芋煮を作ることを楽しんでいるような控えめな笑顔。少し湯気の立つ鍋を見つめ、味や煮え具合を確かめている、日常的で自然な表情にする。カメラに向かってポーズを取ったり、大げさに笑ったりせず、調理の途中を撮影されたような自然な瞬間を捉える。女性のロングヘアは調理の邪魔にならないよう軽く整えられているが、硬くまとめすぎず、肩のあたりに自然に流れている。強い風で髪が乱れることはなく、秋の穏やかな屋外の空気に馴染んでいる。 女性の服装は、10月の河川敷で芋煮会をするのにふさわしい、動きやすく清楚で上品な秋のカジュアルスタイル。上半身には柔らかなベージュまたはライトグレージュの長袖ニットを着ている。ニットは落ち着いた編み目のある素材で、適度なゆとりがあり、しゃがんで調理するときにも自然なシワが生まれている。ボトムスは濃いインディゴブルーのデニムパンツで、しゃがんだ姿勢に合わせた現実的な折り目が見える。足元は河原の石の上でも歩きやすい、落ち着いたブラウンやダークベージュのアウトドアシューズまたはショートブーツ。必要に応じて、シンプルなエプロンを腰に着け、調理中らしい実用性を加える。アクセサリは小さなイヤリング程度の控えめなものにし、調理の邪魔になる大きな装飾品は身につけない。全体は自然な秋色でまとめ、派手すぎず、清潔感のある大人の女性らしい印象にする。 女性の姿勢は、片膝を軽く曲げてしゃがむ、または両膝を曲げて鍋の高さに目線を合わせるような安定した姿勢。重心は自然に低く、石の多い河原の地面に無理なく身体を支えている。顔、腕、脚、指の位置関係は現実的で、鍋を扱う動作に合った人体の構造を保つ。女性の身体は鍋に近づきすぎず、顔が湯気に完全に隠れない位置にある。お玉を持つ手と鍋の中の具材との位置関係が明確で、実際に鍋をかき混ぜていることがひと目で分かる。 背景には、河原を流れる浅い川と、対岸の草地や秋の木々が見える。岸辺には緑を残した草に加え、少し黄ばんだ草や枯れ始めた植物が混じり、10月の季節感を自然に表している。川の石は大きさや形が不揃いで、丸みのある灰色や茶色の石が重なり合っている。遠景には低い土手や木々があり、明るい空と穏やかな秋の自然が感じられる。河川敷は人で混雑せず、画面内にほかの人物を登場させない。女性と鍋を主役にしながらも、河原の広がりと屋外で芋煮を作る状況が伝わる背景を残す。 カメラは女性と鍋を斜め前方から捉える位置に置く。画面の中央からやや手前に大鍋を配置し、その横にしゃがんで調理する女性を大きく見せる。女性の顔と上半身、お玉を持つ手、大鍋の口、鍋の中の具材、鍋の下の薪火が同時に見える構図にする。女性は全身の一部が見える自然な中景とし、顔だけを大きく写したポートレートにはしない。鍋は画面下部の手前に置き、湯気が女性の手元から顔の近くへ自然に立ち上る。背景には川や石の多い河原、秋の草木を広く残し、芋煮会の場面であることが分かるようにする。女性と鍋の位置関係が明確で、調理の動作と芋煮の温かさが伝わる横長の構図にする。 光は明るい秋の日中の自然光。太陽は高すぎず、河原全体を柔らかく照らしている。女性の顔には自然な光が当たり、表情や目元がはっきりと見える。ベージュのニットやデニムには素材に応じた陰影とシワがあり、鍋の金属部分には空や周囲の石を反映した控えめな光沢がある。鍋から出る白い湯気は逆光や横からの光を受けて立体的に見え、薪火の橙色が鍋底にほのかに反射している。画面全体は明るく爽やかだが、白飛びしすぎず、女性、鍋、河原の石、食材の細部がしっかりと分かる。 河原の石、自然な川の水面、秋の草木、薪火、湯気、金属製の鍋、里芋や野菜が煮込まれた芋煮の質感を丁寧に自然に描く。女性の表情や手指、しゃがんだ姿勢は自然で、鍋をかき混ぜる動作に説得力がある。温かな湯気と薪火、明るい秋の空気を通じて、宮城ならではの芋煮会の楽しさや、秋の河原で料理を囲む穏やかな雰囲気が伝わる。実際の風景と人物を撮影したような臨場感のある高品質な映像にする。画像内にタイトル、ロゴ、透かし、署名を追加しない。
モード
pro
品質タグ
﹝プロンプト﹞
縦横比
2480 x 1488
ネガティブ
複数の女性, 女性が二人, 複製された女性, 人物が二人以上, 前髪が額の中央に垂れる, lowres, worst quality, low quality, bad anatomy, explicit

利用したモデルとLoRA

Tsubaki.3 - AI Modelのカバー画像

PixAI DiT.3

Tsubaki.3
6.20k
響け！ユーフォニアム 新山聡美 v3 (Niiyama Satomi | Hibike! Euphonium) - AI Modelのカバー画像

ユーザーLoRA

響け！ユーフォニアム 新山聡美 v3 (Niiyama Satomi | Hibike! Euphonium)
23

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