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- オリジナルプロンプト
- (masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5),(c.c. (code geass):1.5), (teacher, mature female, long light green hair, golden eyes, beautiful face),(sidelong glance, looking at viewer from over the files, sly smile, heavy blush:1.5),(1girl, solo:1.5), (sitting behind the desk, leaning forward slightly:1.4), (holding a coffee cup and papers:1.3),(thin gold-rimmed glasses, glasses reflecting light:1.5),(white dress shirt, (one button accidentally undone, revealing black lace bra:1.5)), (black pencil skirt:1.3), (black pantyhose, (bare foot under desk rubbing viewer's leg:1.5)), (one high heel on the floor:1.3),(minimalist office desk background:1.4), (pumpkin decorations on desk:1.3), (black cat silhouette outside window:1.2),(perfect hands, delicate fingers:1.3)
- モード
- flash
- 縦横比
- 768 x 1280
プロンプト自動変換
利用したモデルとLoRA
ほかの類似作品
続きを読む
he
character: c.c., copyright: code_geass
1girl, solo, (1girl, solo:1.5), mature female, teacher, long light green hair, very long hair, golden eyes, yellow eyes, beautiful face, (sidelong glance, looking at viewer from over the files, sly smile, heavy blush:1.5), sidelong glance, looking at viewer, looking over eyewear, sly smile, heavy blush, (sitting behind the desk, leaning forward slightly:1.4), sitting, leaning forward, desk, (holding a coffee cup and papers:1.3), holding cup, holding papers, file folder, (thin gold-rimmed glasses, glasses reflecting light:1.5), glasses, gold-rimmed glasses, specular highlight on lens, (white dress shirt:1.2), collared shirt, long sleeves, (one button accidentally undone, revealing black lace bra:1.5), open collar, black lace bra, (black pencil skirt:1.3), (black pantyhose:1.2), (bare foot under desk rubbing viewer's leg:1.5), barefoot, foot under table, leg lift, (one high heel on the floor:1.3), single high heel, (minimalist office desk background:1.4), office, window, (pumpkin decorations on desk:1.3), pumpkin, (black cat silhouette outside window:1.2), cat, silhouette, (perfect hands, delicate fingers:1.3), (pure flat color:1.6), (cel shading:1.4), (no shading, flat lighting:1.5), crisp clean lineart, bold black outlines, (masterpiece, best quality, highres:1.2)
The view is a low, close three-quarter camera just above desk height and slightly to the viewer's left of the desk centre, so the woman behind the desk is seen past the near edge of the desktop and the stacked files; she sits in her office chair with her weight settled on her right hip, torso tipped forward over the desk at a slight angle, shoulders low, chin dipped, and she looks up through the gap between the raised file folder and the desk edge straight into the lens — a sidelong glance from under half-lowered lashes, one brow lifted a fraction, the corners of her mouth curled into a sly smile, a hot heavy blush sitting high across both cheeks and the bridge of her nose. Both hands are on the desktop and both are in clean view: the left hand's long delicate fingers curl around the handle of a white ceramic coffee cup, a thin thread of steam rising past her knuckles, the right hand's fingertips press flat on a thin stack of papers and hold the open file folder half-raised in front of her chest, its manila edge crossing her collarbone so the lower half of her face is framed by it. Her long light green hair falls in heavy straight strands past her shoulders, a few locks slipping over the folder's top edge and one strand tucked behind her right ear; her golden eyes catch the light behind the thin gold-rimmed lenses, and each lens carries one hard flat white reflection streak that hides the eye beneath it. She wears a white dress shirt, sleeves long, the collar open with exactly one button undone so the placket gaps in a narrow V at her sternum and the black lace of her bra shows through the opening in a fine web pattern; below the desk line a black pencil skirt hugs her hips, and black pantyhose sheathes her left leg down to the toes while her right foot is bare, slipped free of the shoe, and that bare foot is pressed and sliding along the viewer's leg beneath the desk, toes curled slightly with the pressure, the ankle turned out. The matching single high heel lies on its side on the floor beside her chair, its interior catching the flat light.
The set is a minimalist office: a plain pale desk top running the full lower third, a single low monitor and one closed folder stand at the far right, a tall window behind her left shoulder with a plain blind, and three small orange pumpkins grouped at the desk's near right corner, their ribs drawn as clean flat shapes. On the outside of the window glass, beyond the frame, sits the crisp black silhouette of a cat, tail hooked in a curve, no interior detail at all. The light is flat and even from the window — one pale, cool wash laid on every surface at the same value, no cast shadow, no gradient, no falloff; colour is blocked in unmodulated fills: the mint-light green of her hair, the flat gold of her irises, the pure orange of the pumpkins, the pure white of the shirt against the black of the skirt, hose and bra, the pale grey-green of the walls and the warm tan of the desk. Lineart is crisp and clean with bold uniform black outlines around every shape, edges meeting in hard cel steps with a single darker tone per form and nothing between. The steam above the cup is the only thing that moves, drifting sideways from the window's draught. Quietly wicked, effortlessly composed.
HASSEN E
he
character: c.c., copyright: code_geass
1girl, solo, (1girl, solo:1.5), mature female, teacher, long light green hair, very long hair, golden eyes, yellow eyes, beautiful face, (sidelong glance, looking at viewer from over the files, sly smile, heavy blush:1.5), sidelong glance, looking at viewer, looking over eyewear, sly smile, heavy blush, (sitting behind the desk, leaning forward slightly:1.4), sitting, leaning forward, desk, (holding a coffee cup and papers:1.3), holding cup, holding papers, file folder, (thin gold-rimmed glasses, glasses reflecting light:1.5), glasses, gold-rimmed glasses, specular highlight on lens, (white dress shirt:1.2), collared shirt, long sleeves, (one button accidentally undone, revealing black lace bra:1.5), open collar, black lace bra, (black pencil skirt:1.3), (black pantyhose:1.2), (bare foot under desk rubbing viewer's leg:1.5), barefoot, foot under table, leg lift, (one high heel on the floor:1.3), single high heel, (minimalist office desk background:1.4), office, window, (pumpkin decorations on desk:1.3), pumpkin, (black cat silhouette outside window:1.2), cat, silhouette, (perfect hands, delicate fingers:1.3), (pure flat color:1.6), (cel shading:1.4), (no shading, flat lighting:1.5), crisp clean lineart, bold black outlines, (masterpiece, best quality, highres:1.2)
The view is a low, close three-quarter camera just above desk height and slightly to the viewer's left of the desk centre, so the woman behind the desk is seen past the near edge of the desktop and the stacked files; she sits in her office chair with her weight settled on her right hip, torso tipped forward over the desk at a slight angle, shoulders low, chin dipped, and she looks up through the gap between the raised file folder and the desk edge straight into the lens — a sidelong glance from under half-lowered lashes, one brow lifted a fraction, the corners of her mouth curled into a sly smile, a hot heavy blush sitting high across both cheeks and the bridge of her nose. Both hands are on the desktop and both are in clean view: the left hand's long delicate fingers curl around the handle of a white ceramic coffee cup, a thin thread of steam rising past her knuckles, the right hand's fingertips press flat on a thin stack of papers and hold the open file folder half-raised in front of her chest, its manila edge crossing her collarbone so the lower half of her face is framed by it. Her long light green hair falls in heavy straight strands past her shoulders, a few locks slipping over the folder's top edge and one strand tucked behind her right ear; her golden eyes catch the light behind the thin gold-rimmed lenses, and each lens carries one hard flat white reflection streak that hides the eye beneath it. She wears a white dress shirt, sleeves long, the collar open with exactly one button undone so the placket gaps in a narrow V at her sternum and the black lace of her bra shows through the opening in a fine web pattern; below the desk line a black pencil skirt hugs her hips, and black pantyhose sheathes her left leg down to the toes while her right foot is bare, slipped free of the shoe, and that bare foot is pressed and sliding along the viewer's leg beneath the desk, toes curled slightly with the pressure, the ankle turned out. The matching single high heel lies on its side on the floor beside her chair, its interior catching the flat light.
The set is a minimalist office: a plain pale desk top running the full lower third, a single low monitor and one closed folder stand at the far right, a tall window behind her left shoulder with a plain blind, and three small orange pumpkins grouped at the desk's near right corner, their ribs drawn as clean flat shapes. On the outside of the window glass, beyond the frame, sits the crisp black silhouette of a cat, tail hooked in a curve, no interior detail at all. The light is flat and even from the window — one pale, cool wash laid on every surface at the same value, no cast shadow, no gradient, no falloff; colour is blocked in unmodulated fills: the mint-light green of her hair, the flat gold of her irises, the pure orange of the pumpkins, the pure white of the shirt against the black of the skirt, hose and bra, the pale grey-green of the walls and the warm tan of the desk. Lineart is crisp and clean with bold uniform black outlines around every shape, edges meeting in hard cel steps with a single darker tone per form and nothing between. The steam above the cup is the only thing that moves, drifting sideways from the window's draught. Quietly wicked, effortlessly composed.
HASSEN E
he
character: c.c., copyright: code_geass
1girl, solo, (1girl, solo:1.5), mature female, teacher, long light green hair, very long hair, golden eyes, yellow eyes, beautiful face, (sidelong glance, looking at viewer from over the files, sly smile, heavy blush:1.5), sidelong glance, looking at viewer, looking over eyewear, sly smile, heavy blush, (sitting behind the desk, leaning forward slightly:1.4), sitting, leaning forward, desk, (holding a coffee cup and papers:1.3), holding cup, holding papers, file folder, (thin gold-rimmed glasses, glasses reflecting light:1.5), glasses, gold-rimmed glasses, specular highlight on lens, (white dress shirt:1.2), collared shirt, long sleeves, (one button accidentally undone, revealing black lace bra:1.5), open collar, black lace bra, (black pencil skirt:1.3), (black pantyhose:1.2), (bare foot under desk rubbing viewer's leg:1.5), barefoot, foot under table, leg lift, (one high heel on the floor:1.3), single high heel, (minimalist office desk background:1.4), office, window, (pumpkin decorations on desk:1.3), pumpkin, (black cat silhouette outside window:1.2), cat, silhouette, (perfect hands, delicate fingers:1.3), (pure flat color:1.6), (cel shading:1.4), (no shading, flat lighting:1.5), crisp clean lineart, bold black outlines, (masterpiece, best quality, highres:1.2)
The view is a low, close three-quarter camera just above desk height and slightly to the viewer's left of the desk centre, so the woman behind the desk is seen past the near edge of the desktop and the stacked files; she sits in her office chair with her weight settled on her right hip, torso tipped forward over the desk at a slight angle, shoulders low, chin dipped, and she looks up through the gap between the raised file folder and the desk edge straight into the lens — a sidelong glance from under half-lowered lashes, one brow lifted a fraction, the corners of her mouth curled into a sly smile, a hot heavy blush sitting high across both cheeks and the bridge of her nose. Both hands are on the desktop and both are in clean view: the left hand's long delicate fingers curl around the handle of a white ceramic coffee cup, a thin thread of steam rising past her knuckles, the right hand's fingertips press flat on a thin stack of papers and hold the open file folder half-raised in front of her chest, its manila edge crossing her collarbone so the lower half of her face is framed by it. Her long light green hair falls in heavy straight strands past her shoulders, a few locks slipping over the folder's top edge and one strand tucked behind her right ear; her golden eyes catch the light behind the thin gold-rimmed lenses, and each lens carries one hard flat white reflection streak that hides the eye beneath it. She wears a white dress shirt, sleeves long, the collar open with exactly one button undone so the placket gaps in a narrow V at her sternum and the black lace of her bra shows through the opening in a fine web pattern; below the desk line a black pencil skirt hugs her hips, and black pantyhose sheathes her left leg down to the toes while her right foot is bare, slipped free of the shoe, and that bare foot is pressed and sliding along the viewer's leg beneath the desk, toes curled slightly with the pressure, the ankle turned out. The matching single high heel lies on its side on the floor beside her chair, its interior catching the flat light.
The set is a minimalist office: a plain pale desk top running the full lower third, a single low monitor and one closed folder stand at the far right, a tall window behind her left shoulder with a plain blind, and three small orange pumpkins grouped at the desk's near right corner, their ribs drawn as clean flat shapes. On the outside of the window glass, beyond the frame, sits the crisp black silhouette of a cat, tail hooked in a curve, no interior detail at all. The light is flat and even from the window — one pale, cool wash laid on every surface at the same value, no cast shadow, no gradient, no falloff; colour is blocked in unmodulated fills: the mint-light green of her hair, the flat gold of her irises, the pure orange of the pumpkins, the pure white of the shirt against the black of the skirt, hose and bra, the pale grey-green of the walls and the warm tan of the desk. Lineart is crisp and clean with bold uniform black outlines around every shape, edges meeting in hard cel steps with a single darker tone per form and nothing between. The steam above the cup is the only thing that moves, drifting sideways from the window's draught. Quietly wicked, effortlessly composed.
HASSEN E
he
character: c.c., copyright: code_geass
(masterpiece, best quality, highres:1.2), (1girl, solo:1.5), mature female, long light green hair, messy hair, very long hair, golden eyes, (annoyed expression, condescending gaze, half-closed eyes, slight frown:1.5), thin gold-rimmed glasses, (metal glasses chain hanging down:1.6), (middle finger pushing glasses up:1.4), (sitting on an office chair, crossed legs:1.4), (one high heel dangling off foot:1.4), (torn white dress shirt, exposed collarbone and cleavage:1.4), (black garter belt:1.3), (black pantyhose:1.5), (torn pantyhose, snagged on the desk edge:1.5), (black witch hat on the desk, wooden desk, minimalist office background:1.4), (perfect hands, delicate fingers:1.3), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), cowboy shot, from side, looking down, head tilt, leaning back, parted lips, hand up, desk edge, high heels, swivel chair, wheeled base, armrests, no extra characters, empty hands otherwise, hair completely unadorned, bare earlobes, uncluttered desk, blank walls
Seen from a low three-quarter side view at cowboy-shot distance, one woman sits alone in a minimalist office, her body angled toward a wooden desk while her chin lifts and her head tips back so she looks down the bridge of her thin gold-rimmed glasses at the viewer from under half-closed lids, a slight frown flattening one corner of her mouth into a cool, condescending line. Her long light green hair is a messy, very long tangle spilling over her shoulders and down her back, ends catching on the chair's backrest. Her right hand rises in front of her face, the middle finger extended to nudge the glasses' bridge up her nose while the other delicate fingers curl loosely and precisely beside her cheek, every knuckle clean and perfect; a fine metal glasses chain hangs from both temple arms and drapes in a shallow U against her jaw and collarbone, its links stopped flat and still. She wears a torn white dress shirt, its collar ripped open wide to bare her collarbones and the top of her cleavage, the fabric jagged at the shoulder seam; a black garter belt shows at her hips beneath the shirt hem, and black pantyhose sheathes her crossed legs, thigh over knee, one long run torn open along her calf where the fine mesh has snagged on the sharp corner of the wooden desk edge, stretched into a taut triangle of laddered threads pulling back toward the wood. Her top foot is bare of shoe, the black high heel hooked only by her toes and dangling heel-first, motionless. The black witch hat rests brim-down on the wooden desk beside a stack of papers, unworn, with nothing else on the surface and a bare pale wall behind her.
The palette is held strictly to flat cel planes: pale mint-green hair, gold rims and chain, white shirt, black garter, hose and heel, warm mid-brown desk and chair, off-white wall and floor, nothing else admitted. Lighting is entirely flat — no cast shadows, no gradients, no highlights beyond hard-edged outlines and single flat fills, so the only depth cue is the bold black contour where the torn pantyhose meets the desk corner and the tiny laddered threads drawn as unbroken black strokes. Quiet, cutting contempt.
HASSEN E
もっと探す
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character: tenma_tsukasa
"", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
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yoimiya!
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character: kagamine_rin, copyright: vocaloid
lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
໒꒱· ﾟ◼️
生魚2(Raw Fish 2)
✦ ₊ ⊹ 🌑
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helanx
✦ ₊ 🪞 🗝️ 🫧 ₊ ✦
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음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
Mine / 私のもの
みーちゃん
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![AI art "Ceres [41]"](https://images-ng.pixai.art/ji/thumb/0654320c-4126-41e2-b133-d4998b21982f)
Ceres [41]
snow
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🩵🪽.⋆𝜗𝜚
生魚2(Raw Fish 2)
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the queen
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moon221B
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Halloween
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