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AI art "Chloe vore" featuring #丸呑み, #Fateシリーズ, #Fate/kaleid liner プリズマ☆イリヤ and #美遊・エーデルフェルト
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Chloe vore

#丸呑み#Fateシリーズ#Fate/kaleid liner プリズマ☆イリヤ#美遊・エーデルフェルト
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1girl, miyu edelfelt (beast style), amber eyes, small breasts, pigtails, hair ornament, hair ribbons, fake cat ears, white detached collar, jingle bell, grey backless vest, black panties, garter straps, grey paw gloves, grey paw boots, grey car tail, black boa, vore, big belly, vore belly, massive belly, belly shape, A belly shaped like someone is inside, hard vore, vore outline, yandere, empty_eyes, ({{seductive smile, shy}}, open mouth, sweat, heavy breathing), Hgk, hgk style, hgk lineart, hgk style coloring, exposed belly
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オリジナルプロンプト
1girl, miyu edelfelt (beast style), amber eyes, small breasts, pigtails, hair ornament, hair ribbons, fake cat ears, white detached collar, jingle bell, grey backless vest, black panties, garter straps, grey paw gloves, grey paw boots, grey car tail,black boa,vore, big belly, vore belly, massive belly, belly shape, A belly shaped like someone is inside, hard vore, vore outline, ,yandere, empty_eyes, ({{seductive smile, shy}}, open mouth, sweat, heavy breathing), ,Hgk, hgk style, hgk lineart, hgk style coloring, exposed belly
縦横比
768 x 1280
サンプリングステップ
14
サンプリング方法
Euler a
CFGスケール
3
ネガティブ
lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, watermark, nostrils, nose

利用したモデルとLoRA

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AI artwork
y
character: inubashiri_momiji, copyright: touhou 1girl, solo, inubashiri_momiji, from side, profile, full body, pregnant, multiple pregnancy, very large belly, silver hair, short hair, red eyes, wolf ears, animal ears, wolf tail, tail wagging, happy, open mouth, smile, :d, blush, modified shrine maiden outfit, very revealing, small fabric area, detached sleeves, bare shoulders, bare midriff, exposed navel, short skirt, tokin hat, pom pom (clothes), hand on own belly, standing, weight on back leg, looking down at own belly, side view, side profile, A true side view, the camera at belly height and level, the whole standing figure held in profile facing the left edge of the frame. She stands with her weight settled on her back leg, the front knee loose and slightly forward, hips pushed back to counter the load in front of her. Both hands are brought forward and rest palm-flat on the underside of the belly, fingers spread and slightly sunk into the taut skin, thumbs meeting near the navel; the elbows are bent and held clear of the body. The belly itself is the mass that decides the silhouette: it projects far forward of her chest and face, a single large forward-curving sphere that carries the small navel stretched wide and shallow across its front, and the line of her back arches to balance it. Her head is tilted down toward the belly, red eyes aimed at the point where her hands meet it, one ear swiveled forward over her face while the other tips back; her mouth is open in a bright open-mouthed grin, one cheek pushed up and flushed. The wolf tail sweeps out behind her, lifted and caught mid-wag with a visible blur along its arc and the fur at the tip flung outward, the rest of the tail sharp and still. The modified shrine maiden outfit is cut down to the minimum that still reads as one: a short white sleeveless top whose hem is pulled up and lost under the swell of the belly, the fabric strained and creased at the sides and leaving the entire front of the belly bare from below the chest to the hip; detached red sleeves on the upper arms with white pom-poms at their ends, shoulders and collarbones uncovered; and a short red skirt sitting low under the belly, its front panel displaced upward so only the sides and back of it remain visible in profile. The small tokin hat perches on the crown of her head between the two wolf ears, its pom-pom edge catching the light. The silver hair is short and cut blunt at the jaw, a few strands falling across the cheek nearest the camera. The set is a plain, seamless warm-grey studio sweep with no horizon line and no floor detail; a soft broad key falls from the upper left, skims along the top of the belly and puts a long smooth highlight down its forward curve, while the far side of her body and the space behind her back drop into a soft even shadow. Her cast shadow falls right and behind her feet, faint and diffused. The palette is restricted to silver-white, red and warm skin against the neutral grey, nothing else admitted — red in the sleeves, the skirt and her eyes, white in the top, the fur and the hair. The stretched skin of the belly reads paler and glossier than the rest of her, and her palms press shallow dents into it where they rest. Tender, and quietly delighted.
YYYY

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