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AI art "静寂の天使・ピクセルアート" featuring #ドット絵, #翼, #天使, #瞑目, #天使の羽, #日光, #女の子 and #屋内
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静寂の天使・ピクセルアート

窓から差し込む柔らかな光に包まれた、翼を持つ天使のピクセルアートです。物思いにふけるような横顔と、ノスタルジックな室内の雰囲気がとても気に入っています。心に響く作品だと感じたら、いいねやフォローで応援していただけると嬉しいです！

#ドット絵#翼#天使#瞑目#天使の羽#日光#女の子#屋内
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にはちゃんのあそびば（NIHACHANG）

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angel statue, white marble angel statue, large feathered wings, draped cloth around waist, serene expression, closed eyes, western-style room interior, wooden floorboards, wainscoting, patterned wallpaper, window with lace curtains, armchair, small round side table, warm afternoon sunlight, snes-style pixel art, 16-bit pixel art, limited color palette, dithering, hard-edged pixels, no anti-aliasing, no text, no readable lettering, no characters, no people, no motion blur, no gradients, wide shot, eye-level, Seen at a slight three-quarter angle from just below the angel's chest height, the marble angel stands in the right third of a western-style room, its body turned a quarter toward a tall sash window on the left so the daylight rakes across it. The statue's weight settles on its right leg, the left knee softening slightly forward under the drapery, the folds of the cloth gathering in a diagonal ridge across the hips and falling to a point at the ankle; the left arm hangs low with the hand open and the fingers barely parted, the right arm lifts a little away from the body, and the chin dips, eyes closed, face angled toward the window. The wings rise behind the shoulders, the near wing sweeping forward into the frame so its upper edge crosses in front of the patterned wallpaper, the far wing folding back behind the shoulder and out of sight. The window's light strikes the angel's left cheek, left shoulder, and the leading edge of the near wing, and in compensation the shadowed right side of the torso, the underwing and the floor beneath the statue drop into a deep, cool blue-purple; a long hard-edged cast shadow lies across the floorboards pointing right, its contour repeating the wing's serrations. Around the statue the room reads in flat 16-bit blocks: warm cream and dusty rose patterned wallpaper on the upper wall, a dark wood chair rail, pale sage paneled wainscoting below, a honey-brown plank floor with visible board seams running away from the camera, a lace-curtained sash window at the left edge, and behind the statue's right shoulder a high-backed armchair in muted burgundy with a small round side table at its arm. Nothing else inhabits the room. The palette is restrained and era-appropriate: marble in off-white, pale gray and a single cool blue shadow tone; the room in cream, dusty rose, sage, honey and burgundy; and in the corner a small vertical strip of interface-like coloured blocks and a frame border in flat RGB, in the manner of a 16-bit game screen. Every surface is drawn with crisp single-pixel edges, ordered dithering in the gradients of the curtain and the marble shading, and no soft blending anywhere. Quiet, still, a little solemn.
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オリジナルプロンプト
スーファミのドット絵風に洋室にある天使の彫像を描いて
モード
pro
縦横比
992 x 992
サンプリング方法
Euler
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換

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A high-angle bird's-eye view photograph looking almost straight down at an anime girl kneeling collapsed on a bare, dark stone or concrete floor in a vast empty dark space. She is crumpled forward with her body curled inward, her knees folded beneath her and her torso bowed down, her face hidden and turned away from the camera. She has blonde hair falling loosely around her head and shoulders. She wears a long flowing pink dress or robe that pools around her body on the floor, the fabric spreading outward in soft folds and creases like spilled liquid. From her back extend a pair of large white feathered angel wings — real, physical, three-dimensional wings with layered flight feathers and soft downy coverts. The wings are partially spread open to either side, not fully extended but splayed out in a pose of exhaustion or surrender, as if she collapsed mid-flight and the wings simply fell where they landed. The feathers are detailed and volumetric — individual primary feathers fan out at the wing tips while the inner wing shows denser layered plumage. The wings glow with an almost ethereal luminosity where the light catches them, the white feathers appearing to emit a soft radiance against the surrounding darkness. A single shaft of cold light enters from the upper right of the frame, pouring down through what appears to be a tall unseen window high above. This beam of light cuts through the darkness at a steep diagonal angle and falls directly onto the figure and the floor immediately around her, creating a geometric patch of illumination — the window frame's mullions cast sharp-edged shadow lines across the lit area, projecting a cross-like or grid pattern of light and shadow onto the stone floor and across her white dress and wings. The light has a cold, pale blue-teal quality, almost moonlight-like, giving the entire lit area an otherworldly icy glow. Where the light strikes the wing feathers, they bloom into bright luminous white-blue, almost overexposed. Where the wings and dress fall outside the light beam, they quickly fade into the surrounding darkness. Everything outside this single shaft of light is near-total blackness — the floor, the walls, the space around her dissolves into deep black void. The upper right corner of the frame shows a faint glimpse of the light source — perhaps the bottom edge of a high window or skylight, with what might be white curtain fabric barely visible. The overall color palette is extremely limited — essentially monochromatic with a strong cool blue-green-teal color cast over everything, as if shot on expired or cross-processed film stock. The blacks have a slightly greenish-teal undertone rather than pure neutral black. The whites of the dress and wings lean blue-cyan rather than warm. A subtle film grain texture covers the entire image, adding an analog photographic quality — the grain is visible in the dark areas as noisy texture and in the highlights as fine organic particulate. The edges of the image are slightly soft with a vignette-like falloff, enhancing the tunnel-vision focus on the illuminated figure. The composition places the girl slightly off-center in the lower-left portion of the frame, with the diagonal light beam creating a dynamic slash across the image from upper-right toward lower-left. The vast surrounding darkness emphasizes her isolation and smallness. The mood is profoundly melancholic, sacred, and haunting — a fallen angel who has come to rest on cold stone in an empty cathedral-like space, bathed in one last beam of indifferent light, wings spread in quiet defeat. The scene carries the weight of religious iconography — part Baroque painting, part contemporary photography — evoking the still, heavy silence after a fall from grace.
fishyfishyfish
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Avatar image of fishyfishyfish
A high-angle bird's-eye view photograph looking almost straight down at an anime girl kneeling collapsed on a bare, dark stone or concrete floor in a vast empty dark space. She is crumpled forward with her body curled inward, her knees folded beneath her and her torso bowed down, her face hidden and turned away from the camera. She has blonde hair falling loosely around her head and shoulders. She wears a long flowing pink dress or robe that pools around her body on the floor, the fabric spreading outward in soft folds and creases like spilled liquid. From her back extend a pair of large white feathered angel wings — real, physical, three-dimensional wings with layered flight feathers and soft downy coverts. The wings are partially spread open to either side, not fully extended but splayed out in a pose of exhaustion or surrender, as if she collapsed mid-flight and the wings simply fell where they landed. The feathers are detailed and volumetric — individual primary feathers fan out at the wing tips while the inner wing shows denser layered plumage. The wings glow with an almost ethereal luminosity where the light catches them, the white feathers appearing to emit a soft radiance against the surrounding darkness. A single shaft of cold light enters from the upper right of the frame, pouring down through what appears to be a tall unseen window high above. This beam of light cuts through the darkness at a steep diagonal angle and falls directly onto the figure and the floor immediately around her, creating a geometric patch of illumination — the window frame's mullions cast sharp-edged shadow lines across the lit area, projecting a cross-like or grid pattern of light and shadow onto the stone floor and across her white dress and wings. The light has a cold, pale blue-teal quality, almost moonlight-like, giving the entire lit area an otherworldly icy glow. Where the light strikes the wing feathers, they bloom into bright luminous white-blue, almost overexposed. Where the wings and dress fall outside the light beam, they quickly fade into the surrounding darkness. Everything outside this single shaft of light is near-total blackness — the floor, the walls, the space around her dissolves into deep black void. The upper right corner of the frame shows a faint glimpse of the light source — perhaps the bottom edge of a high window or skylight, with what might be white curtain fabric barely visible. The overall color palette is extremely limited — essentially monochromatic with a strong cool blue-green-teal color cast over everything, as if shot on expired or cross-processed film stock. The blacks have a slightly greenish-teal undertone rather than pure neutral black. The whites of the dress and wings lean blue-cyan rather than warm. A subtle film grain texture covers the entire image, adding an analog photographic quality — the grain is visible in the dark areas as noisy texture and in the highlights as fine organic particulate. The edges of the image are slightly soft with a vignette-like falloff, enhancing the tunnel-vision focus on the illuminated figure. The composition places the girl slightly off-center in the lower-left portion of the frame, with the diagonal light beam creating a dynamic slash across the image from upper-right toward lower-left. The vast surrounding darkness emphasizes her isolation and smallness. The mood is profoundly melancholic, sacred, and haunting — a fallen angel who has come to rest on cold stone in an empty cathedral-like space, bathed in one last beam of indifferent light, wings spread in quiet defeat. The scene carries the weight of religious iconography — part Baroque painting, part contemporary photography — evoking the still, heavy silence after a fall from grace.
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