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サーバーメンテナンスのお知らせ — 現在、サーバー設備の一部メンテナンスを実施しております。メンテナンス期間中、SDXL および Tsubaki.1 のタスクの生成に通常より時間がかかる場合がございます。 ご不便をおかけしますが、何卒ご理解くださいますようお願い申し上げます。…

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吉田晴樹

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吉田晴樹

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1girl, solo, tall female, 180cm, slim, long limbs, black hair, long black hair, straight hair, school uniform, white short-sleeved button-down shirt, navy pleated skirt, sailor-style collar, barefoot, completely bare feet, no socks, no shoes, sitting, sitting on floor, legs extended toward viewer, soles of feet toward viewer, presented soles, very large soles, vertically long soles, long toes, extremely long toes, clean soles, beautiful soles, toes spread slightly, foreshortening, from below, pov, low angle, looking at viewer, one eye half-closed, faint closed-lip smile, head tilt, leaning back on one arm, arm support, indoor, japanese house interior, tatami floor, shoji screen, genkan step, soft afternoon window light, warm ambient shadow The camera sits low, near floor level in a POV shot from below, as a single slim, very tall high school girl with long straight black hair sits on the tatami floor of a Japanese home interior and thrusts both bare soles straight toward the lens. Her legs are extended forward together and slightly apart, knees a little bent, so that foreshortening blows the soles up into the foreground and makes them read as enormous and vertically elongated; the heel pads sit at the bottom of the frame and the long toes curl over toward the top edge. Each toe is conspicuously long and slim, the big toe clearly longer than the rest, the nails clean and short, the arches drawn taut as she flexes her ankles to push the soles forward. Both feet are spotlessly clean, pale warm skin with a faint rosiness at the ball of the foot and the heel, fine creases and skin lines running the length of each sole. She is barefoot with nothing on her feet — no socks, no shoes, nothing at the ankles — and her uniform is a white short-sleeved button-down shirt with a sailor-style collar tucked into a navy pleated skirt, the cotton creasing at her waist where she leans back. Her weight rests on her right hip and on her left hand planted flat on the tatami behind her, the elbow slightly bent, while her right hand rests loosely on her knee. Her head tilts a little to one side, her chin drawn back as she looks down the length of her legs at the viewer with one eye half-closed and a faint, quietly amused closed-lip smile. Behind her the room stays soft and shallow: tatami mats with their seams running toward the frame, a shoji screen of paper and pale wood, a low wooden step, and a dark shadow pooling under her hips. Late-afternoon light comes through the paper screen at her left, diffusing evenly across her face, her shirt and the upturned soles, laying a soft bright strip along the outer edge of each foot and leaving the far edges of the room in warm dim shade. The palette stays in the tatami's straw yellow, the navy of the skirt, the white of the shirt and the warm neutral of skin. Intimate, quietly teasing.
パラメーターを見る
オリジナルプロンプト
女子高生。身長180㎝スリム長身。黒髪。制服姿。裸足。背景は家の中。彼女は座ってこちらに足裏を見せつけている。彼女の足裏はとても大きく、縦にとても長い。綺麗な足裏。また、彼女の足の指がとても長い。
モード
flash
縦横比
1232 x 1632
プロンプト自動変換

利用したモデルとLoRA

Tsubaki.3 Flash - AI Modelのカバー画像

PixAI DiT.3

Tsubaki.3 Flash
1.72k

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character: tamura_hiyori 1girl, solo, barefoot, feet focus, soles, toes, arched feet, low angle, foreshortening, sitting, leaning back, arm support, on floor, tatami, long hair, black hair, pink eyes, glasses, semi-rimless eyewear, fang, blush, embarrassed, school uniform, serafuku, red sailor collar, pink neckerchief, pleated skirt, long sleeves, depth of field From an extreme low angle with pronounced foreground foreshortening, the composition centers intimately on the girl's bare feet extended directly toward the viewer as she leans back on a woven straw tatami floor. The foreground is held entirely by the detailed soles and soft pads of her bare feet, with toes gently curled and light tracing the smooth curvature of her high arches; both bare heels rest firmly against the straw matting, creating small, distinct depressions along the woven seams. Her legs recede along a sharp perspective line toward her seated torso, where her pleated navy skirt settles naturally over her thighs and her weight is braced on both palms pressed behind her hips. She wears a crisp white long-sleeved serafuku finished with a broad red sailor collar and a knotted pink neckerchief at the throat. Receding into shallow depth of field, her head tilts forward to look down at the lens through thin, grey semi-rimless glasses. Long, straight black hair falls past her shoulders around flushed cheeks, her wide pink eyes holding an embarrassed, flustered gaze while a single small fang peeks over her lower lip from a parted, self-conscious mouth. Low, warm afternoon sunlight slants across the room from an off-frame window, throwing golden rim light across the contours of her ankles and toes while leaving the floorboards behind her in gentle ambient shadow. Bashful intimacy.
Bradley Minielly
AI artwork
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1girl, solo, high school girl, school uniform, white short-sleeved button-down shirt, pleated navy blue skirt, barefoot, bare legs, sitting, legs extended toward viewer, feet forward, soles facing viewer, sole focus, very large feet, long toes, high arch, clean feet, 600ml plastic bottle, pet bottle beside sole, size comparison, indoor, home interior, from below, foreshortening, close-up on feet, looking at viewer, light smile, head tilt, arm support, tatami floor The camera sits low on the floorboards and tips upward, so the nearest thing in the frame is the pair of soles held upright toward the lens, and the girl's tall slim body runs away above them in sharp foreshortening. She sits on the tatami with her weight rocked back onto her left hip, one palm planted flat behind her for support, her spine long and relaxed, both legs stretched straight at the viewer so the feet stand almost vertical, heels resting on the mat, toes tipped slightly back toward her own face. The soles are the whole foreground: long vertically, broader than the 600ml plastic bottle lying on its side on the floorboards right beside the right sole, the sole's length running well past the bottle's body and its width plainly exceeding the bottle's diameter; a clear, deep arch cuts a distinct hollow along the inner edge of each foot, and the toes are long, straight and clean, each one separated and readable, toenails neat and short, the balls of the feet and heels softly pinked where they press the air. Her right hand rests loosely on her knee, the left still braced on the tatami, fingers spread. She looks down the length of her own legs at the lens with a faint closed-lip smile, chin tilted, one eyebrow slightly lifted, a strand of hair slipping from behind her ear. Warm afternoon light comes in low through a paper-screened window off-frame to the left, laying a soft bright band across the soles and the bottle, catching the plastic bottle's curved highlight and the shine on her toenails, and dropping the room behind her into quiet amber shadow; the bottle lies in the soles' own cast shadow, its clear plastic picking up a pale caustic glow on the floorboards where the light passes through it. Behind her, a low table and a folded cushion sit against a plain wall in soft focus, palette limited to warm tatami straw, cream, navy and clean skin tones. Quiet, unhurried.
吉田晴樹
AI artwork
吉
1girl, solo, high school girl, school uniform, white short-sleeved button-down shirt, pleated navy blue skirt, barefoot, bare legs, sitting, legs extended toward viewer, feet forward, soles facing viewer, sole focus, very large feet, long toes, high arch, clean feet, 600ml plastic bottle, pet bottle beside sole, size comparison, indoor, home interior, from below, foreshortening, close-up on feet, looking at viewer, light smile, head tilt, arm support, tatami floor The camera sits low on the floorboards and tips upward, so the nearest thing in the frame is the pair of soles held upright toward the lens, and the girl's tall slim body runs away above them in sharp foreshortening. She sits on the tatami with her weight rocked back onto her left hip, one palm planted flat behind her for support, her spine long and relaxed, both legs stretched straight at the viewer so the feet stand almost vertical, heels resting on the mat, toes tipped slightly back toward her own face. The soles are the whole foreground: long vertically, broader than the 600ml plastic bottle lying on its side on the floorboards right beside the right sole, the sole's length running well past the bottle's body and its width plainly exceeding the bottle's diameter; a clear, deep arch cuts a distinct hollow along the inner edge of each foot, and the toes are long, straight and clean, each one separated and readable, toenails neat and short, the balls of the feet and heels softly pinked where they press the air. Her right hand rests loosely on her knee, the left still braced on the tatami, fingers spread. She looks down the length of her own legs at the lens with a faint closed-lip smile, chin tilted, one eyebrow slightly lifted, a strand of hair slipping from behind her ear. Warm afternoon light comes in low through a paper-screened window off-frame to the left, laying a soft bright band across the soles and the bottle, catching the plastic bottle's curved highlight and the shine on her toenails, and dropping the room behind her into quiet amber shadow; the bottle lies in the soles' own cast shadow, its clear plastic picking up a pale caustic glow on the floorboards where the light passes through it. Behind her, a low table and a folded cushion sit against a plain wall in soft focus, palette limited to warm tatami straw, cream, navy and clean skin tones. Quiet, unhurried.
吉田晴樹

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