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AI artwork featuring #zetaCollab
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PixAI × zeta オリキャラコンテスト2026 #zetaCollab
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character: keith_howard, copyright: yu-gi-oh! 1boy, solo, keith howard, short blonde hair, stubble, sunglasses covering eyes, blank opaque lenses hiding the eyes, american flag pattern bandana tied around the head, short-sleeved shirt, sleeveless jacket, wristband on right wrist, wristband on left wrist, grinning smirk, lopsided toothy grin, pointing at himself with right thumb, right thumb jabbed into his own chest, looking back over shoulder, head turned back toward the camera, torso angled away, over-shoulder composition, close-up on face, from front, newspaper front page, monochrome newspaper photo, halftone print texture, grayscale, single light source Seen from the front at close range while the man's body is angled away to his left: his head is cranked back over his right shoulder so that the camera gets his full face, chin lifted and jaw set, the skin around the mouth creased by a wide lopsided grin that pulls higher on his right side and bares the top row of teeth; his short blonde hair is flattened under the bandana, a few strands escaping at the temple and the nape because the turn has dragged them forward. The bandana is knotted at the back of the skull, its star-spangled blue field and red-and-white stripes wrapping the crown and the band sitting low across the brow; the sunglasses ride just above the band, their dark lenses completely blank, no eyes visible behind them, only the faint reflection of the light source as two small hard points. Stubble dusts the jaw, the chin and the upper lip in a broken, patchy grain, thicker along the jawline, and the turn of the neck stretches the skin over the tendon on his right side. His right arm is bent sharply up across his chest, elbow out and low, and the pad of his right thumb is pressed flat into his own sternum, the knuckles of the folded fingers curled beneath it, the wristband a thick band of cloth around that wrist compressing the sleeve cuff where shirt and jacket meet. The short-sleeved shirt shows at the bicep, its hem cutting a clean line above the elbow, and the sleeveless jacket sits over it with raw-edged armholes, the collar pushed up on the left by the raised shoulder. Weight rides on his left leg, so the right shoulder drops and the whole torso twists; the jacket's front hangs open and skewed by that twist, cloth pulling into a diagonal fold from the right armpit toward the left hip, and the shirt beneath bunches where the thumb digs in. His gaze, though the eyes are hidden, is aimed straight back over that shoulder at the viewer, and the smirk answers the look. A hard single light comes from the upper left, striking the left cheekbone, the bridge of the sunglasses, the bandana's folded knot-side and the thumb's nail; the right side of the face falls into a soft but definite shadow, a cast shadow from the sunglasses drops across the upper cheek, and the shadow of his own jaw lands on the collar of the shirt, while the two lenses stay flat and unlit except for their specular points. Palette is pure black, white and the full gray ramp of a printed photograph -- nothing else, since the whole image is the newspaper's reproduction of him: a coarse halftone dot screen across the skin, the bandana, the jacket and the background field, with the dot pattern visibly coarser in the midtones and dissolving at the brightest highlight on the cheekbone, and a slight ink smear along the edge of the deepest shadow. The surrounding area is the newspaper's column page, cropped so the portrait fills the frame with only a narrow margin of layout at the edges; there, ruled column lines run vertically, a headline in bold condensed capitals sits cropped at the top edge reading "HE'S BACK", a thin caption strip below the photo reads "HOWARD — 'I'M THE ONE.'", and a small thumbnail inset of the same man, a head-and-shoulders version of the same shot, occupies the lower right corner inside a thin rule box, reproduced at a third the size with the halftone so coarse his features break into dots. Everything except that inset is the main photograph; the inset is a second, smaller printing of the same face. Cocky, brash.
パラメーターを見る
オリジナルプロンプト
遊戯王_キース・ハワード、サングラスで目が隠れている、アメリカ国旗の柄のバンダナを頭に付けている、無精ひげ、半袖シャツ、ノースリーブジャケット、リストバンド、ニヤけている、右手の親指で自分自身を指さしている、振り向いている BREAK 英字新聞の一面、男の写真が小さく載っている、男の顔にフォーカス、モノクロ写真
モード
pro
品質タグ
﹝プロンプト﹞
縦横比
768 x 1280
サンプリング方法
Euler
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換

利用したモデルとLoRA

Tsubaki.3 - AI Modelのカバー画像

PixAI DiT.3

Tsubaki.3
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ほかの類似作品

続きを読む
AI artwork
に
character: keith_howard, copyright: yu-gi-oh! 1boy, solo, keith howard, short blonde hair, stubble, sunglasses covering eyes, blank opaque lenses hiding the eyes, american flag pattern bandana tied around the head, short-sleeved shirt, sleeveless jacket, wristband on right wrist, wristband on left wrist, grinning smirk, lopsided toothy grin, pointing at himself with right thumb, right thumb jabbed into his own chest, looking back over shoulder, head turned back toward the camera, torso angled away, over-shoulder composition, close-up on face, from front, newspaper front page, monochrome newspaper photo, halftone print texture, grayscale, single light source Seen from the front at close range while the man's body is angled away to his left: his head is cranked back over his right shoulder so that the camera gets his full face, chin lifted and jaw set, the skin around the mouth creased by a wide lopsided grin that pulls higher on his right side and bares the top row of teeth; his short blonde hair is flattened under the bandana, a few strands escaping at the temple and the nape because the turn has dragged them forward. The bandana is knotted at the back of the skull, its star-spangled blue field and red-and-white stripes wrapping the crown and the band sitting low across the brow; the sunglasses ride just above the band, their dark lenses completely blank, no eyes visible behind them, only the faint reflection of the light source as two small hard points. Stubble dusts the jaw, the chin and the upper lip in a broken, patchy grain, thicker along the jawline, and the turn of the neck stretches the skin over the tendon on his right side. His right arm is bent sharply up across his chest, elbow out and low, and the pad of his right thumb is pressed flat into his own sternum, the knuckles of the folded fingers curled beneath it, the wristband a thick band of cloth around that wrist compressing the sleeve cuff where shirt and jacket meet. The short-sleeved shirt shows at the bicep, its hem cutting a clean line above the elbow, and the sleeveless jacket sits over it with raw-edged armholes, the collar pushed up on the left by the raised shoulder. Weight rides on his left leg, so the right shoulder drops and the whole torso twists; the jacket's front hangs open and skewed by that twist, cloth pulling into a diagonal fold from the right armpit toward the left hip, and the shirt beneath bunches where the thumb digs in. His gaze, though the eyes are hidden, is aimed straight back over that shoulder at the viewer, and the smirk answers the look. A hard single light comes from the upper left, striking the left cheekbone, the bridge of the sunglasses, the bandana's folded knot-side and the thumb's nail; the right side of the face falls into a soft but definite shadow, a cast shadow from the sunglasses drops across the upper cheek, and the shadow of his own jaw lands on the collar of the shirt, while the two lenses stay flat and unlit except for their specular points. Palette is pure black, white and the full gray ramp of a printed photograph -- nothing else, since the whole image is the newspaper's reproduction of him: a coarse halftone dot screen across the skin, the bandana, the jacket and the background field, with the dot pattern visibly coarser in the midtones and dissolving at the brightest highlight on the cheekbone, and a slight ink smear along the edge of the deepest shadow. The surrounding area is the newspaper's column page, cropped so the portrait fills the frame with only a narrow margin of layout at the edges; there, ruled column lines run vertically, a headline in bold condensed capitals sits cropped at the top edge reading "HE'S BACK", a thin caption strip below the photo reads "HOWARD — 'I'M THE ONE.'", and a small thumbnail inset of the same man, a head-and-shoulders version of the same shot, occupies the lower right corner inside a thin rule box, reproduced at a third the size with the halftone so coarse his features break into dots. Everything except that inset is the main photograph; the inset is a second, smaller printing of the same face. Cocky, brash.
にばんめ
#zetaCollab
AI artwork
に
character: keith_howard, copyright: yu-gi-oh! 1boy, solo, keith howard, short blonde hair, stubble, sunglasses covering eyes, blank opaque lenses hiding the eyes, american flag pattern bandana tied around the head, short-sleeved shirt, sleeveless jacket, wristband on right wrist, wristband on left wrist, grinning smirk, lopsided toothy grin, pointing at himself with right thumb, right thumb jabbed into his own chest, looking back over shoulder, head turned back toward the camera, torso angled away, over-shoulder composition, close-up on face, from front, newspaper front page, monochrome newspaper photo, halftone print texture, grayscale, single light source Seen from the front at close range while the man's body is angled away to his left: his head is cranked back over his right shoulder so that the camera gets his full face, chin lifted and jaw set, the skin around the mouth creased by a wide lopsided grin that pulls higher on his right side and bares the top row of teeth; his short blonde hair is flattened under the bandana, a few strands escaping at the temple and the nape because the turn has dragged them forward. The bandana is knotted at the back of the skull, its star-spangled blue field and red-and-white stripes wrapping the crown and the band sitting low across the brow; the sunglasses ride just above the band, their dark lenses completely blank, no eyes visible behind them, only the faint reflection of the light source as two small hard points. Stubble dusts the jaw, the chin and the upper lip in a broken, patchy grain, thicker along the jawline, and the turn of the neck stretches the skin over the tendon on his right side. His right arm is bent sharply up across his chest, elbow out and low, and the pad of his right thumb is pressed flat into his own sternum, the knuckles of the folded fingers curled beneath it, the wristband a thick band of cloth around that wrist compressing the sleeve cuff where shirt and jacket meet. The short-sleeved shirt shows at the bicep, its hem cutting a clean line above the elbow, and the sleeveless jacket sits over it with raw-edged armholes, the collar pushed up on the left by the raised shoulder. Weight rides on his left leg, so the right shoulder drops and the whole torso twists; the jacket's front hangs open and skewed by that twist, cloth pulling into a diagonal fold from the right armpit toward the left hip, and the shirt beneath bunches where the thumb digs in. His gaze, though the eyes are hidden, is aimed straight back over that shoulder at the viewer, and the smirk answers the look. A hard single light comes from the upper left, striking the left cheekbone, the bridge of the sunglasses, the bandana's folded knot-side and the thumb's nail; the right side of the face falls into a soft but definite shadow, a cast shadow from the sunglasses drops across the upper cheek, and the shadow of his own jaw lands on the collar of the shirt, while the two lenses stay flat and unlit except for their specular points. Palette is pure black, white and the full gray ramp of a printed photograph -- nothing else, since the whole image is the newspaper's reproduction of him: a coarse halftone dot screen across the skin, the bandana, the jacket and the background field, with the dot pattern visibly coarser in the midtones and dissolving at the brightest highlight on the cheekbone, and a slight ink smear along the edge of the deepest shadow. The surrounding area is the newspaper's column page, cropped so the portrait fills the frame with only a narrow margin of layout at the edges; there, ruled column lines run vertically, a headline in bold condensed capitals sits cropped at the top edge reading "HE'S BACK", a thin caption strip below the photo reads "HOWARD — 'I'M THE ONE.'", and a small thumbnail inset of the same man, a head-and-shoulders version of the same shot, occupies the lower right corner inside a thin rule box, reproduced at a third the size with the halftone so coarse his features break into dots. Everything except that inset is the main photograph; the inset is a second, smaller printing of the same face. Cocky, brash.
にばんめ
#zetaCollab
AI artwork
に
character: keith_howard, copyright: yu-gi-oh! 1boy, solo, keith howard, short blonde hair, stubble, sunglasses covering eyes, blank opaque lenses hiding the eyes, american flag pattern bandana tied around the head, short-sleeved shirt, sleeveless jacket, wristband on right wrist, wristband on left wrist, grinning smirk, lopsided toothy grin, pointing at himself with right thumb, right thumb jabbed into his own chest, looking back over shoulder, head turned back toward the camera, torso angled away, over-shoulder composition, close-up on face, from front, newspaper front page, monochrome newspaper photo, halftone print texture, grayscale, single light source Seen from the front at close range while the man's body is angled away to his left: his head is cranked back over his right shoulder so that the camera gets his full face, chin lifted and jaw set, the skin around the mouth creased by a wide lopsided grin that pulls higher on his right side and bares the top row of teeth; his short blonde hair is flattened under the bandana, a few strands escaping at the temple and the nape because the turn has dragged them forward. The bandana is knotted at the back of the skull, its star-spangled blue field and red-and-white stripes wrapping the crown and the band sitting low across the brow; the sunglasses ride just above the band, their dark lenses completely blank, no eyes visible behind them, only the faint reflection of the light source as two small hard points. Stubble dusts the jaw, the chin and the upper lip in a broken, patchy grain, thicker along the jawline, and the turn of the neck stretches the skin over the tendon on his right side. His right arm is bent sharply up across his chest, elbow out and low, and the pad of his right thumb is pressed flat into his own sternum, the knuckles of the folded fingers curled beneath it, the wristband a thick band of cloth around that wrist compressing the sleeve cuff where shirt and jacket meet. The short-sleeved shirt shows at the bicep, its hem cutting a clean line above the elbow, and the sleeveless jacket sits over it with raw-edged armholes, the collar pushed up on the left by the raised shoulder. Weight rides on his left leg, so the right shoulder drops and the whole torso twists; the jacket's front hangs open and skewed by that twist, cloth pulling into a diagonal fold from the right armpit toward the left hip, and the shirt beneath bunches where the thumb digs in. His gaze, though the eyes are hidden, is aimed straight back over that shoulder at the viewer, and the smirk answers the look. A hard single light comes from the upper left, striking the left cheekbone, the bridge of the sunglasses, the bandana's folded knot-side and the thumb's nail; the right side of the face falls into a soft but definite shadow, a cast shadow from the sunglasses drops across the upper cheek, and the shadow of his own jaw lands on the collar of the shirt, while the two lenses stay flat and unlit except for their specular points. Palette is pure black, white and the full gray ramp of a printed photograph -- nothing else, since the whole image is the newspaper's reproduction of him: a coarse halftone dot screen across the skin, the bandana, the jacket and the background field, with the dot pattern visibly coarser in the midtones and dissolving at the brightest highlight on the cheekbone, and a slight ink smear along the edge of the deepest shadow. The surrounding area is the newspaper's column page, cropped so the portrait fills the frame with only a narrow margin of layout at the edges; there, ruled column lines run vertically, a headline in bold condensed capitals sits cropped at the top edge reading "HE'S BACK", a thin caption strip below the photo reads "HOWARD — 'I'M THE ONE.'", and a small thumbnail inset of the same man, a head-and-shoulders version of the same shot, occupies the lower right corner inside a thin rule box, reproduced at a third the size with the halftone so coarse his features break into dots. Everything except that inset is the main photograph; the inset is a second, smaller printing of the same face. Cocky, brash.
にばんめ
#zetaCollab
AI artwork
に
character: keith_howard, copyright: yu-gi-oh! 1boy, solo, keith howard, short blonde hair, stubble beard, sunglasses covering eyes, american flag pattern bandana on head, short-sleeved shirt, sleeveless jacket, wristbands, smirking, pointing at himself, right thumb to own chest, looking back over shoulder, head turned toward viewer, from side, close-up, newspaper front page, newspaper print, monochrome, greyscale photograph, small press photo on page, halftone dots, English-language newspaper Seen from the side as a close-up, the man's head is turned back over his right shoulder straight toward the lens, chin tucked, a lopsided smirk pulling one corner of his mouth up while the other stays flat. Dark sunglasses sit square across his eyes and hide them completely, a thin bar of reflected light running along the top edge of the left lens; below them his nose and jaw carry a scruffy stubble beard, stubble breaking up the hard jawline so the skin reads rough and unshaved. A bandana printed with the American flag is knotted around his skull, the stars lumped over his left temple, the stripes wrapping away behind his right ear, its folds pressed flat where the knot tightens. Short blonde hair pokes out beneath the cloth at the nape. His right hand is brought up across his chest, thumb jabbed back at his own sternum, the other fingers curled loosely into a half fist; the wristband sits wide and dark around that wrist, a second one hidden on the far arm. The short-sleeved shirt ends in a cut edge above the elbow, and the sleeveless jacket rides over it, its armhole rim cutting a hard curve around the bare shoulder; his shoulder rolls forward with the turn, the jacket bunching at the collar. His weight sits on the far leg, the near shoulder dropped, the whole torso twisted so the neck is the only part facing the camera. Every visible thing in the frame is printed: the man exists only as a small press photograph — a halftone dot screen across his face, the highlights on the sunglasses made of grey specks, the bandana's pattern reduced to flat black and mid-grey shapes — set into the front page of an English-language newspaper. Around that little rectangle stand columns of dense grey text set in narrow justified measures, a heavy ruled line above it, a bold headline block running across the top in large letters and a smaller subhead beneath, a thin rule framing the photo, a date line and page number at the corner, all of it English-language newspaper lettering, all of it grey; the fine print stays illegible micro-texture. Outside the printed page the page edges fade into a soft pale grey field, so the photograph is the only thing in focus. A single overhead press light rakes from the upper left: it prints a hard shadow of the jaw across the throat, leaves the far side of the bandana a flat unbroken dark, and catches a bright specular smear on the near wristband's metal studs. The palette is black, white and a few newsprint greys, no other colour anywhere — not in the flag cloth, not in the skin, not in the text. A faint paper grain sits in the whites where the ink did not take, and the whole page bows very slightly so the ruled lines above the photo curve down toward the fold. Grimy and self-satisfied.
にばんめ
#zetaCollab

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