無料で新規登録して、今すぐ10,000クレジットをゲット!

創作を始めるあなたに、新規登録当日から使えるクレジットをプレゼント!

PixAI iOS版 App Storeでの一時配信停止について — PixAIをご利用の皆さまへ 現在、PixAI iOSアプリはApp Storeでの検索およびダウンロードができない状態となっております。早期の配信再開に向けて、Appleと協議を進めております。ご不便をおかけし、誠に申し訳ございません。…

詳細を見る
AI artwork
無料で生成

けンた

さらに表示

コメント

1boy, solo, male focus, upper body, android, dark skin, very dark skin, muscular, muscular male, toned, toned male, large pectorals, pectorals, visible nipples, topless male, topless, bare chest, collarbone, short hair, very short hair, buzz cut, black hair, shaved sides, long sideburns, sideburns, thick eyebrows, forehead, exposed forehead, expressionless, blank stare, looking to the side, looking away, indoors, blurry background, depth of field, fake screenshot, user interface, holographic interface overlay, chinese text, realistic, 3d, three-dimensional digital rendering, high-fidelity textures, half-closed eyes, sweat, cool-toned rim light, The view is a tight upper-body three-quarter composition from slightly below, the android male's chest filling the lower half of the frame, his head turned to the right so his gaze travels past the right edge of the picture and out of frame. His body is angled about thirty degrees off the lens towards his left: the near shoulder rolls forward with its weight settled onto the right leg, the left hip dropped, the spine carried in a lazy vertical S that stacks the large pectorals one slightly in front of the other. The near pectoral catches the light full on and holds a smooth rounded mass; the far one sits in half-tone past the sternum. Both nipples sit low on the pectoral mass, the near one centred and crisply detailed, the far one foreshortened and dimmer, and a fine seam-like panel line runs from the inner collarbone down between them and stops below the sternum, a thin lit groove that says android rather than man. Hot sweat beads in the hollow of the throat and on the near collarbone, one drop tracked down the front of the near pectoral, its surface catching a pinpoint of key light. His jaw is shaved clean; the long sideburns run from under the buzz cut down past the ears into sharp points along the jaw corner, every hair laid in the same direction. The buzz cut is a dense black fuzz of even half-millimetre grain, forehead fully exposed and bare, the thick eyebrows sitting heavy and black over flat, level eyes with no movement in the lids and no tension at the mouth. The only light is a cool white light source low and to the left of the frame, an unseen screen glow: it grazes the near temple, the near cheekbone, the near pectoral and the top edge of the near shoulder, and leaves the right side of his face, the underside of his pectorals and the far arm in deep grey shadow. In the air between him and the lens, three translucent interface panes hang in sharp focus while the room behind him falls away into a soft bokeh of dark unlit interior: the largest pane floats to the right of his head, tilted in perspective with a thin white outline, a small block of Chinese characters at its top edge "系统状态", a smaller line beneath it "躯干温度 偏高", the rest of the panel a grid of illegible micro-data, faint rule lines and a thin amber status bar; a second small pane clings to his near shoulder with a tiny Chinese label "信号"; a third, cropped by the bottom-left frame edge, holds a single Chinese word "连接中" under a ring of loading ticks. Each pane's lettering sits flat on its own plane and shears with that plane's tilt, never flattening against the curved body behind it. The panes reflect faintly in the sheen of his sweat and cast the only glints on his pectorals. Everything behind him -- the unidentified dark room, the dim pale rectangles of distant unnoticed panels, the soft wash of an unlit wall -- is thrown out of focus into broad unreadable shapes, so the sharp plane holds only his face, his chest and the floating lettering. Near monochrome palette: near-black skin in deep warm brown, soot-grey background, cold white key light, one amber accent carried only by the interface's status bar and one thin divider line, nothing else admitted. He does not look at the camera, does not acknowledge the panes floating at his head, and does not shift his weight; the interface updates itself while he stands inert, eyes fixed on nothing off to the right. Cold, hushed, watchful.
パラメーターを見る
オリジナルプロンプト
solo, short hair, black hair, 1boy, upper body, nipples, male focus, artist name, indoors, dark skin, blurry, looking to the side, muscular, blurry background, expressionless, copyright name, thick eyebrows, muscular male, pectorals, dark-skinned male, large pectorals, forehead, toned, topless male, chinese text, sideburns, very short hair, android, realistic, toned male, 3d, long sideburns, fake screenshot, user interface, buzz cut
モード
flash
縦横比
768 x 1280
プロンプト自動変換

利用したモデルとLoRA

ほかの類似作品

続きを読む

もっと探す

おすすめのクリエイター

あなたにおすすめ

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬