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サーバーメンテナンスのお知らせ — 現在、サーバー設備の一部メンテナンスを実施しております。メンテナンス期間中、SDXL および Tsubaki.1 のタスクの生成に通常より時間がかかる場合がございます。 ご不便をおかけしますが、何卒ご理解くださいますようお願い申し上げます。…

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AI artwork featuring #ポケモン, #ポケットモンスター サン・ムーン, #リーリエ, #ウツロイド and #PixAI Halloween 2026
無料で生成

リーリエ・ウツロイド

参加作品
PixAI「ハロウィン不思議クラブ」特別コンテスト - 今宵、彼岸屋にて#PixAI Halloween 2026
#ポケモン#ポケットモンスター サン・ムーン#リーリエ#ウツロイド
月（
avatar-frame

月夜 （つきや）

さらに表示

コメント

character: lillie_(pokemon) 1girl, solo, lillie_(pokemon), blonde hair, long twin braids, blunt bangs, green eyes, upper body close-up, from below, dutch angle, black latex full-body innerwear, black latex bodysuit visible at collar and shoulders, white one-piece dress, sleeveless white sundress worn open over the latex, white latex long gloves, elbow-length white latex gloves, claw pose, both hands raised in claw gesture, roar, open mouth, ahegao, rolling eyes, climax, tongue out, drooling, perverted expression, flushed face, heavy blush, sweat, trembling, all fours, kneeling, covered in paint, paint splatter on face, paint on hair, paint on dress, paint on gloves, art classroom, easel, canvas, paint jars, human canvas, mocap, spoken_heart, looking at viewer, seductive_smile, half-closed_eyes, heavy_breathing, motion_lines The camera is low and slightly tilted, so the figure looms in the upper-half frame against a high ceiling of the art room. Seen from below, her face is tilted down toward the lens, twin braids swing forward over her shoulders, and her raised gloved hands frame the expression—clawed fingers curled, knuckles whitening the white latex. Her mouth is open wide in the roar, tongue out, drool strung from the lower lip, eyes rolled up under half-shut lids, face flushed red. She kneels on the studio floor with knees spread, the white sundress fallen open over the black latex full-body innerwear that sheens at collar and shoulders, white latex long gloves slick to the elbows. Paint is everywhere: splashes across her cheeks and bangs, streaks over the white dress, smears down the gloves, a wet handprint on the floorboards beside her knee. The easels lean around her, canvases glow, and a wet paint jar spills in the foreground; a small hand-drawn heart floats in a bubble beside her face as the only mark on the panel. The room's light comes from high studio windows opposite, hard and cool, casting a sharp shadow of her raised hands onto the canvas behind her, while the fill light keeps her painted skin luminous. Palette: black, white, flushed red, and the paint's raw green and orange, nothing else. The mood is feverishly ecstatic.
パラメーターを見る
オリジナルプロンプト
リーリエ、黒ラテックスの全身インナー、がおー、上半身アップ、白ラテックスの長手袋、変態の顔、白いワンピースの私服、笑顔、美術室、人間キャンパス、絵の具まみれ、アヘ顔絶頂
モード
pro
品質タグ
﹝プロンプト﹞
縦横比
1104 x 1824
サンプリング方法
Euler
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換

利用したモデルとLoRA

Tsubaki.3 - AI Modelのカバー画像

PixAI DiT.3

Tsubaki.3
6.70k

ほかの類似作品

続きを読む
AI artwork
月（
character: lillie_(pokemon) upper body close-up, 1girl, solo, long blonde hair, twin braids, blunt bangs, green eyes, black latex full-body undersuit, white sleeveless one-piece dress over it, paint-smeared dress, white latex elbow gloves, roaring pose, clawed hands raised, gao- pose, open mouth, tongue out, smile, perverted face, rolling eyes, heavy blush, sweat, glossy skin, glossy latex, paint splattered all over body, paint inside the latex, art room, classroom, easel, canvas, paint jars, looking at viewer, from below, dutch angle, dynamic angle The camera sits low and tilted a few degrees off level, looking up at her from chest height in a medium close-up that cuts her just below the ribs, so the shove of her body fills the frame. Her right arm is flung up and out to her own left, fingers hooked into a claw, and her left hand mirrors it lower and closer to the lens, its white latex glove blown large by the foreshortening; the near glove nearly brushes the top corner of the frame. Her spine arches back, chest lifted, chin tipped down toward the lens at odds with the upward throw of her arms, so she is looking down at the viewer through half-lidded green eyes with the whites showing beneath the irises. Her mouth is wide open around the roar — upper teeth bared, tongue thrust out and curled slightly to the left, the corners of her lips pulled up into a grin at the same time, one eyebrow cocked higher than the other. Her braids swing out to either side of her face, blunt bangs knocked askew across her brow. Under the arms the white one-piece dress is still her own: sleeveless, square-necked, riding up her lifted chest — and it is ruined, sleeves of paint in blue and cadmium red and viridian streaked across its front, one whole bold smear wiped diagonally from her collarbone to her ribs. Wherever the dress gapes, the black latex into which she has been sealed shows through, and it is tight and black and shining so hard that the art room's windows lie along it in long white strips. The suit is painted on the inside: where the dress hangs open at her shoulder and her waist, the latex clings to her skin over a churn of spilled pigment pressed between skin and rubber, blue and pink and yellow pulped together and blistered with air pockets, and it reads as a mottled mess swelling under the slick surface. More paint is on top of everything else — a red thumb-drag down her cheek and jaw, streaks up the outside of the white latex gloves, a smear across her belly, drips working their way down from her elbow. Behind her, the art room is shallow and warm: an easel jutting in at the left edge with its canvas turned partly away, jars crowded with brushes, a tabletop of squeezed tubes, and the tall window at frame right, which is the only light source. It strikes down her left side, so her raised near glove glows at its edge and flares, and it sets a hard specular highlight along her jaw, on her lower lip, on the curl of her tongue, and along every latex crest; under her chin, inside the hollow of her throat, and in the angle beneath her lifted arm the darkness sits deep and close. Her cast shadow drops away from the window onto the floorboards behind her raised arm. Palette: black latex, flat white dress and gloves, and the paint's blue-red-yellow shouting against them in the warm ochre of the room, nothing else admitted. Wet glistening highlights everywhere; the paint under the latex is the loudest thing in the picture. Boisterous, messily triumphant.
月夜 （つきや）
#zetaCollab#ポケモン#ポケットモンスター サン・ムーン
AI artwork
月（
character: lillie_(pokemon) upper body close-up, 1girl, solo, long blonde hair, twin braids, blunt bangs, green eyes, black latex full-body undersuit, white sleeveless one-piece dress over it, paint-smeared dress, white latex elbow gloves, roaring pose, clawed hands raised, gao- pose, open mouth, tongue out, smile, perverted face, rolling eyes, heavy blush, sweat, glossy skin, glossy latex, paint splattered all over body, paint inside the latex, art room, classroom, easel, canvas, paint jars, looking at viewer, from below, dutch angle, dynamic angle The camera sits low and tilted a few degrees off level, looking up at her from chest height in a medium close-up that cuts her just below the ribs, so the shove of her body fills the frame. Her right arm is flung up and out to her own left, fingers hooked into a claw, and her left hand mirrors it lower and closer to the lens, its white latex glove blown large by the foreshortening; the near glove nearly brushes the top corner of the frame. Her spine arches back, chest lifted, chin tipped down toward the lens at odds with the upward throw of her arms, so she is looking down at the viewer through half-lidded green eyes with the whites showing beneath the irises. Her mouth is wide open around the roar — upper teeth bared, tongue thrust out and curled slightly to the left, the corners of her lips pulled up into a grin at the same time, one eyebrow cocked higher than the other. Her braids swing out to either side of her face, blunt bangs knocked askew across her brow. Under the arms the white one-piece dress is still her own: sleeveless, square-necked, riding up her lifted chest — and it is ruined, sleeves of paint in blue and cadmium red and viridian streaked across its front, one whole bold smear wiped diagonally from her collarbone to her ribs. Wherever the dress gapes, the black latex into which she has been sealed shows through, and it is tight and black and shining so hard that the art room's windows lie along it in long white strips. The suit is painted on the inside: where the dress hangs open at her shoulder and her waist, the latex clings to her skin over a churn of spilled pigment pressed between skin and rubber, blue and pink and yellow pulped together and blistered with air pockets, and it reads as a mottled mess swelling under the slick surface. More paint is on top of everything else — a red thumb-drag down her cheek and jaw, streaks up the outside of the white latex gloves, a smear across her belly, drips working their way down from her elbow. Behind her, the art room is shallow and warm: an easel jutting in at the left edge with its canvas turned partly away, jars crowded with brushes, a tabletop of squeezed tubes, and the tall window at frame right, which is the only light source. It strikes down her left side, so her raised near glove glows at its edge and flares, and it sets a hard specular highlight along her jaw, on her lower lip, on the curl of her tongue, and along every latex crest; under her chin, inside the hollow of her throat, and in the angle beneath her lifted arm the darkness sits deep and close. Her cast shadow drops away from the window onto the floorboards behind her raised arm. Palette: black latex, flat white dress and gloves, and the paint's blue-red-yellow shouting against them in the warm ochre of the room, nothing else admitted. Wet glistening highlights everywhere; the paint under the latex is the loudest thing in the picture. Boisterous, messily triumphant.
月夜 （つきや）
#zetaCollab#ポケモン#ポケットモンスター サン・ムーン
AI artwork
月（
character: lillie_(pokemon) upper body close-up, 1girl, solo, long blonde hair, twin braids, blunt bangs, green eyes, black latex full-body undersuit, white sleeveless one-piece dress over it, paint-smeared dress, white latex elbow gloves, roaring pose, clawed hands raised, gao- pose, open mouth, tongue out, smile, perverted face, rolling eyes, heavy blush, sweat, glossy skin, glossy latex, paint splattered all over body, paint inside the latex, art room, classroom, easel, canvas, paint jars, looking at viewer, from below, dutch angle, dynamic angle The camera sits low and tilted a few degrees off level, looking up at her from chest height in a medium close-up that cuts her just below the ribs, so the shove of her body fills the frame. Her right arm is flung up and out to her own left, fingers hooked into a claw, and her left hand mirrors it lower and closer to the lens, its white latex glove blown large by the foreshortening; the near glove nearly brushes the top corner of the frame. Her spine arches back, chest lifted, chin tipped down toward the lens at odds with the upward throw of her arms, so she is looking down at the viewer through half-lidded green eyes with the whites showing beneath the irises. Her mouth is wide open around the roar — upper teeth bared, tongue thrust out and curled slightly to the left, the corners of her lips pulled up into a grin at the same time, one eyebrow cocked higher than the other. Her braids swing out to either side of her face, blunt bangs knocked askew across her brow. Under the arms the white one-piece dress is still her own: sleeveless, square-necked, riding up her lifted chest — and it is ruined, sleeves of paint in blue and cadmium red and viridian streaked across its front, one whole bold smear wiped diagonally from her collarbone to her ribs. Wherever the dress gapes, the black latex into which she has been sealed shows through, and it is tight and black and shining so hard that the art room's windows lie along it in long white strips. The suit is painted on the inside: where the dress hangs open at her shoulder and her waist, the latex clings to her skin over a churn of spilled pigment pressed between skin and rubber, blue and pink and yellow pulped together and blistered with air pockets, and it reads as a mottled mess swelling under the slick surface. More paint is on top of everything else — a red thumb-drag down her cheek and jaw, streaks up the outside of the white latex gloves, a smear across her belly, drips working their way down from her elbow. Behind her, the art room is shallow and warm: an easel jutting in at the left edge with its canvas turned partly away, jars crowded with brushes, a tabletop of squeezed tubes, and the tall window at frame right, which is the only light source. It strikes down her left side, so her raised near glove glows at its edge and flares, and it sets a hard specular highlight along her jaw, on her lower lip, on the curl of her tongue, and along every latex crest; under her chin, inside the hollow of her throat, and in the angle beneath her lifted arm the darkness sits deep and close. Her cast shadow drops away from the window onto the floorboards behind her raised arm. Palette: black latex, flat white dress and gloves, and the paint's blue-red-yellow shouting against them in the warm ochre of the room, nothing else admitted. Wet glistening highlights everywhere; the paint under the latex is the loudest thing in the picture. Boisterous, messily triumphant.
月夜 （つきや）
#zetaCollab#ポケモン#ポケットモンスター サン・ムーン
AI artwork
月（
character: lillie_(pokemon) upper body close-up, 1girl, solo, long blonde hair, twin braids, blunt bangs, green eyes, black latex full-body undersuit, white sleeveless one-piece dress over it, paint-smeared dress, white latex elbow gloves, roaring pose, clawed hands raised, gao- pose, open mouth, tongue out, smile, perverted face, rolling eyes, heavy blush, sweat, glossy skin, glossy latex, paint splattered all over body, paint inside the latex, art room, classroom, easel, canvas, paint jars, looking at viewer, from below, dutch angle, dynamic angle The camera sits low and tilted a few degrees off level, looking up at her from chest height in a medium close-up that cuts her just below the ribs, so the shove of her body fills the frame. Her right arm is flung up and out to her own left, fingers hooked into a claw, and her left hand mirrors it lower and closer to the lens, its white latex glove blown large by the foreshortening; the near glove nearly brushes the top corner of the frame. Her spine arches back, chest lifted, chin tipped down toward the lens at odds with the upward throw of her arms, so she is looking down at the viewer through half-lidded green eyes with the whites showing beneath the irises. Her mouth is wide open around the roar — upper teeth bared, tongue thrust out and curled slightly to the left, the corners of her lips pulled up into a grin at the same time, one eyebrow cocked higher than the other. Her braids swing out to either side of her face, blunt bangs knocked askew across her brow. Under the arms the white one-piece dress is still her own: sleeveless, square-necked, riding up her lifted chest — and it is ruined, sleeves of paint in blue and cadmium red and viridian streaked across its front, one whole bold smear wiped diagonally from her collarbone to her ribs. Wherever the dress gapes, the black latex into which she has been sealed shows through, and it is tight and black and shining so hard that the art room's windows lie along it in long white strips. The suit is painted on the inside: where the dress hangs open at her shoulder and her waist, the latex clings to her skin over a churn of spilled pigment pressed between skin and rubber, blue and pink and yellow pulped together and blistered with air pockets, and it reads as a mottled mess swelling under the slick surface. More paint is on top of everything else — a red thumb-drag down her cheek and jaw, streaks up the outside of the white latex gloves, a smear across her belly, drips working their way down from her elbow. Behind her, the art room is shallow and warm: an easel jutting in at the left edge with its canvas turned partly away, jars crowded with brushes, a tabletop of squeezed tubes, and the tall window at frame right, which is the only light source. It strikes down her left side, so her raised near glove glows at its edge and flares, and it sets a hard specular highlight along her jaw, on her lower lip, on the curl of her tongue, and along every latex crest; under her chin, inside the hollow of her throat, and in the angle beneath her lifted arm the darkness sits deep and close. Her cast shadow drops away from the window onto the floorboards behind her raised arm. Palette: black latex, flat white dress and gloves, and the paint's blue-red-yellow shouting against them in the warm ochre of the room, nothing else admitted. Wet glistening highlights everywhere; the paint under the latex is the loudest thing in the picture. Boisterous, messily triumphant.
月夜 （つきや）
#zetaCollab#ポケモン#ポケットモンスター サン・ムーン

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