Nov 9, 2026

【お知らせ】生成速度の低下とGPUリソース不足について — PixAIをご利用の皆さまへいつもPixAIをご利用いただき、誠にありがとうございます。現在、PixAI全体で生成速度が低下し、通常よりも生成待ちの時間が長くなっています。ご利用の皆さまにはご不便をおかけしており、心よりお詫び申し上げま…

無料で生成

団子を食べるオリキャラ

#原神

投稿日は Nov 1, 2026

ソノウタ

さらに表示

1girl, solo, slightly from the side, from side, cowboy shot, sitting, on a long wooden bench, leaning forward, white top hat, masquerade mask, short stature, child-sized body, huge breasts, breasts larger than head, cleavage, blue-silver hair, long hair, outward-flipped ponytail, heterochromia, right eye red, left eye blue, sparkling eyes, blush, relaxed smile, closed mouth, eating, dango, holding dango skewer, off-shoulder outfit, wide sleeves, short shorts, ribbon on chest, large ribbon at back waist, wristwatch on left wrist, dango and matcha on the bench beside her, Japanese-style dango shop interior, warm lantern light, looking at dango The camera sits at a slightly lateral three-quarter angle, a touch below her seated eye level, so the long bench runs in a shallow diagonal from the lower-left foreground into the midground and she is seen mostly from her right side, her body turned about thirty degrees toward the frame's left while her face comes back around toward the skewer. She sits side-saddle near the bench's front edge: her right hip takes her weight on the wooden seat, her left thigh is drawn up and folded so that the left foot rests flat on the bench beside her right thigh, and her right foot hangs free, toes hovering a hand's width above the tatami. Her off-shoulder neckline has slipped down off both shoulders, so the wide sleeves of the outfit fall open from her upper arms and the cloth hangs in a heavy fold at each elbow, and her short shorts are taut where her seat presses the bench. Both hands are up at her mouth: the right hand grips the thin bamboo skewer between thumb and forefinger, the last dango ball on it already half bitten, and the left hand is cupped just under the skewer to catch any drip, which puts the wristwatch clearly in view — a small round white-dialled face on a slim dark strap wrapped around her left wrist and catching a glint of lantern light. Her left ear is turned to the camera; her face is a soft, slack, contented curve, cheeks pinked warm across the bridge of her small nose, and both eyes are wide and bright and fixed on the dango in her hands, the near one — her right — a deep clear red, the far one — her left — a bright blue, the two of them shining with the reflected point of a lamp. Her hair is a long blue-silver mass gathered high and swung out behind her head so the tail hangs down past the bench back with its ends flipping outward in blunt flicks, and the taller white top hat sits tilted slightly back on that gathered crown, its brim carrying a pearly sheen. The masquerade mask covers the upper half of her face — a dark, glossy half-mask with a curved edge that leaves her mouth, cheeks and chin bare, and its eyeholes frame the mismatched red and blue beneath. At the base of her throat a small ribbon is knotted tight, and behind her, where the small of her back meets the bench edge, a far larger bow is tied in the same fabric, its loops and trailing ends sagging and crushed slightly flat where her weight and the bench back press on it. Beside her right thigh on the bench seat stands a small lacquer tray with three skewers of dango — pink, white and green balls alternating — and a squat ceramic bowl of matcha whose surface is a still, opaque green, a faint wisp of steam curling off it; a single grain of toasted soy flour has fallen from the skewer to the bench between them. The shop wraps the whole background in warm browns: a low counter behind her to the frame's right with a bamboo steamer basket and a row of skewers, a noren curtain half-drawn at the frame's left edge, paper lanterns hanging in a receding line, and a shoji lattice far back letting in a hazy cool daylight that reads blue-grey against the lantern warmth. The key light is the nearest lantern, high and to the frame's right, so it lays a warm edge along the top hat's brim, her right cheek, the crest of her shoulder and the rims of the dango balls, and casts her shadow soft and doubled onto the bench seat behind her hip; under the bench, the tatami floor darkens into a deep umber. The palette is tight — blue-silver hair, white hat, dark mask, the warm honeyed brown of the shop, and the small vivid green of the matcha and dango — and the sleeves and hair tail both hang with a slight lift, stirred by her small movements. Tender, and just a little mischievous.

団子を食べるオリキャラ

コメント

利用したモデルとLoRA

ほかの類似作品

もっと探す

おすすめのクリエイター

あなたにおすすめ