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- オリジナルプロンプト
- pixel-art isometric solo chibi young-man green-wavy-ponytail-hair kimono apron pants round-glasses cat-ears (imagawayaki ). sweets shop table sign-board noren "neko no mise" "oyaki" "imagawayaki" "kaitenyaki" "obanyaki" "Chelunbing" "baked-mochocho" japanese-text speech-bubble Halloween
- モード
- pro
- 品質タグ
- ﹝プロンプト﹞
- 縦横比
- 1888 x 1056
- サンプリング方法
- Euler
- ネガティブ
- lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換
利用したモデルとLoRA
ほかの類似作品
続きを読む
pixel art, isometric view, solo, 1boy, chibi, young man, green hair, long hair, wavy hair, ponytail, round glasses, cat ears, kimono, apron, pants, standing behind counter, leaning forward, both hands on tabletop, looking at another, looking down at food, light smile, open mouth, halloween, jack-o'-lantern, pumpkin, sweets shop, table, sign board, noren, speech bubble, sound effect text, japanese text, imagawayaki, food stand, night, warm lantern light, full body, wide shot,
Pixel-art isometric diorama, camera raised high on a fixed three-quarter isometric axis looking down into a small open-fronted sweets stall at night; the stall sits centred on a dark cobbled ground tile, its front face turned toward the lower-left corner of the frame and its counter running along the lower-right. Behind the counter, the single chibi young man — three heads tall, oversized head, stubby limbs — leans forward over the tabletop with both palms flat on the wooden board, weight carried on his left hip, right shoulder dipped lower, chin tipped down toward the griddle so the round lenses catch two small hot highlights; a short green wavy ponytail spills over his right shoulder and swings forward past the apron strap, its curls flipping up at the tips from the lean. He wears a dark indigo kimono with the sleeves pushed back to the elbow, a rust-orange work apron tied at the waist over it, and loose grey pants; a pair of pointed cat ears sits upright in his hair, one tilted a few degrees off vertical, and his eyes are angled down at the golden imagawayaki rounds in front of him, mouth open in a small bright call directed off to his right toward the passing street rather than at the lens.
The counter: a low table laid with a row of imagawayaki — thick round griddled cakes, one split open to show red bean paste — a small paper tray, a brass coin dish, and tongs resting with their tips on the board. A tall wooden sign board stands at the stall's left corner, planting its feet on the cobbles, its face angled toward the viewer so its stacked hand-painted columns read clean and legible top to bottom: "neko no mise" as the largest line, then "oyaki", "imagawayaki", "kaitenyaki", "obanyaki" down the centre, with "Chelunbing" and "baked-mochocho" as smaller lines near the base. A noren curtain of dark indigo cloth hangs from the stall's lintel across the top of the opening, split into three panels that sway a little and curl at their hems, one panel painted with a small white cat face.
Halloween dresses the stall without crowding it: a carved jack-o'-lantern with a candle glowing inside sits on the counter's right end, its lid off and its light spilling a wedge of orange across the wood; a second small pumpkin rests on the cobbles beside the sign board; a strand of tiny paper bats and a single hanging paper lantern with a cat face strung along the noren rod.
Lettering: a white speech bubble with a clean pixel-stepped outline floats above and to the right of his head, its tail pointing at his open mouth, and inside it a short Japanese line reads "いらっしゃいませ！" in crisp pixel type. Along the counter edge in front of the griddle, a chunky yellow-and-white pixel sound effect reads "ジュウッ" with its characters stretched wide as if sizzling off the hot iron, tilted with the counter's perspective so the word lies on the wood rather than floating.
Light: the stall is lit from inside — the jack-o'-lantern at counter height and a warm lantern above — so the boy's face, the front of his apron and the near edge of the table take the warm orange glow while the back wall of the stall, the underside of the noren and the cobbles behind him sit in deep indigo shadow; his cast shadow falls short and sharp onto the counter to his left. Palette is deliberately limited: indigo and near-black for cloth and night, warm amber-orange for lantern light, griddle and pumpkin, one soft mint-green for his hair, everything else in muted brown wood and grey stone. Rendered as crisp pixel art with hard aliased edges, a fixed 1:1 pixel grid stepping every diagonal, flat banded shading in three tones per material, and dithering only in the shadow gradients on the cobbles. Cozy, festive.
かざま＠🍎㌠
pixel art, isometric view, solo, 1boy, chibi, young man, green hair, long hair, wavy hair, ponytail, round glasses, cat ears, kimono, apron, pants, standing behind counter, leaning forward, both hands on tabletop, looking at another, looking down at food, light smile, open mouth, halloween, jack-o'-lantern, pumpkin, sweets shop, table, sign board, noren, speech bubble, sound effect text, japanese text, imagawayaki, food stand, night, warm lantern light, full body, wide shot,
Pixel-art isometric diorama, camera raised high on a fixed three-quarter isometric axis looking down into a small open-fronted sweets stall at night; the stall sits centred on a dark cobbled ground tile, its front face turned toward the lower-left corner of the frame and its counter running along the lower-right. Behind the counter, the single chibi young man — three heads tall, oversized head, stubby limbs — leans forward over the tabletop with both palms flat on the wooden board, weight carried on his left hip, right shoulder dipped lower, chin tipped down toward the griddle so the round lenses catch two small hot highlights; a short green wavy ponytail spills over his right shoulder and swings forward past the apron strap, its curls flipping up at the tips from the lean. He wears a dark indigo kimono with the sleeves pushed back to the elbow, a rust-orange work apron tied at the waist over it, and loose grey pants; a pair of pointed cat ears sits upright in his hair, one tilted a few degrees off vertical, and his eyes are angled down at the golden imagawayaki rounds in front of him, mouth open in a small bright call directed off to his right toward the passing street rather than at the lens.
The counter: a low table laid with a row of imagawayaki — thick round griddled cakes, one split open to show red bean paste — a small paper tray, a brass coin dish, and tongs resting with their tips on the board. A tall wooden sign board stands at the stall's left corner, planting its feet on the cobbles, its face angled toward the viewer so its stacked hand-painted columns read clean and legible top to bottom: "neko no mise" as the largest line, then "oyaki", "imagawayaki", "kaitenyaki", "obanyaki" down the centre, with "Chelunbing" and "baked-mochocho" as smaller lines near the base. A noren curtain of dark indigo cloth hangs from the stall's lintel across the top of the opening, split into three panels that sway a little and curl at their hems, one panel painted with a small white cat face.
Halloween dresses the stall without crowding it: a carved jack-o'-lantern with a candle glowing inside sits on the counter's right end, its lid off and its light spilling a wedge of orange across the wood; a second small pumpkin rests on the cobbles beside the sign board; a strand of tiny paper bats and a single hanging paper lantern with a cat face strung along the noren rod.
Lettering: a white speech bubble with a clean pixel-stepped outline floats above and to the right of his head, its tail pointing at his open mouth, and inside it a short Japanese line reads "いらっしゃいませ！" in crisp pixel type. Along the counter edge in front of the griddle, a chunky yellow-and-white pixel sound effect reads "ジュウッ" with its characters stretched wide as if sizzling off the hot iron, tilted with the counter's perspective so the word lies on the wood rather than floating.
Light: the stall is lit from inside — the jack-o'-lantern at counter height and a warm lantern above — so the boy's face, the front of his apron and the near edge of the table take the warm orange glow while the back wall of the stall, the underside of the noren and the cobbles behind him sit in deep indigo shadow; his cast shadow falls short and sharp onto the counter to his left. Palette is deliberately limited: indigo and near-black for cloth and night, warm amber-orange for lantern light, griddle and pumpkin, one soft mint-green for his hair, everything else in muted brown wood and grey stone. Rendered as crisp pixel art with hard aliased edges, a fixed 1:1 pixel grid stepping every diagonal, flat banded shading in three tones per material, and dithering only in the shadow gradients on the cobbles. Cozy, festive.
かざま＠🍎㌠
pixel art, isometric view, 1boy, solo, chibi, young man, green hair, wavy hair, ponytail, cat ears, round glasses, kimono, apron, pants, standing behind table, leaning forward on both hands on tabletop, imagawayaki, sweets shop, table, sign-board, noren curtain, halloween, speech bubble, japanese text, sound effect, pumpkin, looking at viewer, open mouth, grin, pointing at viewer
A pixel-art isometric view looks down at a 45-degree angle onto one small street-food stall, the whole sweets shop fitted into a compact isometric tile: a wooden counter table runs diagonally across the centre of the frame, a navy noren curtain hangs from the stall's front eave with its split panels swaying, and the single chibi young man stands behind the table. Small head-to-body ratio, green wavy hair gathered into a ponytail that sweeps over his right shoulder and ends in loose curls, a pair of cat ears rising through the hair at the crown with the inner ear a paler green, round glasses with thin frames resting on the bridge of his nose, a dark indigo kimono with its collar crossed left-over-right, a plain pale-cream apron tied at the waist over the kimono, and loose striped pants below, their cuffs tucked into short dark socks on the tile floor. He leans forward across the counter, weight on the balls of both feet and his hips tilted back, both forearms resting on the tabletop with his palms flat and every fingertip in contact with the wood; his right hand has just lifted from the griddle to point straight out toward the viewer, arm foreshortened by the isometric angle so the finger sits close to the lens. On the table: a round cast-iron griddle holding a row of imagawayaki, thick golden-brown disc cakes with crisp lidded seams and one split open to show dark red bean paste, a small ladle resting in a batter bowl, a stack of paper wrappers, and a striped cloth folded beside them. A tall standing sign-board stands at the stall's front-left corner, its face turned so the isometric camera reads it square-on: a hand-painted wooden board reading "neko no mise" along the top in large bold lettering, then beneath it in two columns "oyaki", "imagawayaki", "kaitenyaki", "obanyaki", "Chelunbing", "baked-mochocho", each word in its own painted cell with a small chalking of a cake beside it, the letters slightly uneven as if brushed by hand and the paint chipped at the board's lower edge. Halloween dressing is woven into the stall: a carved pumpkin lantern with a candle inside sits on the counter's right end, its cut eyes throwing warm light upward, a strand of small paper bats and orange-black ribbons hangs along the noren's rod, and a few wrapped sweets on the table are tied with orange and black string. A large speech bubble opens above his head at the upper right, its tail pointing to his mouth, with Japanese text inside: "いらっしゃいませ、ハロウィン限定のおばんやきはいかがですか". Along the table edge, in bold pixel-block Japanese onomatopoeia: "ジュウッ" with small steam curls where the batter hits the hot iron, and "パリッ" beside the crisped seam of the open cake. Light is a cool late-October dusk from the upper left, casting every object's shadow down and to the right in hard pixel steps, while the pumpkin lantern adds an orange pool of light on the right side of the counter and the undersides of the boy's jaw, apron and hands; the stall's back interior falls into dark blue shadow beyond the lantern's reach. Palette held to the stall's own discipline: indigo and navy in the kimono and noren, cream and pale wood in the apron and counter, warm amber from the cakes and lantern, and Halloween orange-black appearing only on the pumpkin, ribbons and sweet wrappers. Pixel grid is consistent throughout, with hard-edged shading blocks, a limited palette and dithered transitions between the stepped shadow bands. Warm, playful, inviting.
かざま＠🍎㌠
pixel art, isometric view, solo, 1boy, chibi, young man, green hair, long hair, wavy hair, ponytail, round glasses, cat ears, kimono, apron, pants, standing behind counter, leaning forward, both hands on tabletop, looking at another, looking down at food, light smile, open mouth, halloween, jack-o'-lantern, pumpkin, sweets shop, table, sign board, noren, speech bubble, sound effect text, japanese text, imagawayaki, food stand, night, warm lantern light, full body, wide shot,
Pixel-art isometric diorama, camera raised high on a fixed three-quarter isometric axis looking down into a small open-fronted sweets stall at night; the stall sits centred on a dark cobbled ground tile, its front face turned toward the lower-left corner of the frame and its counter running along the lower-right. Behind the counter, the single chibi young man — three heads tall, oversized head, stubby limbs — leans forward over the tabletop with both palms flat on the wooden board, weight carried on his left hip, right shoulder dipped lower, chin tipped down toward the griddle so the round lenses catch two small hot highlights; a short green wavy ponytail spills over his right shoulder and swings forward past the apron strap, its curls flipping up at the tips from the lean. He wears a dark indigo kimono with the sleeves pushed back to the elbow, a rust-orange work apron tied at the waist over it, and loose grey pants; a pair of pointed cat ears sits upright in his hair, one tilted a few degrees off vertical, and his eyes are angled down at the golden imagawayaki rounds in front of him, mouth open in a small bright call directed off to his right toward the passing street rather than at the lens.
The counter: a low table laid with a row of imagawayaki — thick round griddled cakes, one split open to show red bean paste — a small paper tray, a brass coin dish, and tongs resting with their tips on the board. A tall wooden sign board stands at the stall's left corner, planting its feet on the cobbles, its face angled toward the viewer so its stacked hand-painted columns read clean and legible top to bottom: "neko no mise" as the largest line, then "oyaki", "imagawayaki", "kaitenyaki", "obanyaki" down the centre, with "Chelunbing" and "baked-mochocho" as smaller lines near the base. A noren curtain of dark indigo cloth hangs from the stall's lintel across the top of the opening, split into three panels that sway a little and curl at their hems, one panel painted with a small white cat face.
Halloween dresses the stall without crowding it: a carved jack-o'-lantern with a candle glowing inside sits on the counter's right end, its lid off and its light spilling a wedge of orange across the wood; a second small pumpkin rests on the cobbles beside the sign board; a strand of tiny paper bats and a single hanging paper lantern with a cat face strung along the noren rod.
Lettering: a white speech bubble with a clean pixel-stepped outline floats above and to the right of his head, its tail pointing at his open mouth, and inside it a short Japanese line reads "いらっしゃいませ！" in crisp pixel type. Along the counter edge in front of the griddle, a chunky yellow-and-white pixel sound effect reads "ジュウッ" with its characters stretched wide as if sizzling off the hot iron, tilted with the counter's perspective so the word lies on the wood rather than floating.
Light: the stall is lit from inside — the jack-o'-lantern at counter height and a warm lantern above — so the boy's face, the front of his apron and the near edge of the table take the warm orange glow while the back wall of the stall, the underside of the noren and the cobbles behind him sit in deep indigo shadow; his cast shadow falls short and sharp onto the counter to his left. Palette is deliberately limited: indigo and near-black for cloth and night, warm amber-orange for lantern light, griddle and pumpkin, one soft mint-green for his hair, everything else in muted brown wood and grey stone. Rendered as crisp pixel art with hard aliased edges, a fixed 1:1 pixel grid stepping every diagonal, flat banded shading in three tones per material, and dithering only in the shadow gradients on the cobbles. Cozy, festive.
かざま＠🍎㌠
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