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AI art "場地圭介"
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場地圭介

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eripan

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character: baji_keisuke, copyright: tokyo_revengers 1boy, solo, baji keisuke, black hair, long hair, loose unbound hair, yellow eyes, tsurime, sharp narrow eyes, small fang, yukata, hot spring inn yukata, indigo yukata, white pattern, front open, yukata slipped off shoulders, bare shoulders, bare chest, exposed collarbone, barefoot, bare feet, sitting, relaxed, sitting on floor, tatami, washitsu, japanese-style room, shoji, engawa, from above, from side, looking to the side, head tilted back, arm support, leaning back on one hand, crossed legs, half-closed eyes, light smile, warm light, lantern light, night, steam, yukata, barefoot, solo, 1boy Shot from above and slightly to his left, looking down into a tatami room: he sits on the floor with his weight thrown back onto his right hand, palm flat on the mat behind his hip, fingers spread and pressing the weave, while his left arm rests across his raised left knee, the loose sleeve falling open down the forearm and hanging free of the elbow. His right leg is folded under the left thigh, the left knee up and the left foot planted flat, sole showing a faint dusty print from the corridor boards; his head tips back against the shoulder, chin up, the long black hair spilling down off his neck and pooling on the tatami behind him in a loose black fan that catches the lamp. Through the gap of the yukata, opened wide and dragged down off both shoulders, the collar line sits low across the chest and the fabric lies in a crumpled white-edged fold at his upper arms, sleeves bunched at the crook of each elbow; the obi is tied loose and sits slack at the waist, the hem riding up over one bare shin so the ankle and the whole foot are uncovered on the mat. His yellow eyes are half-lidded, angled off to the right of the frame toward the open shoji and the steam drifting in from the bath, not at the viewer; the mouth is a faint closed lopsided smile with the corner of the small fang just touching the lip, one brow slightly lifted, the muscles of the jaw slack — the whole body settled and easy, no tension anywhere. The room is intimate and close: tatami fills the lower half of the frame with its weave and its dark seam lines running diagonally out of the bottom-left corner, a low lacquered tray with a small ceramic cup set down beside his planted foot, a folded spare yukata and a cushion at the frame's right edge, and shoji screens behind him with one panel slid open onto the dim engawa and the night garden beyond, where a stone lantern glows and steam from the outdoor bath curls up past the doorway. The warm paper lantern above and to his left is the key light: it strikes the top of his shoulder, the ridge of his collarbone and the crown of his hair, and leaves the hollow of his open collar, the underside of his jaw and the folds of the dropped yukata in soft warm shadow; the only other light is the low orange spill from the garden lantern, dimming the tatami behind him into darkness, so his cast shadow falls long and soft toward the bottom-right across the mat and the hair's shadow breaks into strands at its edge. The steam drifting through the doorway softens the shoji's grid and the far garden into haze, and where it crosses the lantern light it glows faint. Palette held to indigo and off-white for the yukata, the straw-gold tatami, warm amber lantern light, and the black of his hair as the deepest value in the frame, with one dull red glow in the garden lantern beyond the doorway. Detail budget goes to the face, the slack open collar and the hand spread on the mat; the room's far side stays simple and dim. Quiet, warm, at ease.
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オリジナルプロンプト
東京リベンジャーズの場地圭介。温泉宿の浴衣を着ている。少し、前がはだけている。裸足。温泉宿の和室に座って寛いでいる。
モード
pro
縦横比
1104 x 1824
サンプリング方法
Euler
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換

利用したモデルとLoRA

Tsubaki.3 - AI Modelのカバー画像

PixAI DiT.3

Tsubaki.3
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AI artwork
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character: baji_keisuke, copyright: tokyo_revengers 1boy, solo, baji keisuke, long black hair, loose unbound long hair falling past the shoulders, yellow-brown eyes, tsurime sharp upward-tilted eyes, yukata, indigo cotton yukata with a thin white pinstripe, front of the yukata hanging open in a loose V, bare chest visible in the open gap, barefoot, bare feet, sitting, sitting on tatami, relaxed, at ease, seiza loosened into a slouch, one knee drawn up, arm support, leaning back on one hand, head tilted back, looking up, half-closed eyes, light smile, open mouth, from below, low angle, cowboy shot, japanese-style room, washitsu, tatami floor, shoji screens, wooden veranda, engawa, open shoji, steaming outdoor hot spring beyond, yukata sleeves, bare legs, sunlight through shoji, warm afternoon light, dust motes The camera sits low on the tatami, close to the floor, tilted up: the view is from below and slightly to his right, a cowboy shot that crops him at mid-thigh so the tatami fills the bottom edge and a shoji frame rises behind his shoulder. He is alone in the washitsu of a hot spring inn, seated on the tatami with his weight pitched back onto his left hand, palm flat and fingers spread against the woven mat, while his right knee is drawn up and his right forearm rests across it, wrist slack, hand hanging. His left leg folds under him along the mat, the foot turned sole-up so the pale underside of the toes and heel read clearly; both feet are bare, the yukata hem pooled around his shins. The indigo yukata is tied low and loose, and the front hangs open in a slack V from his collarbones down to the knot, the two lapels falling apart so the bare plane of his chest shows between them, cloth slipping off one shoulder. His head is tipped back against the shoji frame, long black hair spilling loose over his shoulders and down his back, a few strands caught on the open collar. His eyes are half-lidded, looking up and off past the top of the frame toward the light, a lazy open-mouthed smile with one corner pulled higher; his chest rises in an unhurried breath. Behind him the shoji screens stand half-slid open onto a wooden engawa, and beyond that the inn's outdoor bath sends up a steady column of steam that drifts in through the opening, softening the garden behind it and catching the light. Late-afternoon sun comes in low through the shoji from camera left, warm and raked: it lays bright patches of paper-filtered light across the tatami, the mat's weave showing as fine parallel ribs with shadowed seams between the mats, and it strikes the edge of his jaw, the open collar and the top of his bared chest while the underside of his raised knee and the hollow of the yukata's gap stay in cool shadow. His cast shadow falls short and soft to the right across the mat. The steam just inside the room makes the air visible where it crosses the sunbeam, and where it touches the paper of the shoji the paper has gone faintly translucent. Palette: indigo and off-white for the yukata and shoji paper, warm straw of the tatami, dark wood of the frame, and the honeyed gold of low sun, skin kept warm against the cool cloth. Quiet, unhurried, at ease.
eripan

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