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- オリジナルプロンプト
- 紅葉した木々が綺麗に映える真夜中の参道。和服を着た黒髪の美少女妖狐がこちらに不敵に微笑んでいる。狐耳。尻尾が出ている。番傘を開いてさしている。風で紅葉した葉が舞っている。
- モード
- pro
- 品質タグ
- ﹝プロンプト﹞
- 縦横比
- 1104 x 1824
- サンプリング方法
- Euler
- ネガティブ
- lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換
利用したモデルとLoRA
ほかの類似作品
続きを読む
IR
1girl, solo, fox girl, fox ears, black hair, long hair, yellow eyes, kitsune, japanese clothes, kimono, obi, geta, fox tail, single tail, holding umbrella, open umbrella, wagasa, paper umbrella, bangasa, holding umbrella toward viewer, outstretched arm, fearless smile, smug, confident, looking at viewer, head tilt, from below, dutch angle, night, midnight, shrine path, sando, stone lanterns, torii gate, maple trees, autumn leaves, red leaves, falling leaves, swirling leaves, wind, depth of field, cinematic lighting, cool blue night palette, warm amber lantern glow,
The camera sits low on the flagstones of a midnight shrine approach and tilts up at a slight dutch angle, so the girl reads tall and unbothered against the dark. She stands just off the path's centerline, weight sunk into her back right hip, left foot placed a half-step forward on the moss-edged stone; her right arm is flung out and slightly down toward the lens, gripping the bamboo shaft of an open red oil-paper umbrella so the canopy tilts over her and its rim cuts the top-left corner of the frame. The umbrella shaft crosses in front of her shoulder; her fingers wrap the handle, thumb locking the joint. Her left hand rests loose at the front fold of her kimono, just above the obi knot, fabric pinched between two fingers. Her long black hair is caught by the wind and sweeps across her right cheek toward her shoulder, a few strands lifted clear of her collar; the two fox ears rise from the crown of her head, the nearer one angled forward and twitching toward the viewer, the far one half-folded back. Behind her hip her single tail curves out and to the left, thick and brush-tipped, its fur lifting in the same gust that flutters the hem of her kimono and the loose sleeve on her raised arm. Her chin is lifted a fraction, mouth curved into a lopsided fearless smile with the corner of one lip pulled higher, one eyebrow arched, eyes half-lidded and fixed straight on the viewer with a defiant, knowing gleam, brows angled down at the inner ends.
The world behind her: a stone-paved sando climbing away into the dark between rows of maple trees whose leaves have turned deep crimson and burnt orange, their branches meeting overhead to make a low tunnel. Paper-shaded stone lanterns line both sides at uneven intervals, each a small hot amber pool; the lantern nearest her right hip throws warm light up the underside of the umbrella canopy and along the grain of the bamboo ribs, warms the left side of her jaw and throat, and lays a long soft shadow of the umbrella across the flagstones at her feet. Beyond the lantern pools the night is deep blue-black, the maple canopies reading as darker masses with only the topmost leaves catching stray light, and fog gathers low between the tree trunks so the far end of the path dissolves. A single vermilion torii stands mid-distance, its silhouette black against the blue, small enough to state the path's length. The palette holds to three: deep indigo night, the burning red-orange of the leaves and the umbrella's paper, and the amber of the lanterns; her black hair and the dark kimono ground it all. Wind-driven leaves are in the air throughout the frame — sharp and legible near the umbrella rim where the lantern light catches them, small and blurred against the distant fog — one leaf plastered flat to the wet flagstone at her feet, the rest tumbling past her shoulder and through the umbrella's shadow. The paper of the umbrella glows faintly translucent where the nearest lantern shines through it from behind. Quiet, imperious, beautiful.
IR
IR
1girl, solo, fox girl, fox ears, black hair, long hair, yellow eyes, kitsune, japanese clothes, kimono, obi, geta, fox tail, single tail, holding umbrella, open umbrella, wagasa, paper umbrella, bangasa, holding umbrella toward viewer, outstretched arm, fearless smile, smug, confident, looking at viewer, head tilt, from below, dutch angle, night, midnight, shrine path, sando, stone lanterns, torii gate, maple trees, autumn leaves, red leaves, falling leaves, swirling leaves, wind, depth of field, cinematic lighting, cool blue night palette, warm amber lantern glow,
The camera sits low on the flagstones of a midnight shrine approach and tilts up at a slight dutch angle, so the girl reads tall and unbothered against the dark. She stands just off the path's centerline, weight sunk into her back right hip, left foot placed a half-step forward on the moss-edged stone; her right arm is flung out and slightly down toward the lens, gripping the bamboo shaft of an open red oil-paper umbrella so the canopy tilts over her and its rim cuts the top-left corner of the frame. The umbrella shaft crosses in front of her shoulder; her fingers wrap the handle, thumb locking the joint. Her left hand rests loose at the front fold of her kimono, just above the obi knot, fabric pinched between two fingers. Her long black hair is caught by the wind and sweeps across her right cheek toward her shoulder, a few strands lifted clear of her collar; the two fox ears rise from the crown of her head, the nearer one angled forward and twitching toward the viewer, the far one half-folded back. Behind her hip her single tail curves out and to the left, thick and brush-tipped, its fur lifting in the same gust that flutters the hem of her kimono and the loose sleeve on her raised arm. Her chin is lifted a fraction, mouth curved into a lopsided fearless smile with the corner of one lip pulled higher, one eyebrow arched, eyes half-lidded and fixed straight on the viewer with a defiant, knowing gleam, brows angled down at the inner ends.
The world behind her: a stone-paved sando climbing away into the dark between rows of maple trees whose leaves have turned deep crimson and burnt orange, their branches meeting overhead to make a low tunnel. Paper-shaded stone lanterns line both sides at uneven intervals, each a small hot amber pool; the lantern nearest her right hip throws warm light up the underside of the umbrella canopy and along the grain of the bamboo ribs, warms the left side of her jaw and throat, and lays a long soft shadow of the umbrella across the flagstones at her feet. Beyond the lantern pools the night is deep blue-black, the maple canopies reading as darker masses with only the topmost leaves catching stray light, and fog gathers low between the tree trunks so the far end of the path dissolves. A single vermilion torii stands mid-distance, its silhouette black against the blue, small enough to state the path's length. The palette holds to three: deep indigo night, the burning red-orange of the leaves and the umbrella's paper, and the amber of the lanterns; her black hair and the dark kimono ground it all. Wind-driven leaves are in the air throughout the frame — sharp and legible near the umbrella rim where the lantern light catches them, small and blurred against the distant fog — one leaf plastered flat to the wet flagstone at her feet, the rest tumbling past her shoulder and through the umbrella's shadow. The paper of the umbrella glows faintly translucent where the nearest lantern shines through it from behind. Quiet, imperious, beautiful.
IR
IR
1girl, solo, fox girl, fox ears, black hair, long hair, yellow eyes, kitsune, japanese clothes, kimono, obi, geta, fox tail, single tail, holding umbrella, open umbrella, wagasa, paper umbrella, bangasa, holding umbrella toward viewer, outstretched arm, fearless smile, smug, confident, looking at viewer, head tilt, from below, dutch angle, night, midnight, shrine path, sando, stone lanterns, torii gate, maple trees, autumn leaves, red leaves, falling leaves, swirling leaves, wind, depth of field, cinematic lighting, cool blue night palette, warm amber lantern glow,
The camera sits low on the flagstones of a midnight shrine approach and tilts up at a slight dutch angle, so the girl reads tall and unbothered against the dark. She stands just off the path's centerline, weight sunk into her back right hip, left foot placed a half-step forward on the moss-edged stone; her right arm is flung out and slightly down toward the lens, gripping the bamboo shaft of an open red oil-paper umbrella so the canopy tilts over her and its rim cuts the top-left corner of the frame. The umbrella shaft crosses in front of her shoulder; her fingers wrap the handle, thumb locking the joint. Her left hand rests loose at the front fold of her kimono, just above the obi knot, fabric pinched between two fingers. Her long black hair is caught by the wind and sweeps across her right cheek toward her shoulder, a few strands lifted clear of her collar; the two fox ears rise from the crown of her head, the nearer one angled forward and twitching toward the viewer, the far one half-folded back. Behind her hip her single tail curves out and to the left, thick and brush-tipped, its fur lifting in the same gust that flutters the hem of her kimono and the loose sleeve on her raised arm. Her chin is lifted a fraction, mouth curved into a lopsided fearless smile with the corner of one lip pulled higher, one eyebrow arched, eyes half-lidded and fixed straight on the viewer with a defiant, knowing gleam, brows angled down at the inner ends.
The world behind her: a stone-paved sando climbing away into the dark between rows of maple trees whose leaves have turned deep crimson and burnt orange, their branches meeting overhead to make a low tunnel. Paper-shaded stone lanterns line both sides at uneven intervals, each a small hot amber pool; the lantern nearest her right hip throws warm light up the underside of the umbrella canopy and along the grain of the bamboo ribs, warms the left side of her jaw and throat, and lays a long soft shadow of the umbrella across the flagstones at her feet. Beyond the lantern pools the night is deep blue-black, the maple canopies reading as darker masses with only the topmost leaves catching stray light, and fog gathers low between the tree trunks so the far end of the path dissolves. A single vermilion torii stands mid-distance, its silhouette black against the blue, small enough to state the path's length. The palette holds to three: deep indigo night, the burning red-orange of the leaves and the umbrella's paper, and the amber of the lanterns; her black hair and the dark kimono ground it all. Wind-driven leaves are in the air throughout the frame — sharp and legible near the umbrella rim where the lantern light catches them, small and blurred against the distant fog — one leaf plastered flat to the wet flagstone at her feet, the rest tumbling past her shoulder and through the umbrella's shadow. The paper of the umbrella glows faintly translucent where the nearest lantern shines through it from behind. Quiet, imperious, beautiful.
IR
1boy, dark brown hair, orange eyes, very long hair, curly hair, glowing eyes, slit pupils, kitsune, freckles, dark brown tails, six tails, dark brown animal ears, fox ears, \\(no human ears\\), white animal ear fluff, light skin, red eyeshadow, lips, autumn, autumn leaves, orange kimono, brown haori, japanese umbrella, sharp fingernails, holding umbrella, open umbrella, rain, village, pavement, dynamic pose, pectorals, thighs, male focus, leg out
Teodor
もっと探す
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🖤🍴🩸
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detective anya and bond (˶>⩊<˶)
^( aricat )^
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
Love live! School idol maid - Hanayo koizumi
AMnatsu
character: tenma_tsukasa
"", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
character: kagamine_rin, copyright: vocaloid
lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
໒꒱· ﾟ◼️
生魚2(Raw Fish 2)
✦ ₊ ⊹ 🌑
(mai)
🎵Surtur
helanx
✦ ₊ 🪞 🗝️ 🫧 ₊ ✦
(mai)
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
Mine / 私のもの
みーちゃん
⋆𐙚 🎃 🫖 🍁 ✧
(mai)
![AI art "Ceres [41]"](https://images-ng.pixai.art/ji/thumb/0654320c-4126-41e2-b133-d4998b21982f)
Ceres [41]
snow
6
🩵🪽.⋆𝜗𝜚
生魚2(Raw Fish 2)
37
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
dz
Midnight Aesthetic: Monochrome Vibe
DxZ
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
The Enchantress of the Violet Blossomsーシャンプー
moon221B
👁️🗨️🦇🗝️🕯️
(mai)
Halloween
生魚2(Raw Fish 2)
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