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AI art "Silhouette in the Magic Chamber"
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Silhouette in the Magic Chamber

There's something hauntingly beautiful about the way the shadows play in this grand, dated hall. I absolutely love how the glowing magic circle contrasts with the dark, quiet atmosphere. It feels like a pivotal moment in a grand anime battle. If this moody vibe speaks to you, please hit like and follow for more artistic creations!

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NergoProxy

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1:1, extreme close-up, wide shot composition letterboxed into a horizontal banner, from below, dutch angle, tech-noir, high-contrast monochrome, blueprint drafting aesthetic, giant industrial pressure regulator mechanism, heavy brass gears, pressure gauges, cracked seam, escaping high-pressure vapor, copper pipes under strain, ink scribble silhouettes, dark scribbled ink-line figures, scribbled heads, no facial features, blank featureless scribbled head, glowing electric blue polymer tape, tape being pressed onto a cracking regulator seam, outstretched arm, leaning forward, steam plant interior, fluid dynamics schematics overlay, pressure formulas overlay, mechanical component blueprints overlay, vibration lines, motion blur on gears, gritty tense atmosphere Seen from a low dutch angle that tilts the whole frame, the giant regulator fills the widescreen 16:9 banner almost edge to edge: a massive cast-iron valve body dead centre, its bolted flange cracking open along a hairline seam that throws a thin white jet of high-pressure vapor toward the upper-left corner. A heavy brass gear of the upper housing looms over the crown of the mechanism, teeth filling the top of the frame, its pitch so large each tooth is a slab; more copper pipes run beneath and behind the body, elbows braced against an unseen wall, their flanges visibly straining, joints whitened with frost and mineral staining where the vapor has been weeping for hours. Two pressure gauges stand on the regulator's left shoulder, their needles pinned hard into the red and vibrating so fast the tips blur, one needle tip fluttering against its stop pin. The whole mechanism vibrates: outlines double and shimmer, loose bolts show a faint doubled ghost, and the bleeding vapor is bent into a visible shear by the escaping jet. Two dark scribbled ink-line figures occupy the middle distance alongside the valve body, dwarfed by it, both rendered as dense chaotic skeins of black ink-scratch that never resolve into anatomy, their heads featureless knots of scribble with no eyes, nose or mouth anywhere. The nearer figure stands on a pipe flange to the right of the seam, weight on its left leg, body leaning far forward across the valve face, right arm fully outstretched so that its hand — a spike of scribbled strokes — presses a strip of glowing electric blue polymer tape onto the cracking seam. The tape is caught mid-application: one end already bonded and following the curve of the flange, the last few centimetres still lifted away from the metal, and its blue light falling across the scorched ink fingers and along the seam. The second, farther figure hangs back behind the copper elbow at the left, half-occluded by the pipe, torso twisted away from the seam, one arm raised defensively before its scribbled blank head, mouthless and eyeless and still angled toward the jet. The near figure's ink strokes flick outward from its shoulders as if blown by the escaping vapor; their heads turn toward the seam, not the viewer. Overlaid across the whole scene in thin white drafting lines: fluid-dynamics schematics tracing the vapor jet's curling streamlines, pressure formulas stacked in the lower right corner, and a cutaway mechanical blueprint of the valve body and gear train ghosted over the upper left, arrows and callouts running into the mechanism. Behind everything the steam plant is a dark hangar of pipe runs and riveted plate, blurred in a heavy vignette. Monochrome black ink, userId grey, and paper-white blueprint ground carry the scene, with electric blue confined to the tape and its halo on the wet flange; the only other brightness is the white bleached core of the escaping jet. Tense, gritty.
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オリジナルプロンプト
A cinematic widescreen horizontal banner (16:9 ratio) for a tech-noir chapter header. High-contrast monochrome blueprint drafting aesthetic. A extreme close-up engineering focus on a giant, vibrating industrial pressure regulator mechanism inside a steam plant. Heavy brass gears, pressure gauges on the verge of exploding, copper pipes under immense strain, and escaping high-pressure vapor. The characters are depicted as abstract chaotic ink scribble silhouettes, dark scribbled ink-line figures with scribbled heads and no facial features, with one figure dangerously applying glowing electric blue polymer tape onto a cracking regulator seam to stabilize the system. Intricate fluid dynamics schematics, pressure formulas, and mechanical component blueprints overlaid on the scene, tense gritty tech-noir engineering aesthetic.
モード
flash
縦横比
1888 x 1056
プロンプト自動変換

利用したモデルとLoRA

Tsubaki.3 Flash - AI Modelのカバー画像

PixAI DiT.3

Tsubaki.3 Flash
1.70k

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2 boys, two scribbled ink figures, abstract chaotic ink scribble silhouettes, scribbled heads, faceless, no facial features, ink-line bodies, widescreen, 16:9, horizontal banner composition, cinematic, from below, dutch angle, wide shot, rooftop, industrial tower top, rain-slicked metal plating, wind, exposed girders, overlooking city grid far below, night, massive vintage telegraphic relay station, etheric transmission apparatus, spinning copper rotors, copper rotor blades blurred in motion, glass vacuum tubes glowing, antenna mast, glowing electric blue energy arcs, blue signal pulses, arcs radiating into dark sky, signal schematics overlay, frequency blueprints overlay, global transmission equations overlay, blueprint drafting lines, high-contrast monochrome, cold epic, tech-noir, monochrome with single electric blue accent, Shot from below on a hard dutch angle, the camera cants up past the tower's rain-slicked steel lip so the antenna mast rears diagonally across the top-left of the 16:9 frame while the city grid tilts away down the right. The frame is a blueprint plate first and a scene second: high-contrast monochrome ink-and-paper, deep black drafting ink laid on cold pale grey drafting stock, every construction line visible as fine ruled graphite, and the whole lower-right third given over to an inverted black field of equations so the density of the plate beats against the empty sky above the mast. Two figures stand on the tower top, both rendered only as abstract chaotic ink scribble silhouettes -- dense overlapping scribbled ink-line bodies, heads that are scribbled knots of looping ink with no facial features, no eyes, no mouth, shoulders and limbs resolving out of tangles of dark line. The nearer figure stands left of the apparatus in a wide stance on the wet plating, both feet planted, right hip heavy, its torso twisted toward a tall bank of lever handles, one scribbled arm extended so its ink-written hand closes around a brass signal lever pulled halfway through its throw; the second figure braces further back and to the right against the relay's riveted housing, one hip against the frame, one arm raised to steady a dial of spinning copper rotors whose blades smear into continuous arcs of copper-grey, the other hand flat on the housing's condensation-beaded flank. Neither head turns to the camera -- the nearer one's scribble mass angles down toward the lever it is working, the far one's tilts up toward the glowing vacuum tubes racked in their glass cylinders along the mast's base, so both gazes are readable as lean and orientation alone. Above them the antenna mast splits the sky, and from its crown electric blue energy arcs and signal pulses break out in forked filaments radiating up and outward into the black, the only colour in the image: a cold electric blue that bleeds a faint halo at each arc's root and thins as it climbs. That blue is the sole light source besides the tubes -- it strikes the tops of the copper rotors, the upper edges of the levers, the antenna struts and the upward faces of the two scribbled heads, rimming each ink figure with a thin electric edge while their front planes fall into flat black; the vacuum tubes pool a weaker blue at the apparatus base, and the wet plating between the figures catches broken vertical reflections of both, stretched and dimmed in the rainwater filmed across the steel. Wind shows itself in the way the rain streaks are drawn as long horizontal hatching across the sky and in the way the nearer figure's scribble edges fray and drag to one side. Behind and beneath everything the city grid lies far down in perspective, a ruled lattice of streets and blocks drawn as fine blueprint linework that fades into the dark, and over that background float the overlays: signal schematics in thin white construction lines, a frequency blueprint chart with its measured wave curve rising across the mid-right, and dense blocks of global transmission equations set in small drafted notation, all of them printed flat on the plate and legible only as drafted shapes, never as plain signage. Paper tooth and ink bleed give the monochrome its grain; the copper rotors' motion blur and the water's broken reflections are the only softness in an otherwise hard-ruled drawing. Cold epic, tech-noir.
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