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AI art "新山聡美(こどもランタンアート)" featuring #熟女, #ランタン, #提灯, #響け！ユーフォニアム, #新山聡美 and #なんでもアリコンテスト

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新山聡美(こどもランタンアート)

参加作品

なんでもアリのゆるっと投稿祭！

#熟女 #ランタン #提灯 #響け！ユーフォニアム #新山聡美

投稿日は Nov 2, 2026

北

北宇治高校仙台分校

さらに表示

copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, A photo-like natural night scene of a woman visiting the "Children's Lantern Art" exhibition held at the Akiu Sato Center in Taihaku Ward, Sendai City, Miyagi Prefecture, in early November. Many colorful handmade paper lanterns created by the children of Akiu are hanging from a roofed outdoor passage, emitting a warm light from within. The scene carefully depicts the calm landscape typical of a local tourist facility, including the wooden roof, pillars, wooden deck, greenery on the left, and the building entrance in the distance. It is a warm autumn night scene where the fantastical sight of countless rows of lanterns and the figure of a woman looking up and enjoying them are naturally harmonized. The upper part of the screen is filled with colorful children's lanterns hanging under the roof. The lanterns are rounded spheres or oval-shaped paper lanterns with thin, regular horizontal frames. Hundreds of lanterns of various shapes and sizes are linked together, forming multiple rows along the ceiling of the passage. Lanterns in the foreground appear large, becoming smaller as they continue far into the distance, creating a clear sense of perspective as they hang from ceiling beams and wires. The base color of the lanterns is primarily white or milky white, with colorful drawings and patterns freely drawn by children. Each piece has a unique and individual design, such as animals, flowers, stars, suns, fish, people, landscapes, geometric patterns, and freehand line drawings using red, blue, yellow, green, orange, and purple. The drawings are not polished printed patterns but have a warm, rustic hand-drawn touch, with slight brushstrokes and color unevenness. Not all lanterns are plain; every lantern features different colors, patterns, or drawings. Small lights are lit inside the lanterns, and soft warm-colored light spreads through the paper. The white paper parts glow in milky white or pale yellow, while red, blue, and green patterns stand out vividly through the light. The thinness of the paper and the horizontal frames are visible on the surface, and the light from within gently illuminates the surroundings. The light is not too bright but a gentle, warm glow. A mix of white and bulb-colored soft light envelopes the entire passage in a fantastical yet calm atmosphere. The woman's clothing is elegant and subdued, suitable for visiting an outdoor tourist facility on an autumn night. She wears an ivory or pale beige soft knit under an elegant knee-length long coat in greige or camel. The coat has a moderate thickness to handle the autumn night chill, with natural collars and buttons. She pairs this with a dark brown or charcoal gray long skirt and elegant short boots in black or dark brown. She carries a small, simple shoulder bag and wears minimal accessories. It is a clean, mature autumn outing outfit. The woman's long hair flows naturally from her shoulders to her back with a soft gloss. The hair is neat but not overly styled, with natural strands flowing over her shoulders and coat. A few soft loose hairs remain around her face, maintaining a neat and elegant impression. Even as she looks up at the lanterns, her hair does not hide her face. Her expression is calm, with a warm smile as if she is enjoying the children's unique works. Use the character LoRA for facial features and physical build; clothing, hairstyle, accessories, posture, and expression follow this description. The woman stands alone near the center of the wooden deck passage, looking up at the colorful lanterns linked overhead. Her body is oriented toward the end of the passage, her face tilted slightly upward, gazing at the drawings and colors of the hanging lanterns. She is seen from a diagonal front angle, making her facial expression naturally visible. She tilts her head slightly, following the row of lanterns with her eyes. One hand rests lightly on the shoulder strap of her bag or the front of her coat, while the other hangs naturally. She is not pointing at a lantern but is calmly admiring the works with both hands naturally near her body. She is in a relaxed viewing posture, not stretching her arms high or touching the lanterns. Her expression conveys joy and emotion upon finding the colorful works overhead. Her eyes are slightly open, and she has a soft smile while looking up at the lantern light. This is a natural moment of visiting an exhibition, not posing for the camera. She stands in a position that does not block the passage, with as much of her full body as possible visible from head to toe. The figure is not too large, allowing the abundance of lanterns and the depth of the passage to be fully conveyed. Only one woman appears; no other tourists or figures are depicted. The passage is a roofed outdoor corridor with thick brown wooden beams in the ceiling and several wooden pillars arranged regularly to support the roof. The beams and pillars show wood grain and natural color variations, reflecting the calm texture of aged wood. The lanterns are fixed to wires or horizontal hangers attached to the ceiling beams, lined up orderly along the length of the passage. The ceiling is not a fully enclosed indoor ceiling but a roofed passage open to the air. The rows of lanterns continue toward the back, creating a lavish display that covers the ceiling. The floor of the passage is a brown wooden deck with a natural grain. The planks are laid regularly along the length of the passage, with visible seams and textures. Narrow drainage grooves or thin lines on the floor emphasize the depth of the passage. On the right side, there are wooden benches or seats, and glass doors and windows of the building line the wall. In the distance, entrances and information areas are visible, indicating it is an outdoor corridor along the Akiu Sato Center building. Wooden pillars extend from the floor to the roof, arranged consecutively on the right and in the distance. The left side of the passage is open to the outside, lined with low hedges and trees. The greenery retains dark green leaves, mixed with autumn leaves turning yellow or orange. Because it is night, the area behind the trees looks dark, but not pitch black, as the lantern light and surrounding illumination faintly reveal the outlines of leaves and branches. Beyond the hedges, parts of the facility's exterior and surrounding buildings are visible, making it natural that it is an outdoor passage. Wooden pillars and glass doors continue into the distance, creating a composition with depth along with the rows of lanterns. The season is early November, autumn. It is after sunset, and the sky has changed from dark blue to deep navy. The outdoor trees retain green leaves mixed with yellow and orange, showing the feeling of the end of autumn. Emphasize the contrast between the cold night air and the warm light emitted from the paper lanterns. The lantern light softly reflects on the woman's face, hair, coat, and the wooden deck, making her figure naturally visible despite the darkness. While maintaining the night atmosphere, ensure adequate brightness from the lanterns and surrounding lights so that the woman and the details of the passage are not lost in shadow. The camera is positioned at a diagonal angle looking from the foreground toward the back of the passage. The upper part of the screen features a large arrangement of numerous paper lanterns hanging from the ceiling, continuing in several rows from front to back. The lanterns spread from the top to the center of the screen, allowing the differences in color and pattern to be recognized individually. The bottom of the screen shows the wooden deck floor, wooden pillars, and the benches and glass doors on the right. The woman stands on the passage slightly to the right of the center, looking up at the lanterns above. Her gaze leads toward the colorful lanterns, creating a visual connection between the person and the exhibit. This is not a portrait focusing only on the woman, but a scene depicting her admiring the beauty of the lantern exhibition space. The lighting is centered on the soft warm light leaking from inside the paper lanterns, with discreet streetlights and facility lighting around. The white parts of the lanterns spread a cream or pale yellow light, and the hand-drawn patterns in red, blue, and green are beautifully translucent. Warm light partially reflects on the wooden beams, pillars, and deck, naturally highlighting the wood grain. The greenery on the left is visible where the lantern light reaches and naturally darkens further back. The lantern light gently hits the woman's face, maintaining enough brightness to see her eyes, mouth, and the gloss of her hair. Ensure natural exposure and contrast for a night scene, so that the bright lanterns are not blown out and the dark background is not crushed. Maintain a sense of realism, as if a real night event was photographed. The background should be finished like a natural travel photo of a local night event. Carefully depict the thin material of the paper lanterns, the horizontal frames, the hand-drawn patterns, the soft light of the internal illumination, the texture of the wooden beams and pillars, the grain of the wooden deck, the leaves of the hedges, and the natural textures of the woman's coat and hair. Maintain a natural sense of perspective, clearly showing the lanterns linked from front to back. Draw the shapes of the woman's face, hands, fingers, arms, and legs naturally, ensuring her body does not unnaturally merge with pillars, benches, or lanterns. The lanterns must remain hanging from the ceiling and not float unnaturally on the floor or walls. Only one woman appears in the screen; no other tourists, children, or silhouettes. While many lanterns are hung, they should not hang so low as to block the passage, ensuring enough height for the woman to walk safely. Do not make the lanterns uniform plain red lanterns, but handmade paper lanterns based in white with various drawings and patterns drawn by children. Keep the placement

新山聡美(こどもランタンアート)

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