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AI art "きりたんと…そこそこ歳いってる感じのあにさま" featuring #VOICEROID and #東北きりたん
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きりたんと…そこそこ歳いってる感じのあにさま

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#VOICEROID#東北きりたん
Avatar image of ほぼほぼう

ほぼほぼう

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character: touhoku_kiritan 2girls, 1boy, couple, height difference, age difference, man, adult man, short black hair, black suit, white dress shirt, black necktie, black trousers, black leather shoes, girl, touhoku_kiritan, brown hair, long twintails, ahoge, red hair ribbon, red eyes, bright purple dress, long sleeves, smile, closed-mouth smile, blush, embracing, hug, faces close together, foreheads almost touching, cheek to cheek, black sofa, luxurious living room, champagne glass, glass plate with fruit, artificial lighting, night, indoors, from side, profile, cowboy shot, dutch angle, intimate atmosphere, mature atmosphere, vaporwave aesthetic, pink and purple palette, retro 80s style, grid lines, holographic texture From the side, in a dutch-tilted cowboy shot, two figures stand clasped in the middle of a luxurious hotel living room at night. The man is tall and lean, dark short hair brushed back, a sharp black tailored suit with a white shirt and black necktie, one arm folded firm across the small of her back; the girl is small and comes up only to his chest, brown hair in two long twintails with a red ribbon and a short broad ahoge springing from the crown, red eyes, a bright purple dress with long sleeves flaring at the hip. Her arms are wrapped up around his shoulders, her chin tipped up; his head is bent down to hers so their faces are close, noses nearly grazing, her lips curved in a soft closed-mouth smile, his mouth barely lifting at one corner, warm blush across both cheeks. His free hand holds a champagne glass by the stem, tilted so the pale liquid sits at an angle to the rim. On the low glass table beside them, a glass plate of sliced fruit — oranges, strawberries, a halved fig — beads moisture onto the glass. Behind them the black sofa sits as a dark slab, low lamplight from a shaded table lamp catching the champagne's curve, the gloss on the fruit, the edge of her dress and the shine of his leather shoes; beyond the lamp's pool the room falls into deep night blue, curtains drawn, the city's glow a thin line at the window edge. The palette holds only black, deep night blue, and the pink-purple glow of her dress and the lamp's tinted halo, a holographic sheen sliding along the glass rims. Her hair ribbons hang still; the light catches the one strand of hair across his collar. Quiet, tender intensity.
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オリジナルプロンプト
豪華なリビング。黒いソファ。男が1人。男は黒いスーツを着ている。 少女が1人。少女は東北きりたん。東北きりたんは明るい紫のドレスを着ている。東北きりたんは微笑んでいる。年の差。身長差。大人びた雰囲気。親密な雰囲気の中、抱き合っている。顔と顔が近い。 シャンパングラス。果物の乗ったガラス皿。人口の照明。夜。
モード
pro
スタイル
ネオン・ヴェイパーウェイヴ
品質タグ
﹝プロンプト﹞
縦横比
1632 x 1232
サンプリング方法
Euler
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit
スタイル: ネオン・ヴェイパーウェイヴ
プロンプト自動変換

利用したモデルとLoRA

Tsubaki.3 - AI Modelのカバー画像

PixAI DiT.3

Tsubaki.3
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character: kuchiki_rukia, kizaru_(one_piece), copyright: one_piece, bleach 2 characters, 1girl, 1boy, tall man, short woman, height difference, kiss, french kiss, making out, open mouth, eyes half closed, closed eyes, arms around waist, hand on cheek, lifting chin, standing, embracing, dark suit, black suit, white dress shirt, open collar, no necktie, tall build, short black hair, stubble, black eyes, tinted eyewear pushed up into his hair, black hair, short hair, hair between eyes, purple eyes, white hair ornament at the side of her head, black sleeveless dress, bare shoulders, indoors, vip room, private lounge, velvet booth, champagne bottle on low table, champagne flutes, crystal chandelier, warm amber light, dim room, heavy shadow, seductive lighting, moody lighting, side view, cowboy shot, looking at another, intimate, adult The camera sits low and off to one side, a side profile view of two standing figures from roughly knee to above the head — him on the right of the frame, her on the left, turned into each other at the centre. He is much the taller: a lean, long-limbed man in a black suit jacket and matching trousers over a crisp white dress shirt, the collar unbuttoned and open at the throat with nothing at all at his neck, his jacket hanging loose and unbuttoned so its front edges split in a dark vertical line. His short black hair is cropped close, a light shadow of stubble on his jaw, and a pair of dark orange-tinted glasses is pushed up and held in his hair well above his brow, leaving his face fully bare. She is small and compact against him, her head tipped back to meet him: short black hair with a strand falling between her eyes, a small white ornament pinned at the side of her head, her eyes deep violet and half-lidded, lashes dark. She wears a black sleeveless dress, bare shoulders and bare arms, the fabric gathering at the waist. The kiss is the centre of the frame and the whole of it is contact: her chin is lifted by his right hand, his fingertips pressed just under her jaw and his thumb resting along the line of it; his left arm is wrapped low around her waist, palm flat against the small of her back, drawing her in until the black of her dress presses into the black of his jacket. Her right hand is up on his cheek, fingers spread across the stubble there, her other hand closed around the lapel of his suit at chest height. Their mouths meet open, slightly off-square, her lower lip caught between his; his head is tilted down and hers angled up, noses brushing past each other rather than colliding. Both are mid-breath — the kiss is caught in the half-second before it deepens. Behind them a VIP room closes in: a deep-buttoned velvet booth runs across the background at the height of their hips, its upholstery the one soft maroon note in an almost entirely black, white and amber palette; a low table in front of it holds a champagne bottle and two flutes, the glass catching small hot highlights. A crystal chandelier hangs above and slightly behind the pair, out of focus. The light is one source: a low, warm amber lamp off to the left of the frame. It rakes across her bare shoulders and the side of her throat, picks out the edge of his jaw and the white of his open collar, and glints off the champagne glasses behind them; the right side of his face and the whole right edge of the frame fall into a deep brown-black shadow, and the room beyond the lamp's reach is genuinely dark. Their shadows merge into a single soft mass across the velvet behind them. The crystal chandelier above throws only a faint scatter of tiny points onto the ceiling, never enough to lift the gloom. Shallow depth of field keeps the faces and hands crisp and softens the bottle and booth into warm shapes. Seductive, charged.
Bryan Luna

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