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2boys, femboy, male focus, cute, standing side by side, race queen, highleg, leotard, spandex, glossy, white and pink, facing viewer, looking at viewer, posing, long hair, blue hair, medium hair, black hair, straight hair, bangs, hair between eyes, androgynous, slender, hand on hip, outstretched arm, v, head tilt, wink, one eye closed, grin, open mouth, blush, cowboy shot, from front, slight from below, full body, studio, seamless background, race queen costume details, thigh strap, bare shoulders, bare legs, high heels, white gloves, glossy fabric, specular highlight, ink line, soft blur Two femboys face the viewer in a slight from-below cowboy shot, standing shoulder to shoulder in the middle of a seamless pearl-grey studio sweep so that nothing in the frame competes with them. On the left, the one with long straight blue hair: the hair falls past the shoulder blades, parted bangs, strands tucked behind one ear, the ends lifting a little in the studio air; he shifts his weight onto the right leg, left hip cocked, left hand planted flat on the hip with fingers spread, right arm out to the side and bent at the elbow in a lazy instep-V near his cheek, chin tipped up, head tilted toward the other boy, one eye squeezed shut in a wink while the open eye stays on the viewer, a lopsided grin with a hint of teeth. On the right, the one with medium-length black hair: the hair brushes just below the jaw and flares softly at the ends, bangs cropped square above the brows; his weight rides his left leg, right knee slightly bent, right hand hooked thumb-first on the opposite hip with the wrist flexed, left hand raised to chest height with two fingers up, shoulders rolled a touch toward the centre so the pair reads as one pose. Both wear the same race queen outfit: a glossy white spandex leotard cut highleg over the hips, the front panel panelled in neon pink with a narrow pink piping seam at the high cut line and pink piping down the centre, a small unbadged pink racing-trim collar, bare shoulders, white opera gloves ending mid-forearm, a white strap garter on each left thigh, and matching white high heels planted on the sweep — their feet close but not overlapping, each figure's inner arm partly crossed in front of the other's outer shoulder where they stand side by side. The single soft key light comes from high front-left, laying a broad specular streak along each thigh, shoulder and the chest panel, and casting two short soft shadows that touch the ground exactly under each heel and fall just behind-right; a faint rim traces the blue hair's outer edge and the black hair's crown. Palette stays white, neon pink and skin against the pearl-grey sweep, with blue and black as the only hair colour and the eyes kept muted. Fabric tension in the high cut seam pulls into small pucker lines at the hip on both sides. Playful, glossy, bubblegum-bright.
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オリジナルプロンプト
可愛い男の娘が二人並んでハイレグ仕様のレースクィーン姿でこっち向いてポーズ 髪はロングで髪色はブルー もう一人は黒髪ミドルヘア 
モード
pro
品質タグ
﹝プロンプト﹞
縦横比
1104 x 1824
サンプリング方法
Euler
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換

利用したモデルとLoRA

ほかの類似作品

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2boys, male, feminine, cute, androgynous, long hair, blue hair, medium hair, black hair, hair over one eye, high-leg leotard, race queen, lace trim, high cut, thigh boots, elbow gloves, bare thighs, bare shoulders, standing side by side, facing viewer, posing, looking at viewer, one eye closed, wink, grin, open mouth, head tilt, hand on own hip, v, reaching toward viewer, outstretched arm, leaning forward, dutch angle, from above, close-up, cowboy shot, depth of field Two cute feminine boys stand shoulder to shoulder facing the viewer in matching high-leg race queen outfits, shot from a tilted from-above angle, tight together in the upper half of the frame with the empty navy studio floor sweeping away below them. On the left, the boy with long blue hair falling past his shoulder blades, glossy strands catching a pale rim light, wears the high-leg leotard cut steeply up over his hip bones, wide lace trim running along the edge, elbow-length gloves and thigh-high boots leaving a bare band of thigh and shoulder; his weight rides on one leg with the hip kicked out, one hand planted on that hip, the other arm reaching up toward the lens with fingers spread in a v sign, head tilted against the tilt of the frame, one eye squeezed shut in a wink and the other fixed on the viewer over a lopsided grin. On the right, the boy with mid-length black hair ending at his jaw, blue-black and slightly mussed, wears the same cut, the lace edge sitting over the crest of his hip, the same gloves and thigh-high boots; his weight rests on the opposite leg, his torso leaning in toward the blue-haired boy so their shoulders nearly touch, one shoulder lifted and one gloved hand splayed flat against his own sternum, chin dipped, both eyes on the viewer under a lifted brow and a small open-mouthed smile. Tilted framing makes the floor's seam lines run diagonal past their boots, so the blue-haired boy's boots sit nearer the lens and larger than the black-haired boy's, and the two bodies converge slightly toward the top of the frame. One soft key light from high and camera-left carves the shine down the blue hair and the lace edge; a cool fill from the right keeps the black hair from going flat, and each boy casts a short, soft, blurred shadow onto the floor beneath him, brightest where the lace scallops are nearest the light. Palette stays tight -- deep navy ground, cool blue, black, and the warm skin tones standing out against them -- with the white lace and glove cuffs as the only bright notes. Glossy fabric, clean cel shading, crisp lace detail on a soft shallow-focus background, playful and effortlessly cute.
わいわいたかくん
AI artwork
わ
2boys, two cute feminine boys, male crossdressers, femboy, long hair, blue hair, black hair, two-tone hair, race queen, race queen outfit, halterneck, halter top, sleeveless, bare shoulders, bare arms, bare midriff, highleg, high-leg leotard, highleg cut, thigh strap, detached sleeves, long gloves, boots, facing viewer, looking at viewer, standing, posing, side by side, contrapposto, hand on own hip, outstretched arm, v, head tilt, talking, open mouth, grin, one eye closed, blush, sociable smile, cowboy shot, from below, foreground figure, background figure, depth of field, cinematic lighting, vivid colors, sharp focus, detailed eyes, detailed face, high detail From a low camera angled slightly upward so the two fill the frame and the white cyclorama rises behind them, two slender feminine boys stand shoulder to shoulder, both turned square to the lens with their hips canted and their weight loaded onto the leg nearest the other, so the pair reads as one V-shaped pose. On the left, the one with long straight blue hair: a deep, saturated cobalt that falls past the collarbone in a heavy curtain, parted so one strand swings forward over the halter strap at his near shoulder; the hair's sheen is the only cool note in an otherwise warm skin register, and the ends flick with the air his half-turn has set moving. On the right, the one with long black hair, worn loose and glossy, tucked behind the far ear and lying over the shoulder closest to his companion, where a single lock has been pushed back by his own raised arm. The outfit on both is the same design: a halterneck top that knotted behind the neck leaves the shoulders, arms and lower back entirely bare, the collar of the halter cutting a sharp line across the chest and pulling the fabric slightly upward at the sternum; below the waist, high-leg bottoms whose cut rides high at the hip bone, so the long bare flank between the halter hem and the leg opening is the widest uninterrupted area of the composition and is lit as such. No fabric crosses the upper chest or the shoulder; the exposed skin is bounded only by the halter's cord, the hip's cut, and the boot tops. The blue-haired boy on the left leans his upper body a few degrees toward the centre, left hand planted flat on his own hip bone with the fingers spread over the high cut and pressing a small crease into the fabric, right arm lifted and bent to bring a palm up beside his cheek in a two-finger V, elbow angled forward so the arm foreshortens. His chin tips down and his eyes come up under his brows at the lens; the right eyelid is lowered into a slow wink while the left stays wide, lips parted around a half-finished word. The black-haired boy on the right does not mirror him: his right hand rests low across his own waist, thumb hooked just above the high-leg edge, and his left arm crosses in front of his companion's shoulder as he leans in to speak to him, head turned almost to profile and tipped so the long black hair slides across his back. His mouth is open, mid-sentence, brows lifted, and his gaze lands on the blue-haired boy's cheek and stays there; the blue-haired boy's near shoulder is turned a little toward him in answer, so the wink to the camera and the side-long attention of the other are visibly two different conversations happening at once. The lighting is a single soft key high and left of frame: it lays a bright edge down the blue hair, the left shoulder and the lifted forearm, leaves the jawlines and the hollows under the halter's knot in gentle shadow, and throws a soft paired shadow onto the cyclorama behind and to the right of both figures, the two shadows overlapping where the pair meet. Fill is minimal, so the unlit side of each face holds a low, warm darkness. The palette stays tight: cobalt and black in the hair, warm skin, a single hot accent of red in the boot cuff and the halter's cord against the seamless off-white field, nothing else admitted. Depth is shallow: the two bodies are both sharp, the black-haired boy's crossing arm caught a half-step nearer the lens, and the empty sweep behind them is clean enough that the eye reads only the silhouettes and the shoulder-to-shoulder contact. Playful, effortlessly stylish.
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