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AI artwork featuring #女の子 and #PixAI Halloween 2026

無料で生成

Rebiky

参加作品

PixAI「ハロウィン不思議クラブ」特別コンテスト - 今宵、彼岸屋にて#PixAI Halloween 2026

#女の子

投稿日は Nov 2, 2026

Rebiky

さらに表示

1girl, solo, looking at viewer, smile, open mouth, tongue out, brown hair, medium hair, brown eyes, earrings, jewelry, gold stud earrings, black dress, long sleeves, puffy sleeves, juliet sleeves, white apron, maid apron, maid headdress, maid, holding, holding tray, tray, cake, teacup, cup, food, ghost, picture frame, indoors, cowboy shot, from below, head tilt, dutch angle, one eye half-closed, upper teeth showing, slice of cake, buttercream, porcelain, dust motes, candlelight From a low, slightly tilted cowboy-shot angle, the maid stands just off-center in a dim old-fashioned indoor room, leaning her hip against a sideboard so her weight rides on her left leg while the right knee stays soft and turned a little in. Her medium-length brown hair — straight, cut blunt at the jaw, one side pushed behind the ear — swings with the head tilt, and both brown eyes are aimed straight down into the lens; her lower lip is drawn back so the tip of her tongue shows between her teeth in a teasing, open-mouthed smile, one brow cocked higher than the other. Small gold stud earrings sit in both earlobes, the only jewelry she wears, catching a hard point of light. Her black dress is long-sleeved in puffy juliet sleeves: the sleeves balloon softly from the shoulder and narrow into cuffs at the wrist, and the white maid apron with its bib and waist ties sits over the black skirt, the apron's ruffled hem hanging just above her knees. The stiff white maid headdress is pinned into her hair and its lace edge lifts slightly where she turned her head. Both of her hands are under a silver-edged oval tray held at chest height, fingers spread flat beneath the rim, thumbs braced on top; the tray is level and she hasn't spilled a crumb. On the tray sits a slice of dark cake with thick pale buttercream, and beside it a teacup of thin white porcelain with its handle turned toward her wrist, a wisp of steam rising and bending toward the cold part of the room. Her elbows are tucked in, shoulders relaxed, and the whole torso leans a few degrees toward the camera as though she has just stepped up to be noticed. Behind her, the room is an old parlor: dark wallpaper with a faint repeating pattern, a heavy wooden sideboard under her hip, and to her right a large gilt picture frame hung on the wall holding a faded painted portrait whose face has been scratched away. In the frame's glass, and in the corner behind her shoulder, a pale translucent figure of a ghost shows as a soft white shape with no feet, its outline doubled faintly where the picture glass reflects it — the only cool note in the warm room. The light is a single oil lamp on the sideboard just below the frame, throwing warm amber up across the underside of her chin, the apron bib and the rim of the tray; her back and the edges of the room fall off into brown darkness, the tray's shadow cutting a hard diagonal across the white apron, and the teacup's steam is the one thing in the frame that moves. Palette is kept tight: warm lamp amber, deep brown-black of the dress and wallpaper, the bleached white of apron, headdress and porcelain, a single stroke of dark cake, and the ghost's cold pale gray. Quietly eerie, knowingly charming.

Rebiky

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