Nov 2, 2026

サーバーメンテナンスのお知らせ — 現在、サーバー設備の一部メンテナンスを実施しております。メンテナンス期間中、SDXL および Tsubaki.1 のタスクの生成に通常より時間がかかる場合がございます。ご不便をおかけしますが、何卒ご理解くださいますようお願い申し上げます。…

AI art "New costume" featuring #マーベル, #スパイダーマン, #スパイダーグウェン and #グウェン・ステイシー

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New costume

#マーベル #スパイダーマン #スパイダーグウェン #グウェン・ステイシー

投稿日は Nov 2, 2026

Blaze

さらに表示

character: spider-gwen, gwen_stacy 1girl, solo, blonde hair, asymmetrical hair, short hair, blue eyes, freckles, superhero, white bodysuit, spider web print, full-body suit, hood up, hooded, hood, dynamic pose, looking at viewer, night, cityscape, buildings, city, rooftop, motion lines, glowing, western comic book style, bold inking, detailed background, from below, foreshortening, crouching, outstretched arm, one knee raised, clenched fist, billowing hood, wind, dramatic angle, high contrast, masterpiece, best quality, highly detailed, cinematic lighting, full body, The camera sits low on the rooftop gravel and looks up from below at a steep foreshortening, so the single figure towers over the lens with the night sky wide behind her shoulders. She is caught mid-launch: one knee driven up toward her chest, the other leg folded under her on the concrete parapet, torso twisted and pitched forward, one white-sheathed arm flung out toward the viewer with the palm open and the other hand clenched tight at her hip, hips cocked off the support and weight carried through the balls of her feet on the ledge. Ankles, shins and knees are wrapped in the same white suit, every surface printed with a branching web of dark seam-lines that converge at her chest and stretch over the flexed fabric at her shoulder and inner elbow, seams pulling taut and creasing where the joints bend. The hood is up and deep, pushed back a little by the wind so its inner edge clips the top of her brow; asymmetric blonde hair escapes in a short tousled sweep, longer on one side, very short and close-cropped at the opposite temple, the strands flicking backward off her cheek. Blue eyes are set directly on the viewer with the chin tipped down and a lopsided, confident grin; a scatter of freckles crosses the bridge of her nose and both cheeks, small and legible at this distance. Both feet and the kneeling knee make hard contact with the parapet, gravel scattered where her toe pushes off. Around her the city pushes up in stacked towers of dark brick and lit windows, receding into haze at three depths, water tanks and antennae breaking the silhouettes of nearer roofs. Warm sodium and cold window-light climb from the streets below and rim the underside of her jaw, the inner edge of the hood and the undersides of her raised arm; the skyline's own glow is the key and there is no other source, so the tops of the hood and shoulders sit in cooler darkness. Behind her the far windows glow, thin and gold, defocused into soft bokeh, and the only real sky is a deep indigo band opening between the building tops. Bold black ink linework draws the web pattern, the hood's folds and the roof edges, with solid blacks in the deep shadow sides of the towers and flat, saturated fills in the windows; long radial motion lines rake backward from the body toward the frame edges and the top corners, and a tight cluster of speed lines cuts past her outstretched fist. Her outstretched shadow is thrown long and distorted down the gravel behind her. The palette is white suit, ink black, and the warm amber-to-indigo night, nothing else admitted. Cooler wind pushes the hood's hem and the loose ends of her hair in the same backward direction as the motion lines. Effortlessly heroic, cinematically cool.

New costume

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