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- オリジナルプロンプト
- A young woman wearing black stirrup leggings sits on a wooden floor in a cozy Showa-retro room. She stretches her legs forward, illuminated by soft afternoon light from a nearby window. She wears an oversized teal knit sweater and has a shy expression. The camera angle is low, focusing on her feet and the texture of the leggings. Anime-style illustration with warm lighting and a softly blurred background for depth.
- モード
- flash
- 縦横比
- 1104 x 1824
プロンプト自動変換
利用したモデルとLoRA
ほかの類似作品
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1girl, solo, young woman, black stirrup leggings, stirrup strap under the arch of each bare foot, oversized teal knit sweater, sweater sleeves past the wrists, shy expression, blush, half-closed eyes, looking down at own feet, sitting on wooden floor, legs stretched forward, legs together, leaning back on both hands, from below, low camera angle, feet in foreground, bare feet, close-up on feet and legs, foreshortening, warm afternoon light, sunlight from window, window light, sunbeam, dust motes, cozy Showa-retro room, softly blurred background, depth of field, bokeh, warm palette, film-like softness, cel shading, detailed knit texture, ribbed knit, plank floorboards, tatami edge, retro interior
The camera sits low on the plank floor, close to the boards, tilted slightly up along the length of her legs: in the foreground her bare feet with the stirrup straps hooked under each arch are the sharpest thing in frame, the black knit of the leggings climbing away from them in tight foreshortening, the ribbed texture catching a low raking light so every vertical thread and the stretch lines over her shins stay crisp while the rest of her softens with distance. She sits with her back against the low wooden step of a sliding door frame, both legs stretched straight out toward the lens, knees just slightly apart, heels resting on the boards; her weight is back on both palms planted flat on the floorboards behind her hips, elbows softly bent, and the loose teal sweater bunches in thick folds at her waist and slips off one shoulder, its cuffs fallen over her hands. Her head is tipped down and turned a little away from the lens, chin tucked toward the collar, a flush across the cheeks and nose, lashes lowered so she glances sideways and down at her own feet rather than at the viewer, lips pressed in a small closed line; a few loose strands of hair fall across the cheek. Behind her the cozy retro room recedes in soft blur -- a low wooden table with a round enamel kettle, a patterned cushion, a paper-shaded pendant lamp, a shelf of mismatched teacups, a shoji screen -- while the open window at the left of frame is the only light source: warm late-afternoon sun rakes in low across the floorboards, catching the top of each plank and the top-facing ridges of the knit, laying long soft shadows behind her legs, and only the sunlit surfaces glow; the shaded side of the room stays honeyed and dim. Dust motes drift in the beam, brightest where the light passes over her feet. The stirrup straps pull the fabric taut so small shadows form in the creases under each arch -- the legging's own tension writing the shape of her foot. Palette held to black, teal, warm honey wood and cream daylight. Quiet, intimate, tender.
むぎ
1girl, solo, young woman, black stirrup leggings, stirrup strap under the arch of each bare foot, oversized teal knit sweater, sweater sleeves past the wrists, shy expression, blush, half-closed eyes, looking down at own feet, sitting on wooden floor, legs stretched forward, legs together, leaning back on both hands, from below, low camera angle, feet in foreground, bare feet, close-up on feet and legs, foreshortening, warm afternoon light, sunlight from window, window light, sunbeam, dust motes, cozy Showa-retro room, softly blurred background, depth of field, bokeh, warm palette, film-like softness, cel shading, detailed knit texture, ribbed knit, plank floorboards, tatami edge, retro interior
The camera sits low on the plank floor, close to the boards, tilted slightly up along the length of her legs: in the foreground her bare feet with the stirrup straps hooked under each arch are the sharpest thing in frame, the black knit of the leggings climbing away from them in tight foreshortening, the ribbed texture catching a low raking light so every vertical thread and the stretch lines over her shins stay crisp while the rest of her softens with distance. She sits with her back against the low wooden step of a sliding door frame, both legs stretched straight out toward the lens, knees just slightly apart, heels resting on the boards; her weight is back on both palms planted flat on the floorboards behind her hips, elbows softly bent, and the loose teal sweater bunches in thick folds at her waist and slips off one shoulder, its cuffs fallen over her hands. Her head is tipped down and turned a little away from the lens, chin tucked toward the collar, a flush across the cheeks and nose, lashes lowered so she glances sideways and down at her own feet rather than at the viewer, lips pressed in a small closed line; a few loose strands of hair fall across the cheek. Behind her the cozy retro room recedes in soft blur -- a low wooden table with a round enamel kettle, a patterned cushion, a paper-shaded pendant lamp, a shelf of mismatched teacups, a shoji screen -- while the open window at the left of frame is the only light source: warm late-afternoon sun rakes in low across the floorboards, catching the top of each plank and the top-facing ridges of the knit, laying long soft shadows behind her legs, and only the sunlit surfaces glow; the shaded side of the room stays honeyed and dim. Dust motes drift in the beam, brightest where the light passes over her feet. The stirrup straps pull the fabric taut so small shadows form in the creases under each arch -- the legging's own tension writing the shape of her foot. Palette held to black, teal, warm honey wood and cream daylight. Quiet, intimate, tender.
むぎ
1girl, solo, young woman, black stirrup leggings, stirrup strap under the arch of each bare foot, oversized teal knit sweater, sweater sleeves past the wrists, shy expression, blush, half-closed eyes, looking down at own feet, sitting on wooden floor, legs stretched forward, legs together, leaning back on both hands, from below, low camera angle, feet in foreground, bare feet, close-up on feet and legs, foreshortening, warm afternoon light, sunlight from window, window light, sunbeam, dust motes, cozy Showa-retro room, softly blurred background, depth of field, bokeh, warm palette, film-like softness, cel shading, detailed knit texture, ribbed knit, plank floorboards, tatami edge, retro interior
The camera sits low on the plank floor, close to the boards, tilted slightly up along the length of her legs: in the foreground her bare feet with the stirrup straps hooked under each arch are the sharpest thing in frame, the black knit of the leggings climbing away from them in tight foreshortening, the ribbed texture catching a low raking light so every vertical thread and the stretch lines over her shins stay crisp while the rest of her softens with distance. She sits with her back against the low wooden step of a sliding door frame, both legs stretched straight out toward the lens, knees just slightly apart, heels resting on the boards; her weight is back on both palms planted flat on the floorboards behind her hips, elbows softly bent, and the loose teal sweater bunches in thick folds at her waist and slips off one shoulder, its cuffs fallen over her hands. Her head is tipped down and turned a little away from the lens, chin tucked toward the collar, a flush across the cheeks and nose, lashes lowered so she glances sideways and down at her own feet rather than at the viewer, lips pressed in a small closed line; a few loose strands of hair fall across the cheek. Behind her the cozy retro room recedes in soft blur -- a low wooden table with a round enamel kettle, a patterned cushion, a paper-shaded pendant lamp, a shelf of mismatched teacups, a shoji screen -- while the open window at the left of frame is the only light source: warm late-afternoon sun rakes in low across the floorboards, catching the top of each plank and the top-facing ridges of the knit, laying long soft shadows behind her legs, and only the sunlit surfaces glow; the shaded side of the room stays honeyed and dim. Dust motes drift in the beam, brightest where the light passes over her feet. The stirrup straps pull the fabric taut so small shadows form in the creases under each arch -- the legging's own tension writing the shape of her foot. Palette held to black, teal, warm honey wood and cream daylight. Quiet, intimate, tender.
むぎ
low angle, from below, feet focus, close-up on feet, foreshortening, 1girl, bare feet, soles, toes, black stirrup leggings, stirrup straps under arch, ribbed knit texture, sitting, on cream sofa, oversized teal knit sweater, long sleeves, sweater hem draping past hips, warm wooden floor, wooden planks, soft natural light, sunlight from window, warm lighting, soft shading, cozy Showa-retro interior, blurred background, depth of field, bokeh, anime style illustration, relaxed pose, looking down at own feet, light smile, head tilt.
The camera sits almost at floor level, tilted up from below so the nearest thing in frame is her bare feet: the near foot planted flat, toes resting gently on the warm wooden floor, the far foot half-tucked with the heel lifted and only the ball and toes touching down; the stirrup strap of the black leggings crosses taut under the near arch, pulling the ribbed knit fabric tight over the ankle and holding a soft V of shadow behind the heel. She sits low and loose on the cream sofa, one hip sunk into the cushion, her weight carried on the near thigh, the far leg drawn slightly in; the oversized teal knit sweater swallows her torso, its cuffs pushed up over her wrists, its hem draping past her hips and pooling a little where it meets the cushion so only the black-stirrup legs emerge below it. Her chin is tipped down, eyes on her own feet, one corner of her mouth barely lifted, one shoulder dropped lower than the other with a hand resting slack on the sofa arm beside her hip. The planks of the wooden floor run toward the lower corners of the frame, seams catching a thin line of light, and the floor's grain is visible only in the near foreground where it is sharp. Soft natural daylight comes in from a window off to the upper left behind her, striking the tops of her feet, the crowns of her toes and the ribbed surface of the leggings so the knit's texture reads as fine parallel ridges, while the undersides of her feet, the sofa's shadow line and the floor beneath the sofa fall into warm brown darkness; the light throws a soft blurred shadow of her ankles stretching to the right along the boards. Behind her the Showa-retro room dissolves into blur: a low wooden sideboard, a round paper-shaded lamp, a shelf of dark ceramics and a warm cream wall, all softened into low-contrast shapes so nothing competes with the feet. Palette held to warm honey-brown wood, cream upholstery, deep teal knit and black, nothing else. Quiet, cozy, sun-warmed.
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