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【お知らせ】生成速度の低下とGPUリソース不足について — PixAIをご利用の皆さまへ いつもPixAIをご利用いただき、誠にありがとうございます。 現在、PixAI全体で生成速度が低下し、通常よりも生成待ちの時間が長くなっています。ご利用の皆さまにはご不便をおかけしており、心よりお詫び申し上げま…

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AI art "リンゴの皮を剥く少女" featuring #ナイフ, #黒髪, #林檎, #制服, #茶目, #まな板, #女の子 and #切る
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リンゴの皮を剥く少女

制服姿で真剣にリンゴを剥いている姿が、なんだかとても可愛らしくてつい見入ってしまいました。一生懸命な横顔を見ていると、心が和んで温かい気持ちになりますね。気に入っていただけたら、いいねとフォローをお願いします！コメントもお待ちしています。

#ナイフ#黒髪#林檎#制服#茶目#まな板#女の子#切る
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獅子川一輝

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1girl, solo, long hair, black hair, straight hair, fair skin, pale complexion, J-cup, large breasts, junior high school girl, white cotton short-sleeved blouse, peter pan collar, navy blue pleated skirt, holding peeler, holding apple, peeling, both hands on the peeler and the apple, looking down at the apple, focused expression, light smile, half-closed eyes, from above, close-up, upper body, arms at work in the lower frame, kitchen counter, wooden cutting board, curls of apple peel, window light from the left, warm afternoon, white, navy, apple red and cream palette seen from above and slightly to her left, the girl bends her head over the counter so the crown of her black hair faces the lens and a straight fall of it slides forward over her near shoulder, the far side still hanging behind her back; her face is tipped down, lids lowered, eyes fixed on the apple rather than the viewer, the corners of her mouth lifted barely a millimetre in concentration. Both elbows are drawn in to her ribs, weight shifted onto her left hip so her right shoulder sits a touch higher. Her left hand pins the apple against the cutting board, fingertips dimpling the red skin at its equator, the thumb braced on the far side; her right hand closes around the peeler's handle, blade laid flat along the curve just under the stem, a single unbroken ribbon of peel curling away from the fruit and hanging in a loose spiral toward the board, its cut face a paler cream where the air has already begun to dull it. The blouse pulls taut across her chest as she leans and gathers in short folds at the small of her back, the Peter Pan collar sitting flat against her collarbones, the navy pleats fanning over her hips out of focus at the bottom edge of the frame. A wooden counter runs beneath her forearms, its grain catching the light, a few stray parings and one dropped curl lying on it. The light comes only from a window at frame left, cool-white and low-angled: it lays a bright band across the counter, strikes the left side of her nose, cheek and throat, glints at the top edge of the peeler blade, and leaves the right side of her jaw, the back of her right hand and the fall of hair behind her right shoulder in soft grey shadow with no cast edge. Where the apple sits, its shadow is small, tight and darker than the fruit itself, and the glossy skin carries a single pin-point highlight. Behind her the room falls away into a flat, pale, out-of-focus wall, so the sheet of black hair, the white cotton and the red apple do all the colour work against cream and wood. Quiet, absorbed, tender.
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オリジナルプロンプト
林檎の皮を剥く黒髪ロング色白ジーカップ少女
モード
pro
品質タグ
﹝プロンプト﹞
縦横比
1104 x 1824
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換

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Tsubaki.3 - AI Modelのカバー画像

PixAI DiT.3

Tsubaki.3
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1girl, solo, yandere, long hair, black hair, straight hair, high school student, school uniform, medium breasts, kitchen knife, holding knife, peace sign, v, smile, grinning, head tilt, looking at viewer, one eye closed, teeth, blush, from below, close-up, cowboy shot, dutch angle, dark background, red backlight, high contrast, A single high school girl is caught from below at a slight dutch tilt, the camera low enough that the ceiling-side of the frame is left entirely to darkness — a cowboy-shot crop cutting her at the thighs. She leans her weight onto her right leg and lets her left hip jut, her torso tilted just off the vertical axis so her shoulder line slants across the frame. Her long, glossy black hair falls in heavy straight sheets past her shoulders, one thick lock slipping forward over her collarbone as her head tilts toward her raised left hand. Two fingers of that hand are thrust up beside her cheek in a peace sign, the other three folded in, the V straightened almost rigid; her right hand hangs lower, fingers curled around the black handle of a kitchen knife so the broad steel blade points back and up toward the camera at a slight angle, its flat surface catching a long strip of cold light. Both her eyes are on the viewer, but her left lid is squeezed shut in a wink while the open eye sits wide and steady beneath a softly arched brow, and her smile is wide and open, teeth showing, a little too much warmth behind it. A faint blush sits high on both cheeks under the eyes. Behind her the space is a plain, unremarkable dark — a dim wall or simply a fall-off into black, nothing identifiable. A single hard light source comes from behind and slightly to her left, rimming the outline of her hair in a crimson glow, throwing the edges of her jaw and her shoulder in bright red while her face and chest stay in the shadow of her own head; the knife blade throws a thin hot highlight along its upper edge, and the raised fingers cast a small hard shadow across her cheek. The palette is disciplined — dead black in the hair and the background, cold blue-grey in the steel, one hot crimson in the rim light and the blush, and pale skin as the only bright mass. Her hair and the loose edge of her uniform shift slightly, caught in a faint air movement. Tense, sweetly unhinged.
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