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AI artwork featuring #笑顔, #手を広げる, #女の子 and #ピクセルワンダーランド
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笑顔・手を広げる

参加作品
ピクセルワンダーランド#ピクセルワンダーランド
#笑顔#手を広げる#女の子
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jumping, mid-air jump, pixel art, full body, from below, low angle, wide shot, sole of one foot toward camera, both knees tucked up toward chest, arms flung out and up, hair thrown upward by the upward motion, looking up, open mouth, :d, one known character, seamless sky field, no ground line, no horizon, no other figures, nothing held in the hands, bare forearms, unadorned wrists and ears, empty hands Seen in a wide low angle from below, a single figure hangs at the top of a mid-air jump, seen from beneath so that the upturned sole of the trailing left foot dominates the lower foreground, foreshortened large, while the rest of the body recedes above it. The right knee is tucked up hard toward the chest, the left leg trailing back and bent; both arms are flung out and up and wide, hands open, fingers spread, nothing held in either palm. The torso is arched slightly backward by the upward swing of the leap, the chin lifted so the face aims up out of frame and the open-mouthed grin — teeth showing, one eye scrunched narrow with the effort — reads in three-quarter from under the jaw. Hair is thrown upward and back in the wake of the body, every strand lifted off the scalp and streaming, not settled. The environment is a single seamless vertical gradient field of cold clear sky, cyan near the bottom warming to pale cream at the top, with two small flat pale cloud bands crossing at different heights behind the figure at different scales for depth; no ground, no horizon, no ledge, no second person, no bird, nothing in the hands. The light comes from high and slightly behind the head, a cool rim along the lifted shoulders, the top of the tucked knee and the trailing foot's heel; the undersides of the thighs, the chest beneath the chin and the inner arms fall into a deeper teal shadow. Where the sole faces the viewer it catches the brightest value in the image. Palette strictly limited to sky cyan, pale cream, deep teal shadow and a single warm coral used only on the figure's clothing at the waist and shoulders, held to hard-edged flat blocks. Rendering is sprite-accurate: the figure and clouds are built of visible uniform square pixels on a fixed grid, no anti-aliasing, stair-stepped edges, black-free dithering bands across the sky gradient (checkerboard dither in the two transitions between the three colour steps), and a thin dark pixel outline tracing the silhouette against the sky. No motion blur, no soft gradients, no glow. The shadow-of-the-jump is told only through the upward streaming hair and the scrunched cloth hem, suspended; weight is on nothing. Exuberant, airborne.
パラメーターを見る
オリジナルプロンプト
跳躍吧,像數風格
モード
pro
品質タグ
﹝プロンプト﹞
縦横比
1104 x 1824
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換

利用したモデルとLoRA

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続きを読む
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Avatar image of Ai…Whut?
jumping, mid-air, arms up, outstretched arm, one leg bent, one leg trailing, hair flung upward, clothes caught in the rise, from below, wide shot, dynamic angle, open sky background, looking up, open mouth, :d, wide-eyed, sunlight from above The camera sits low and looks up: a single figure is caught at the top of a jump, suspended in the instant before gravity takes over, the whole frame given to the lift. The body arches slightly backward, chest open, both arms flung up and out with the hands loose and fingers spread wide rather than posed; the right knee is drawn up toward the ribs while the left leg trails straight down and back, toes pointed, the two legs splitting the silhouette into a clean airborne diagonal. The takeoff happened out of frame below, so the only evidence of it is the dust and small grit still hanging in a thin rising scatter beneath the feet and the hem of the shirt snapping upward while the fabric of the trousers catches a beat later — the cloth lagging the body, cloth in the air a fraction behind the flesh. No ground plane is visible inside the crop; the figure floats against a broad empty sky, a graded wash from pale near-white at the lower edge of the frame to a deeper blue overhead, with a single soft cumulus bank low and far behind, well out of scale with the figure so the jump reads as height. Light comes from directly above and slightly behind the sun-side shoulder, the only light source in the image; it rims the crown of the head, the tops of the raised forearms and the leading edge of the bent knee in a hot bright contour, throws the face into soft reflected fill bounced off the sky so the features stay readable, and casts nothing onto any surface because there is nothing beneath to catch it. The face is tipped back and to one side, chin up, gaze thrown up and away from the lens toward the open sky above; eyes wide, brows lifted, mouth open in a full unforced grin of effort and delight, a strand of hair crossing the cheek and sticking briefly to the temple. Palette is restricted to three notes: the deep blue of the sky, the warm sunlit skin and the pale off-white of the clothing, with the rim light as the only near-white highlight and no other hue admitted. Kept crisp and uncluttered — the detail budget goes to the face, the spread hands and the taut lines of the clothing, while the sky stays a clean empty field. Effortless, weightless joy.
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Avatar image of 月まんじゅう
1girl, solo, short hair, black hair, choppy bob, energetic, lively, grin, open mouth, one eye closed, wink, from below, low angle, looking down at viewer, mid-jump, jumping, arms up, outstretched arm, one leg raised, yellow t-shirt, short sleeves, tucked shirt, navy blue denim shorts, white crew socks, red canvas sneakers, motion lines, blue sky, against sky, daytime, sunlight, lens flare, foreshortening, :d, outdoors, dynamic pose, dutch angle From a low angle near the pavement, the girl bursts upward into the frame, caught at the apex of a jump with her knees drawn up and her left sneaker kicked back behind her, right knee leading. Her short choppy black hair flies out around her ears and the fringe lifts off her forehead with the upward motion; one eye is squeezed shut in a wink and the other is wide open, aimed straight down the lens, her mouth open in a full crescent grin with the tip of her tongue visible. Both arms are flung up and out, elbows loose, palms open, shirt hem pulled free of the waistband just enough to show a sliver of it riding up as the yellow cotton bellies and folds around her ribs. The navy denim shorts are creased at the hip where her knee drives forward; white crew socks bunch at her ankles above red canvas sneakers whose toes are angled up toward the lens, the nearer shoe rendered large by the low foreshortened perspective. Above and behind her, a single unbroken blue sky fills the entire frame with no horizon line, and low afternoon sun sits off-frame left, so her face is lit warm on the left cheek and jaw while the right side falls into a soft shadow; a faint flare catches the edge of her lifted fringe. A thin, ragged white contrail streaks diagonally across the sky behind her, curving slightly as it stretches out, the only line breaking the field of blue. Sharp cel-shaded linework, flat saturated color blocks, crisp highlights on the sneakers and hair, no textured grain: the palette is yellow, navy, red and white cut against the blue sky, nothing else admitted. Exuberant, bright.
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