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AI artwork featuring #Fate/Apocrypha, #Fateシリーズ, #ジャンヌ・ダルク, #ジャンヌ・ダルク and #zetaCollab
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ジャンヌ・ダルク・ジャンヌ・ダルク

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PixAI × zeta オリキャラコンテスト2026
#Fate/Apocrypha#Fateシリーズ#ジャンヌ・ダルク#ジャンヌ・ダルク
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character: jeanne_d'arc_(fate), jeanne_d_arc_(fate/apocrypha), copyright: fate/apocrypha 1girl, solo, full body, jeanne_d_arc_(fate), long blonde hair, single braid, very long braid, blue ribbon in hair, blue eyes, bare shoulders, sleeveless, white sleeveless shirt, navy blue necktie, navy blue shorts, navy blue thighhighs, wristwatch, unmarked clear skin, no tattoo, standing, leaning forward, hands clasped, hands together, in front of chest, crescent-shaped smiling eyes, closed eyes, big warm smile, open mouth, happy, delighted, looking at viewer, facing viewer, train station, station plaza, morning, soft warm sunlight, lens flare, heartwarming, A full-body view from slightly below eye level, straight on, of a young woman standing in a sunlit morning station plaza, seen head to shoes. She is caught mid-lean, her weight on her front right foot with the left heel just lifting free of the paving, her shoulders tipped forward toward the camera, chest open, spine curved gently at the waist with delight rather than strain. Her hands are clasped together in front of her chest, right palm over left, fingers interlaced and pressed against her collarbone so the white cotton of her shirt bunches a little at the knuckles; the wristwatch sits on her left wrist, its silver case catching a small hard highlight at the top edge of the clasp. Her bare shoulders and sleeveless arms are fully uncovered and unmarked, the pale skin smooth and clear from shoulder to wrist, with nothing drawn on it anywhere. Her head is upright despite the forward lean, chin lifted a touch, and her expression is pure welcome: eyes squeezed into two upward crescent curves with the lower lash lines arcing high, cheeks round and lifted, mouth wide open in a big warm grin with the upper teeth showing and the corners pulling deep creases beside her nose. Her long blonde hair is gathered into one heavy braid that falls over her left shoulder and down across the front of her shirt, its plait thick and loose, the blue ribbon tied at the start of the braid with two short tails that lift slightly at the tips; a handful of stray strands around her temples drift forward with her lean. She wears a white sleeveless shirt with a small collar, tucked into navy blue shorts that end mid-thigh, over navy blue thighhigh socks that stop just below the knee leaving a narrow strip of bare skin, and dark shoes planted on the plaza stone. The morning sun comes from behind her right shoulder, low and warm, so the light rims her braid, her shoulder, and the edge of the ribbon with a gold line, casts a soft long shadow forward and to the left of her feet on the paving, and leaves her face gently lit by the bounce off the pale plaza stone rather than direct glare. Behind her, out-of-focus, is the station frontage: a broad glazed entrance, a clock above the doors, a row of low planters, and blurred commuters passing as soft grey shapes; their motion smear crosses behind her waist and never overlaps her face. Long slabs of morning light slant across the foreground paving, interrupted by the crisp shadow of the station canopy. The palette holds white, navy blue and sunlit warm cream, with the blue ribbon and the blue tie repeating the navy of the shorts and socks, and gold in the hair and the light. Sharp clean line art with crisp cel shading and fine hair strands, high-contrast highlight edges on the fabric folds. Heartwarming, cozy.
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flash
縦横比
1536 x 2048

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AI artwork
Avatar image of 鷹の目
character: jeanne_d'arc_(fate), jeanne_d_arc_(fate/apocrypha), copyright: fate/apocrypha full body shot, 1girl, solo, running toward viewer, running, waving, raised arm, hand up, arm high in the air, huge radiant smile, open mouth, :d, joyful bright eyes, wide-eyed, looking at viewer, spotted someone, recognition, leaning forward mid-stride, white sleeveless shirt, collared shirt, bare shoulders, bare arms, navy blue necktie, navy blue shorts, navy blue thighhighs, wristwatch, long blonde hair, single braid, blue ribbon, hair flowing behind, hair lifted by motion, blue eyes, clear unmarked skin, no tattoo, morning train station plaza, soft morning light, sharp clean line art, anime style, dynamic pose, from below, full body, outdoors, day, lens flare, depth of field Front-facing full-body view from a low camera angle, the lens almost at knee height so the morning plaza opens up behind her and the sky sits above her head -- a girl caught mid-stride running straight at the viewer, her whole body tilted forward along one committed diagonal from her raised right hand down through her hips to her trailing left foot. Her left foot is planted flat on the paving stones and bears all her weight, the leg braced; her right leg is swung back and bent at the knee, toe just leaving the ground, the navy thighhigh sock pulling taut over the calf. Her right arm is flung high above her head, elbow nearly straight, palm open and tilted toward the person she has just spotted, fingers spread and slightly cupped with the wrist turning in the middle of the wave; the wristwatch sits on that raised wrist, its round metal case catching the light on its upper rim, its band snug against the tendon. Her left hand is half-curled at hip height, pulled back as a runner's counterbalance. Her white sleeveless shirt is untucked at the tail, one shoulder seam riding slightly, the bare shoulders and upper arms fully exposed to the cool air with no sleeve, strap or cloth crossing them; the collar is open around the navy blue necktie, which has come loose from its knot and swings out to her left, and the navy blue shorts crease at the hip where the stride pulls the fabric. The long blonde braid streams out behind her right shoulder, lifted and curved by her own forward speed, the blue ribbon at its tie fluttering loose with one tail pointing backward; strands have escaped the plait and cross her cheek. Her eyes are wide and bright with the whites catching the sky, her brows lifted high, her mouth open in a huge radiant open-lipped smile that shows her teeth and squeezes her eyes into crescents, a faint flush on her cheeks from the run. Every inch of her skin is smooth and completely clear, both shoulders, both arms and both thighs evenly bare and unmarked. Behind her lies a medium-scale morning train station plaza: flat pale stone paving with long joint lines running back toward a low station canopy on the right, a departure board and a row of steel benches on the left, a couple of tiny distant commuters dissolved into soft bokeh, and a single young street tree at the left edge whose leaves are bright enough to catch the low sun. The light comes from low behind her right shoulder, cool and slightly hazy: it rims the top of her raised hand, her braid and the tail of her ribbon in a thin warm edge, throws a long soft shadow of her running legs forward and to the viewer's left across the stones, and leaves the front of her shirt and face in gentle open shade filled by the pale bounce of the plaza. The palette is built from white, navy blue and morning gold against the pale grey stone and a washed-out blue sky, nothing else admitted except the thin blue of her ribbon and the green of the young tree. Her gaze is locked dead on the viewer as the person she has been waiting for, the whole body arriving at that look. Dynamic, sunlit, and completely overjoyed.
鷹の目
AI artwork
Avatar image of 鷹の目
character: jeanne_d'arc_(fate), jeanne_d_arc_(fate/apocrypha), copyright: fate/apocrypha 1girl, solo, full body, standing on tiptoes, looking around, puzzled expression, cute, head tilt, white sleeveless shirt, bare shoulders, navy blue necktie, navy blue shorts, navy blue thighhighs, wristwatch, long blonde hair, single braid, very long braid, blue ribbon in hair, blue eyes, completely clean unmarked skin, no tattoo anywhere, arms bare, busy train station entrance, morning, crowd, blurred background, soft morning sunlight, bright cheerful atmosphere, anime style, sharp clean lineart, from below, wide shot A full-body wide shot taken from slightly below eye level, so the girl rises above the heads of the crowd around her: she stands on the balls of both feet, heels lifted clear off the pale grey granite paving, one foot forward and the other tucked behind, weight centred on the front toes, ankles trembling faintly with the effort of holding the lift. Her right hand shades her brow with fingers spread flat, the wristwatch canted on her forearm just below the knuckles' shadow; her left hand presses flat against her own thigh to steady the rise. Her chin is up and her blue eyes sweep sideways across the crowd, brows drawn together and one lifted higher than the other, mouth slightly open in a small puzzled pout. A long blonde braid, absurdly long, falls down her back in a thick rope, past her hips almost to her knees, swaying slightly as she turns her chest to follow her gaze; it is tied off with a blue ribbon at the nape. The white sleeveless shirt is crisp, collar open under the loose navy necktie that dangles slightly askew and swings when she shifts her weight. Navy shorts end mid-thigh, navy thighhighs meet bare knees. Both shoulders and arms are entirely bare, skin clean and unmarked from shoulder to wrist. Around her the concourse: commuters in soft-focus grey, brown and charcoal coats stream in and out, mid-print, one woman with a coffee cup half-turned away in the blurred foreground, a low ribbon of departure boards glowing yellow-white in the distant upper right. The station entrance framing is a wide stone arch behind her, morning sun coming in low through it from the left of frame, striking the left side of her face, the left edge of her braid and the front of her white shirt so the fabric glows warm white while the right side of her body falls into soft blue shadow. Her lifted shadow falls away to the right on the dry paving, stretched slightly by the low sun; long horizontal bands of light from the arch's gaps cross the pavement behind her. Palette is warm morning white and pale grey with navy and blue anchoring her figure, small warm skin tones, and a bright, cheerful clarity. Tender anticipation, bright and buoyant.
鷹の目
AI artwork
Avatar image of 鷹の目
character: jeanne_d'arc_(fate), jeanne_d_arc_(fate/apocrypha), copyright: fate/apocrypha cowboy shot, 1girl, solo, waist up, leaning forward, hands clasped, closed eyes, crescent eyes, smiling, open mouth, big smile, blonde hair, very long hair, single braid, braid over shoulder, blue ribbon, white sleeveless shirt, bare shoulders, bare arms, navy blue necktie, necktie, wristwatch, completely clear unmarked skin, from side, looking at another, train station, morning, sunlight, rim light, warm lighting, depth of field, blurred background, heartwarming A three-quarter view from slightly to her left and a touch above her eye line holds her at a cowboy shot, cropped just below the waist, her upper body tilted a few degrees toward the friend arriving at frame right who is out of view. She leans slightly forward with delight, the weight carried on her rear right foot while her left toes just bear a little, hips a few centimetres back so the whole torso tips toward the person she has been waiting for. Both hands are clasped together in front of her chest, fingers laced and drawn close against her sternum, knuckles lightly touching the white sleeveless shirt; the thumb of her upper hand rocks once over the other. Her white sleeveless shirt sits crisp and softly folded at the shoulders, the armholes cleanly framing bare shoulders and bare arms that catch the low sun. A navy blue necktie hangs straight down the shirt front, its knot properly at the collar. The cuff of the white shirt is plainly rolled up at her left wrist, and the wristwatch rides just above it — a pale round dial, thin metal case, leather strap. Her long blonde braid is gathered into one heavy plait that comes forward over her right shoulder and spills down the front of her chest and to her waist, peppered with fine loose strands near her temples; a blue ribbon is tied at the head of the braid so it rests forward over the shoulder, its two tails tilted off to the side. Her skin is completely clear and unmarked — bare, even shoulders, bare arms, nothing inked anywhere the crop allows. Her eyes are shut in two clean crescents above a big warm open smile that shows a bright sliver of teeth and one lifted corner on the side turned to the viewer; her brows lift a touch, and her chin is raised faintly, as though she has just spotted them. Her gaze, though her lids are closed, is angled straight at the person out of frame right, at the exact height of their face. The warm soft morning sunlight comes in low across her right shoulder and paints a gentle rim of gold along her bare shoulder, the top ridge of her braid, and the blue ribbon and the navy necktie; her left side falls into soft shade, and a faint cast shadow of her tied ribbon lies across the front of her shirt. The background is a blurred station facade: pale stone columns and a suggestion of glass roof and a departure board, all drained to a soft grey-blue bokeh, deepening the edge behind her silhouette. A small station clock reads out of focus above her head, catching a fleck of the same morning light. Palette is white, navy and blonde gold, warmed by the sunrise. Heartwarming, calmly joyful.
鷹の目
AI artwork
Avatar image of 鷹の目
character: jeanne_d'arc_(fate), jeanne_d_arc_(fate/apocrypha), copyright: fate/apocrypha 1girl, solo, jeanne_d_arc_(fate/apocrypha), long blonde hair, single braid, very long braid, blue ribbon in hair, blue eyes, white sleeveless shirt, bare shoulders, bare arms, navy blue necktie, wristwatch, wristwatch on left wrist, leaning against pillar, leaning back against pillar, standing at an angle, cowboy shot, waist up, from side, profile, looking at watch, puffed cheeks, pout, impatient, glancing sideways, looking to the side, train station entrance, plaza, morning, sunlight, sunbeam, blurred background, crowd, depth of field, sharp lineart, clean lines Viewed from the side in a waist-up cowboy shot, she stands at a slight backward angle, spine and one shoulder blade pressed flat against a square concrete pillar at the mouth of a train station entrance, weight settled on her right leg with the left knee bent and the left foot turned out, so the pillar carries her rather than her own stance. Her left forearm is raised across her chest, sleeve-less shoulder lifted, and her right hand pinches the crown of a silver-cased wristwatch strapped to her left wrist, thumb worrying the bezel; she has just tilted the dial toward the light. Her chin is tucked down at the watch but her eyes have slid off it, cutting sideways across the plaza, lids low and bored, lower lip pushed forward between two round puffed cheeks that hold a small swallowed breath of impatience. A navy blue necktie knotted at her bare collarbone hangs slightly askew, its tail flipped over by the morning air, the open sleeveless shirt leaving both shoulders and both arms clean bare skin with no mark anywhere on them. Her long blonde braid, gathered at the nape with a blue ribbon, drops past the waist edge of the frame behind her arm and swings its loose tail forward across her hip, the ribbon's ends lifting. Warm low morning sunlight rakes in from the upper left along the pillar's face, laying a hard bright edge down one corner of the concrete and striping her shoulder, cheek and the watch crystal with gold while the pillar's shadow stays deep behind her back; past her, the station forecourt recedes into soft-focus depth, where commuters in coats move as blurred dark shapes through the light shafts, one passing figure smearing a shadow across the paving. Palette of warm gold and pale concrete grey around her, drawn tight to the white of the shirt, the navy of the tie and the blue of ribbon and eyes, with clean sharp linework and flat crisp cel shadows. Quiet, sun-warmed, faintly sulky.
鷹の目

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