Nov 3, 2026

サーバーメンテナンス完了のお知らせ — サーバーメンテナンスが完了し、SDXLタスクおよびTsubaki.1タスクの生成速度は通常どおりに戻りました。メンテナンス中に溜まったタスクは、順次処理してまいります。一部のタスクは完了までもう少しお時間がかかる場合がございますので、今し…

AI art "Son Elizabeth Gremory" featuring #ドラゴンボール, #ハイスクールD×D and #zetaCollab

無料で生成

Son Elizabeth Gremory

参加作品

PixAI × zeta オリキャラコンテスト2026 #zetaCollab

#ドラゴンボール #ハイスクールD×D

投稿日は Nov 4, 2026

Black Deker Yami

さらに表示

artist: aiue_oka 1girl, solo, long hair, semi-spiky hair, two-tone hair, crimson hair, black hair, red and black hair, green eyes, blue eyes, greenish-blue eyes, detailed pupils, black eyelashes, cheerful smile, open mouth, muscular female, toned, defined abs, midriff, slender waist, wide hips, large breasts, thick thighs, toned legs, small scars, scar on arm, black nail polish, bikini, red bikini, orange bikini, navy blue bikini, two-tone bikini, string bikini bottom, two straps, bikini top with cutout, cleavage cutout, mesh panel, arm bandages, bandages on forearms, combat bandages, bare arms, bare legs, barefoot, sand, beach, Caribbean island, palm trees, turquoise sea, blue sky, white clouds, outdoors, daylight, from below, cowboy shot, looking at viewer, standing on one leg, arms up, outstretched arm, hair blowing in wind, wind, depth of field, anime screenshot, cel shading, high resolution, masterpiece, highly detailed, Seen from a low angle just above the sand line, the camera tilts up so her full figure towers against a pale turquoise sky: a young woman alone on a Caribbean beach, nothing but wet sand, leaning palm trunks and open water behind her, not a single other person anywhere in frame. Her long semi-spiky hair splits into two tones — crimson red through the front locks and deep black at the crown and the sweeping back — and the sea wind throws it sideways off her shoulder in a single lifted sheet, strands breaking loose across her cheek. She is caught mid-motion, weight loaded on her right leg while her left foot lifts free of the sand on tiptoe, one arm flung high overhead with the elbow slightly bent and the other hand resting flat against her hip, fingers splayed across the waistband; five fingers on each hand, all separated and anatomically placed. Her torso twists a quarter turn away even as her chin drops and her greenish-blue eyes, dark detailed irises ringed by thick black lashes, look straight down the lens with a bright open cheerful smile, one lip corner pulled a little higher than the other. Her body reads as trained, not soft: a hard ridge of abdominal muscle cutting clean diagonal shadows under the ribs, a deep waist that flares into firm thighs and calves, shoulders rounded with muscle under taut skin. Fine pale battle scars — three short ones on the right forearm, one long thin one crossing the left upper arm — catch the light where the skin stretches. Every fingernail is lacquered flat black. Combat-style bandages wind in criss-crossing strips from both upper arms down over the elbows to the forearms, edges fraying and one loose tail lifting in the wind, the cloth slightly darkened where spray has reached it. Her bikini is cut to the body in red, orange and navy blue: the top is red at the cups with orange piping and a navy tie at the neck, a narrow mesh panel opening between her breasts so the skin shows through the weave; the bottoms are navy at the hips with an orange band and two distinct thin straps riding over each hipbone, both visible, both casting a fine shadow line on the skin. The light comes from a single high sun over her left shoulder: it burns a hard rim along her raised arm and the bandage edges, drops crisp shadows from her breasts and abs onto her own torso, and paints a dark double shadow of her legs across the sand — the lift of her left foot breaks that shadow at the toe. Ripples slide up the beach behind her, thin and glassy, each wave crest duller and greener in the shade of its own curl. Palette held to red, orange, navy, wet-sand tan, turquoise and the hot bleached white of the sky, nothing else admitted. Sunlit, effortless, sumptuous.

Son Elizabeth Gremory

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