サーバーメンテナンス完了のお知らせ — サーバーメンテナンスが完了し、SDXLタスクおよびTsubaki.1タスクの生成速度は通常どおりに戻りました。 メンテナンス中に溜まったタスクは、順次処理してまいります。一部のタスクは完了までもう少しお時間がかかる場合がございますので、今し…
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- オリジナルプロンプト
- 1girl, close angle, black hair, grey eyes, jacket, gloves, torn clothes, pantyhose, shorts, thighhighs, fingerless gloves, torn pantyhose, black gloves, black shorts, blunt bangs, single leg pantyhose, sidelocks, torn thighhighs, high-waist shorts, single thighhigh, short hair, black thighhighs, crop top, transparent cleavage window down the center of the croptop, black pantyhose, glowing eyes, several desiccated male bodies lie on the floor in the background, safehouse background, background, white outline, beautiful face, masterpiece, best quality, absurdres, very absurdres, highres, volumetric lighting, depth of field, CG, newest, very awe, amazing quality, high quality, high resolution, 8k, full hd, illustrating, detailed shading, perfect anatomy, very aesthetic, ratatatat74, 4k, ultra hd, ominous lighting, malevolent, seductive look, flirting
- モード
- pro
- 縦横比
- 1104 x 1824
- サンプリング方法
- Euler
- ネガティブ
- lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換
利用したモデルとLoRA
ほかの類似作品
続きを読む
n2
artist: ratatatat74
1girl, solo, close angle, black hair, short hair, blunt bangs, sidelocks, grey eyes, glowing eyes, beautiful face, neutral expression, observant look, seductive look, seductive pose, jacket, crop top, transparent cleavage window, black high-waist shorts, black fingerless gloves, torn clothes, black pantyhose, torn pantyhose, single leg pantyhose, black thighhighs, single thighhigh, torn thighhighs, white outline, several desiccated male bodies, lying on floor, background, safehouse background, volumetric lighting, ominous lighting, depth of field, from above, looking at viewer, head tilt, weight on one leg, hand on own hip, dutch angle, cowboy shot,
The camera looks down on her from a steep three-quarter angle, the floor of the safehouse falling away behind her into shallow-focus haze. She stands with her weight sunk into her left leg, right knee loose and slightly crossed inward, hips canted so one hipbone rides high above the waistband of the high-waist black shorts. Her right hand rests flat on that hip, fingers splayed over the black fabric; the black fingerless glove cuts off at the knuckles, leaving bare fingertips that press dimples into the shorts. Her left arm hangs loose and slightly back, knuckles brushing the seam of the jacket. The jacket hangs open off both shoulders over the black crop top, its hem short enough that a band of bare midriff shows above the shorts, and the transparent cleavage window runs a clear panel down the chest, revealing skin beneath and catching a hard specular highlight along its edge. Her chin is tipped down, blunt bangs cutting a straight black line across her brow, sidelocks framing her jaw, and her glowing grey eyes angle up at the viewer through the fringe -- pupils small, lids half-lowered, the mouth flat and closed, giving nothing away. A slim white outline traces her whole silhouette, brightest along the outer edge of the jacket and the crown of her head, separating her from the dark behind.
Her right leg is sheathed in black pantyhose that has been ripped open at the knee and thigh in long diagonal runs, the nylon webbing at the tears lighter and thicker than the surrounding fabric; that same leg carries no thighhigh, so the pantyhose runs unbroken to her foot. Her left leg wears a single black thighhigh pulled high, its top edge torn and frayed into loose loops that sag away from the skin, and the pantyhose underneath is laddered with thin runs descending toward the ankle. The stocking bands bite slightly into the thigh, and a faint crease of compression shows above each band.
Behind her, in the soft-focus depth of the safehouse, several desiccated male bodies lie sprawled on the concrete floor at broken angles, limbs loose, torsos sunken, their forms reduced to grey-brown masses with the light picking out a ribcage, a jaw, a splayed hand. They are out of focus and lower in frame than her, never competing with her face. The room itself is bare concrete and stripped fixtures, a crooked shelving unit and a dead fluorescent tube along one wall, all pushed back into blur.
The light comes from a single hard source above and behind her, backlighting the crown of her hair and blowing out the volume it cuts through the dusty air, while her face sits in cool shadow lit only by the faint upward glow of her own eyes and a thin cyan rim tracing her cheekbone, the jacket collar and the edge of the torn thighhigh. Shadows drop away from her toward the camera in long dark wedges, and the bodies behind catch only the top edges of their forms. Palette: black, cold concrete grey, dead brown, with a single vibrant electric-cyan accent in the eye glow and rim light, nothing else admitted. Sharp cel-shaded edges, hard high-contrast shadow breaks, cinematic wide-angle consequence that stretches her near leg toward the lens. Malevolent, quietly menacing.
nyx222
n2
artist: ratatatat74
1girl, solo, close-up, cowboy shot, from below, dutch angle, short black hair, blunt bangs, sidelocks, glowing grey eyes, beautiful face, malevolent seductive look, flirting, lidded eyes, lopsided smirk, head tilted down, looking at viewer, black jacket, jacket sleeves pushed to the elbow, black crop top, black high-waist shorts, black fingerless gloves, torn clothes, black pantyhose, torn pantyhose, single leg pantyhose, black thighhighs, torn thighhighs, single thighhigh, white outline, several desiccated male bodies lying on the floor in the background, safehouse background, volumetric lighting, ominous lighting, dramatic backlighting, rim lighting, sharp cel-shading, high contrast, dark techwear palette, depth of field, wide angle lens
The camera sits low and close, tilted a few degrees off level, so the girl's hips loom in the lower foreground and her face reads slightly foreshortened above them. She is caught mid-turn toward the lens: weight sunk into her right leg, left knee bent and rolled inward, hip pushed out, one shoulder dropped lower than the other. Her right hand hangs at her hip with the fingers loosely hooked into the waistband of the high-waist shorts, the bare fingertips emerging from the black fingerless gloves; her left hand lifts to her mouth, knuckle pressed against her lower lip, the glove's torn cuff riding at the wrist. Her chin is tipped down and her eyes are rolled up under half-lowered lids, glowing grey and lit from behind as much as from the front; the smirk pulls one corner of her mouth higher than the other and her nostrils flare slightly with a slow breath. Her short black hair swings against one cheek, blunt bangs lying straight across the brow, sidelocks brushing the jaw. The jacket hangs open over the black crop top, one sleeve shoved to the elbow and one falling loose, its hem and shoulders scuffed and split. Below the high-waist waistband the black pantyhose cover only her left leg and the black thighhigh only her right, both shredded at the knees and inner thighs into ragged horizontal tears with pale skin showing through the runs; the opposite leg is bare from the shorts hem down, and the crop top's hem floats clear of the waist.
Behind her the safehouse interior falls into shallow focus: a low concrete room with a stained mattress edge at the left, a bare caged bulb, water-stained plaster, a doorframe half out of the crop. Several desiccated male bodies lie on the floor across the background, mummified and collapsed in loose heaps, ribs sharp under papery skin, one arm flung out, a jaw hanging slack, their shapes soft and dimmed by the depth of field so they read as a rank behind her. The single overhead bulb is the only source: it throws a hot pool on the girl's shoulders and hair while the rear of the room sinks into cold darkness, and it lays a thin cold rim along her arms and the edge of her jaw. A white outline traces her silhouette cleanly against that murk. The palette holds to black, grey, bone-white skin and a single sickly amber from the bulb. Fine dust hangs in the air, and where her right pantyhose is torn the nylon has laddered upward from the knee in straight taut threads rather than bunching. Quiet menace, effortlessly mean.
nyx222
n2
artist: ratatatat74
1girl, solo, close-up, cowboy shot, from below, dutch angle, short black hair, blunt bangs, sidelocks, grey eyes, glowing eyes, beautiful face, neutral expression, half-closed eyes, jitome, seductive look, observant look, head tilted down, chin lowered, looking down at viewer, black jacket, open jacket, black crop top, high-waist shorts, black shorts, black pantyhose, torn pantyhose, single leg pantyhose, black thighhighs, single thighhigh, torn thighhighs, torn clothes, black fingerless gloves, black gloves, hands on hips, weight on one leg, hip cocked, white outline, safehouse background, interior, several desiccated male bodies on the floor, background, volumetric lighting, ominous lighting, backlighting, rim lighting, depth of field, sharp cel-shading, high contrast, dark palette, wide angle lens,
The camera sits low, tilted a few degrees off level, looking up at her from hip height in a tight cowboy shot that fills the frame with her from mid-thigh to the top of her head. She stands over the lens with her chin lowered and her head tipped slightly to one side, so that her grey eyes catch the light from below and glow a pale luminous silver, half-lidded, fixed downward on the viewer with a flat, unreadable, appraising stillness -- no smile, lips closed and relaxed, one brow fractionally higher than the other. Her short black hair falls in a blunt fringe straight across her forehead, two sidelocks framing her jaw, and the tips of the fringe shift slightly to one side as her head tips. The open black jacket hangs off her shoulders, its collar pushed back, over a black crop top that ends above her navel and lets the bare line of her midriff show between top and waistband. Her high-waist black shorts sit at navel height with a flat waistband and a single button, cinched snug, and underneath them the black pantyhose and black thighhighs begin; both are torn, laddered runs and ripped holes opened across the thighs, and the two legs are mismatched on purpose -- one leg finished with a single thighhigh whose top band bites into the thigh, the other with a single leg of black pantyhose running unbroken down to the ankle, so the asymmetry is legible from the low angle. Her black fingerless gloves leave her fingertips bare, and she has both hands planted on her hips, fingers curled against the waistband, elbows flared out, her weight carried on her straight left leg while her right knee bends and her hip cocks out, so her body reads as a long lazy S from the low lens up. In the background, behind her and well below her waistline, the safehouse interior opens up: a bare concrete room with a stripped couch, a dead hanging bulb, scattered tins and a scuffed floor, and on that floor several desiccated male bodies lie in a loose row, their clothes crumpled and grey, skin drawn tight over bone, hands slack and mouths open -- kept soft-edged and small by the shallow depth of field so that they sit as a dim, out-of-focus mass behind the sharp plane of her figure. She is outlined in a thin crisp white line along her silhouette, rim-lit by the single hard practical light hung behind her head, which throws her face into shadow except for the silver catchlights low in her eyes and blows a warm bruised-orange haze through the dust in the air; the only light is that backlight and what it bounces off the pale concrete, and everything past its reach falls into a heavy charcoal dark. The palette stays disciplined -- black, charcoal grey, pale concrete, dead skin grey, and one bruised amber accent in the backlight haze -- flat cel-shaded planes with sharp shadow edges and a hard cut between lit and unlit surfaces. Her shadow spills forward toward the lens, long and distorted by the wide angle. Ominous, quietly lethal.
nyx222
n2
character: jane_doe_(zenless_zone_zero), artist: ratatatat74, copyright: zenless_zone_zero
1girl, solo, jane_doe_(zenless_zone_zero), short black hair, blunt bangs, sidelocks, grey eyes, sharp eyes, beautiful face, pale skin, black fingerless gloves, black gloves, red nail polish, fur-trimmed jacket, green jacket, fur trim, crop top, black high-waist shorts, high-waist shorts, black pantyhose, torn pantyhose, black thighhighs, torn thighhighs, single leg pantyhose, single thighhigh, torn clothes, seductive pose, seductive look, predatory, confident, elegant, malevolent aura, looking at viewer, half-closed eyes, head tilt, hand on own hip, leaning back, from below, cowboy shot, dutch angle, depth of field, volumetric lighting, ominous lighting, safehouse background, several desiccated male bodies lying on the floor in the background, white outline, CG, dramatic backlighting, rim lighting, sharp cel-shading, high contrast, cinematic perspective, wide angle lens, moody atmosphere, vibrant accent colors, urban ruins, masterwork, high quality
Low-angle cowboy shot tilting on a slight dutch angle: Jane Doe stands over the safehouse floor in the foreground, one leg forward and her weight sunk into the back hip, chin tipped down so she looks along the camera axis through half-closed grey eyes with one brow faintly arched, a small closed-lip smile pulled a little to one side. Her left hand rests flat against the high black waistband of her shorts, thumb hooked under the edge; her right arm hangs loose with fingers half-curled, red nails catching the backlight, and the black fingerless gloves leave her fingertips bare. The green fur-trimmed jacket hangs open off one shoulder so the fur collar frames the crop top and the bare strip of midriff; the black high-waist shorts sit at navel height under a fitted waistband. Her left leg is sheathed in black pantyhose and her right in black thighhighs, both torn ragged at the knee and thigh with laddered runs crawling upward, and the torn edges stand a little away from the skin where the fabric has given way. Behind her the safehouse opens into a low, close room — a bare bulb in a wire cage, a ratty sagging couch on the left, a chipped table with spent candles on the right — and across the floor in the background several desiccated male bodies lie where they fell, husks in dull grey clothing, ribs showing, mouths slack, hands curled, one trailing an arm into the shadow so the line of bodies recedes with the floorboards. Deep focus on the foreground figure fading to soft depth of field on the bodies. The light comes from behind and above her: a hard cold backlight through the doorway silhouettes her shoulders and edges the fur collar and the ragged hems in bright rim light, while a low warm bulb glows on the bodies from the far side; the front of the figure falls into cool shadow so only the grey eyes and the red nails catch points of brightness. Colour discipline: black, deep green and cold blue-grey for the room and her outfit, with the green jacket, the red nail polish and the dull skin-tones of the dead as the only warm notes. She is drawn with a clean white outline separating her from the background, sharp cel-shaded edges with high-contrast shading and a moody volumentric haze, the whole frame in a cinematic techwear-anime register with the safehouse's ruin detail simplified behind her. Quiet dread, chic and predatory.
nyx222026
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A dreamy, ethereal anime illustration of a mysterious black-haired young man kneeling gracefully in shallow water, wearing an elegant dark gothic outfit with sheer flowing fabrics, delicate jewelry, and iridescent blue accents. A white dove flies beside him as he gently holds a glowing translucent orb. Flowing veils, delicate white flowers, floating feathers, and crystalline reflections surround him. Soft moonlike backlighting filters through translucent curtains, creating a melancholic, romantic atmosphere. Muted lavender, icy blue, silver, and pearl-white palette, delicate painterly anime style, intricate details, soft glowing highlights, dramatic shadows, beautiful fabric textures, cinematic composition, atmospheric lighting, elegant fantasy aesthetic, vertical portrait poster.
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ethereal dreamy anime illustration of beautiful girl with long flowing silver white hair in high ponytail, glowing green blue eyes, small white angel wing near ear, blue flower hair clips with pearls, holding blue flowers near mouth and bouquet of blue irises, wearing elegant dark blue and white dress with pearl necklace and long sheer gloves, luminous fairy-like skin, large glowing full moon in background, dark blue starry night sky, white doves flying, sparkling stars and glitter effects, petals floating, floral silhouettes, musical staff lines overlay with cursive text "Kopper's Commission" and "COW SION", soft iridescent pastel palette of blue purple white, highly detailed, magical celestial atmosphere, glitter texture, ultra-detailed anime art. close up, dynamic perspective, ethereal casual aesthetic.
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