Nov 3, 2026

サーバーメンテナンス完了のお知らせ — サーバーメンテナンスが完了し、SDXLタスクおよびTsubaki.1タスクの生成速度は通常どおりに戻りました。メンテナンス中に溜まったタスクは、順次処理してまいります。一部のタスクは完了までもう少しお時間がかかる場合がございますので、今し…

無料で生成

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投稿日は Nov 4, 2026

山

山村さん家の貞子さん

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1girl, solo, walking, from behind, full body, Japanese middle school student, slender, long limbs, thin body, youthful developing physique, attractive legs, long dark brown hair, winter sailor uniform, navy sailor dress, long sleeves, three white stripes on collar and cuffs, dark red scarf knotted at the throat, navy pleated skirt, below-knee length skirt, navy knee-high socks, blue and white indoor shoes, uwabaki, school hallway, early morning, empty corridor, wooden floorboards, sliding classroom doors along the left wall, tall windows along the right, low sun, long cast shadow, back view, mid-stride, one foot lifted, arms swinging, looking ahead, quiet The view is from behind and slightly to one side, camera at hip height behind her, so her back fills the middle of the frame and the corridor recedes ahead of her: a long straight run of polished wooden floor, pale sliding classroom doors with frosted glass panels along the left wall, and a bank of tall sash windows along the right. She is caught mid-stride, a quarter of the way down the corridor, walking away from the lens. Her weight rides on her left leg, planted flat in its blue-and-white indoor shoe, and her right leg is swinging through — knee lifted, foot off the boards, sock pulled taut over the calf — so the pleated navy skirt swings out slightly against her left thigh and settles. Her long thin arms swing in opposition: the left arm forward and just beginning to straighten, the right arm back with the sleeve cuff dropping away from the wrist. The long-sleeved navy sailor top hangs straight from narrow shoulders, the three white stripes running along the collar edge and around each cuff, and the dark red scarf is knotted at her throat with its short ends tucked under the collar behind her neck. Her hair, dark brown and falling past her shoulder blades, lifts a little with the stride and sways off-centre. Her head is up, chin level, gaze fixed down the corridor toward the far windows, not toward the viewer. The early winter sun comes in low from the windows on the right, so the right side of the corridor floor is a long ladder of bright window-shaped patches and the left side, in front of the classroom doors, holds a corresponding row of soft blue-grey shadow; her own shadow stretches long ahead and to the left of her feet across the boards, and the shadow of the window mullions crosses her back and skirt in pale diagonal bands. The corridor is empty — no other students, the doors closed. The floor is polished enough that a faint, darker, softer reflection of her shoes and the hem of her skirt sits just beneath her. The palette is cool and restrained: navy of the uniform and socks, the deep crimson of the scarf as the one warm note, pale cream walls and honey-toned floor, and the cold white of morning light through the glass. Her thin ankles and the shape of her calves read clearly against the floor's reflected light, and the below-knee socks end where the skirt's shadow begins. Quiet, unhurried, cold morning hush.

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