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泽坤takukon

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泽坤takukon

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A wide, cinematic illustration shot from just above the roof of a derelict cable-car gondola as it tips and falls through a mountain valley at dusk. The camera hangs one and a half meters above the roof, pushed down thirty degrees and canted fifteen degrees off level, so the horizon is lost and nothing in the frame feels upright. The gondola leans along a twenty-two degree axis, its rusted steel roof filling the lower left corner, split open by rust and sprouting reeds whose roots hang down through the holes. A great egret stands on the tilted roof, one leg tucked, long neck folded into a slow S, beak pointing down and left, mistaking this collapsing human wreck for a rock in the water. Beside it an old tin lunchbox and a pair of rubber boots sit lined up neatly, toes turned inward. The panel wall rises on the left, layer upon layer of eroded stone, and a broken cable with its strands unravelled spirals away from the corner of the gondola toward the bright empty sky in the upper right. A trail of small hand-cut footholds climbs that wall and stops dead just below the gondola, the stone at the gap still fresh. Behind everything, a sea of cloud pours through the valley, one thin road threads the far floor, and the last ridges read only as three flat silhouettes. The sun sits low behind the valley on the right, backlighting the scene: every edge catches a thin bright line, the reeds glow translucent, while the gondola's face and the deep recesses of the wall fall into one large block of shadow. Warm rust orange and cold fog blue-violet split the frame along the roof's diagonal fold, and the only saturated thing in the entire picture is a scrap of faded orange safety vest spilling from the shattered window, a single hard bright edge inside the darkness of the cabin. Long shadows drag toward the lower left and dissolve into the fog. Low-key lighting, high contrast, thick painterly brushwork, delicate film grain, atmospheric haze.
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オリジナルプロンプト
A wide, cinematic illustration shot from just above the roof of a derelict cable-car gondola as it tips and falls through a mountain valley at dusk. The camera hangs one and a half meters above the roof, pushed down thirty degrees and canted fifteen degrees off level, so the horizon is lost and nothing in the frame feels upright. The gondola leans along a twenty-two degree axis, its rusted steel roof filling the lower left corner, split open by rust and sprouting reeds whose roots hang down through the holes. A great egret stands on the tilted roof, one leg tucked, long neck folded into a slow S, beak pointing down and left, mistaking this collapsing human wreck for a rock in the water. Beside it an old tin lunchbox and a pair of rubber boots sit lined up neatly, toes turned inward. The panel wall rises on the left, layer upon layer of eroded stone, and a broken cable with its strands unravelled spirals away from the corner of the gondola toward the bright empty sky in the upper right. A trail of small hand-cut footholds climbs that wall and stops dead just below the gondola, the stone at the gap still fresh. Behind everything, a sea of cloud pours through the valley, one thin road threads the far floor, and the last ridges read only as three flat silhouettes. The sun sits low behind the valley on the right, backlighting the scene: every edge catches a thin bright line, the reeds glow translucent, while the gondola's face and the deep recesses of the wall fall into one large block of shadow. Warm rust orange and cold fog blue-violet split the frame along the roof's diagonal fold, and the only saturated thing in the entire picture is a scrap of faded orange safety vest spilling from the shattered window, a single hard bright edge inside the darkness of the cabin. Long shadows drag toward the lower left and dissolve into the fog. Low-key lighting, high contrast, thick painterly brushwork, delicate film grain, atmospheric haze.
モード
ultra
縦横比
1104 x 1824
サンプリング方法
Euler
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換

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