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サーバーメンテナンス完了のお知らせ — サーバーメンテナンスが完了し、SDXLタスクおよびTsubaki.1タスクの生成速度は通常どおりに戻りました。 メンテナンス中に溜まったタスクは、順次処理してまいります。一部のタスクは完了までもう少しお時間がかかる場合がございますので、今し…

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V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי

Avatar image of V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי

V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי

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((lady bathing)), 1girl, solo, long wet hair, wet hair on shoulders, bare shoulders, partially submerged, water at waist, kneeling in shallow water, looking down at reflection, calm expression, half-closed eyes, eight doves perched, (eight doves perched), doves on broken window frame, doves on stone ledge, twigs and branches emerge from broken glass window, broken window, shattered glass, branches through window, dim sun rays, volumetric light shafts, dust settled on the ground, dust motes in light, calming reflecting pool, reflecting pool, moving waters, ripples, wild plants grown on walls, ivy on walls, moss, stained glass mosaic windows, stained glass, wellspring, spring water, cool colors, blue palette, teal and grey, high contrast, [[[high contrast]]], cinematic shot, sharp focus, no blur, hdr, photorealistic render, dim interior, ruined chapel, from side, wide shot The view is a wide cinematic shot from the side, low over the water, looking across the ruined interior at an oblique angle. A single young woman kneels waist-deep in the calm reflecting pool at the center of the frame, ((lady bathing)), her body in profile to the camera, torso turned slightly away, weight settled back on her heels so her hips rest low and her knees press into the submerged stone floor of the basin; her long wet hair is slicked dark and draped forward over both shoulders, heavy strands clinging to her collarbone and upper back, water beading and running down her spine. She does not look at the camera: her chin is tipped down and her gaze rests on the water's surface a hand's breadth in front of her, half-closed eyes, lids lowered, mouth softly closed, one hand lifted and cupped to catch a thread of water, the other hand flat on the pool's submerged ledge for balance. Where her knees and shins meet the water, the surface is broken into slow concentric rings that spread outward and smooth again, and her faint reflection on the water is darker and softer than she is, trembling with each ripple. Around and above her the ruined hall rises. On the left, a tall broken window frame of cracked stone holds jagged shards of glass still set in the leading, and through the fracture a mass of twigs and thin bare branches pushes inward from the outside, twigs and branches emerge from broken glass window, their tips silhouetted against the light. Eight doves are perched along that window frame and the stone ledge beneath it, eight doves perched, spaced apart at uneven intervals, some with heads tucked, one with a wing half-lifted, their pale bodies rimmed by the light behind them. The walls on both sides are furred with wild plants grown on walls, ivy and moss creeping up the stone courses in dark green patches and thin tendrils. Behind the pool, at the far end of the hall, a tall stained glass mosaic window is set into the apse, its lead-lined mosaic of blue, violet, teal and pale green panes still intact in places and missing in others, and beyond it the wellspring: the pool's source, a low stone basin at the window's base where the water wells up and spills over the lip into the main pool, moving waters threading across the surface in slow bright lines. The only light is the dim sun rays falling through the broken window and the high openings, dim sun rays, three faint shafts cutting diagonally down through the interior, cool and pale, striking the water, the woman's wet shoulder and the doves' backs, while the corners and the vaulted ceiling above stay in deep shadow; the stained glass throws small colored patches of light onto the floor near the apse. The air is still, and dust settled on the ground lies in a fine even film across the dry stone flagstones, dust settled on the ground, undisturbed except where the pool's edge is damp; motes drift slowly inside the light shafts. The composition is cool throughout, cool colors -- grey stone, blue-green water, teal and violet glass, dark green plants, the doves' off-white the brightest note -- and the contrast is pushed high, [[[high contrast]]], the light shafts and the pale doves standing out hard against the deep shadowed stone, the whole image perfectly sharp from the foreground ripples to the far window, no blur anywhere. Calm, hushed, sacred stillness.
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オリジナルプロンプト
((lady bathing)), (eight doves perched), (twigs and branches emerge from broken glass window), [dim sun rays], [dust settled on the ground], ((calming reflecting pool), [moving waters], [dull ambience], cool colors, simple aesthetic, wild plants grown on walls, stain glass mosaic windows, hdr, wellspring, sharp quality, perfect blender render, artstation, cinematic shot, best photometry, clear, no blur, [[[high contrast]]]
モード
flash
縦横比
1104 x 1824
プロンプト自動変換

利用したモデルとLoRA

Tsubaki.3 Flash - AI Modelのカバー画像

PixAI DiT.3

Tsubaki.3 Flash
1.85k

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AI artwork
Avatar image of V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
((lady bathing)), 1girl, solo, long wet hair, wet hair on shoulders, bare shoulders, partially submerged, water at waist, kneeling in shallow water, looking down at reflection, calm expression, half-closed eyes, eight doves perched, (eight doves perched), doves on broken window frame, doves on stone ledge, twigs and branches emerge from broken glass window, broken window, shattered glass, branches through window, dim sun rays, volumetric light shafts, dust settled on the ground, dust motes in light, calming reflecting pool, reflecting pool, moving waters, ripples, wild plants grown on walls, ivy on walls, moss, stained glass mosaic windows, stained glass, wellspring, spring water, cool colors, blue palette, teal and grey, high contrast, [[[high contrast]]], cinematic shot, sharp focus, no blur, hdr, photorealistic render, dim interior, ruined chapel, from side, wide shot The view is a wide cinematic shot from the side, low over the water, looking across the ruined interior at an oblique angle. A single young woman kneels waist-deep in the calm reflecting pool at the center of the frame, ((lady bathing)), her body in profile to the camera, torso turned slightly away, weight settled back on her heels so her hips rest low and her knees press into the submerged stone floor of the basin; her long wet hair is slicked dark and draped forward over both shoulders, heavy strands clinging to her collarbone and upper back, water beading and running down her spine. She does not look at the camera: her chin is tipped down and her gaze rests on the water's surface a hand's breadth in front of her, half-closed eyes, lids lowered, mouth softly closed, one hand lifted and cupped to catch a thread of water, the other hand flat on the pool's submerged ledge for balance. Where her knees and shins meet the water, the surface is broken into slow concentric rings that spread outward and smooth again, and her faint reflection on the water is darker and softer than she is, trembling with each ripple. Around and above her the ruined hall rises. On the left, a tall broken window frame of cracked stone holds jagged shards of glass still set in the leading, and through the fracture a mass of twigs and thin bare branches pushes inward from the outside, twigs and branches emerge from broken glass window, their tips silhouetted against the light. Eight doves are perched along that window frame and the stone ledge beneath it, eight doves perched, spaced apart at uneven intervals, some with heads tucked, one with a wing half-lifted, their pale bodies rimmed by the light behind them. The walls on both sides are furred with wild plants grown on walls, ivy and moss creeping up the stone courses in dark green patches and thin tendrils. Behind the pool, at the far end of the hall, a tall stained glass mosaic window is set into the apse, its lead-lined mosaic of blue, violet, teal and pale green panes still intact in places and missing in others, and beyond it the wellspring: the pool's source, a low stone basin at the window's base where the water wells up and spills over the lip into the main pool, moving waters threading across the surface in slow bright lines. The only light is the dim sun rays falling through the broken window and the high openings, dim sun rays, three faint shafts cutting diagonally down through the interior, cool and pale, striking the water, the woman's wet shoulder and the doves' backs, while the corners and the vaulted ceiling above stay in deep shadow; the stained glass throws small colored patches of light onto the floor near the apse. The air is still, and dust settled on the ground lies in a fine even film across the dry stone flagstones, dust settled on the ground, undisturbed except where the pool's edge is damp; motes drift slowly inside the light shafts. The composition is cool throughout, cool colors -- grey stone, blue-green water, teal and violet glass, dark green plants, the doves' off-white the brightest note -- and the contrast is pushed high, [[[high contrast]]], the light shafts and the pale doves standing out hard against the deep shadowed stone, the whole image perfectly sharp from the foreground ripples to the far window, no blur anywhere. Calm, hushed, sacred stillness.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
AI artwork
Avatar image of V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
((lady bathing)), 1girl, solo, long wet hair, wet hair on shoulders, bare shoulders, partially submerged, water at waist, kneeling in shallow water, looking down at reflection, calm expression, half-closed eyes, eight doves perched, (eight doves perched), doves on broken window frame, doves on stone ledge, twigs and branches emerge from broken glass window, broken window, shattered glass, branches through window, dim sun rays, volumetric light shafts, dust settled on the ground, dust motes in light, calming reflecting pool, reflecting pool, moving waters, ripples, wild plants grown on walls, ivy on walls, moss, stained glass mosaic windows, stained glass, wellspring, spring water, cool colors, blue palette, teal and grey, high contrast, [[[high contrast]]], cinematic shot, sharp focus, no blur, hdr, photorealistic render, dim interior, ruined chapel, from side, wide shot The view is a wide cinematic shot from the side, low over the water, looking across the ruined interior at an oblique angle. A single young woman kneels waist-deep in the calm reflecting pool at the center of the frame, ((lady bathing)), her body in profile to the camera, torso turned slightly away, weight settled back on her heels so her hips rest low and her knees press into the submerged stone floor of the basin; her long wet hair is slicked dark and draped forward over both shoulders, heavy strands clinging to her collarbone and upper back, water beading and running down her spine. She does not look at the camera: her chin is tipped down and her gaze rests on the water's surface a hand's breadth in front of her, half-closed eyes, lids lowered, mouth softly closed, one hand lifted and cupped to catch a thread of water, the other hand flat on the pool's submerged ledge for balance. Where her knees and shins meet the water, the surface is broken into slow concentric rings that spread outward and smooth again, and her faint reflection on the water is darker and softer than she is, trembling with each ripple. Around and above her the ruined hall rises. On the left, a tall broken window frame of cracked stone holds jagged shards of glass still set in the leading, and through the fracture a mass of twigs and thin bare branches pushes inward from the outside, twigs and branches emerge from broken glass window, their tips silhouetted against the light. Eight doves are perched along that window frame and the stone ledge beneath it, eight doves perched, spaced apart at uneven intervals, some with heads tucked, one with a wing half-lifted, their pale bodies rimmed by the light behind them. The walls on both sides are furred with wild plants grown on walls, ivy and moss creeping up the stone courses in dark green patches and thin tendrils. Behind the pool, at the far end of the hall, a tall stained glass mosaic window is set into the apse, its lead-lined mosaic of blue, violet, teal and pale green panes still intact in places and missing in others, and beyond it the wellspring: the pool's source, a low stone basin at the window's base where the water wells up and spills over the lip into the main pool, moving waters threading across the surface in slow bright lines. The only light is the dim sun rays falling through the broken window and the high openings, dim sun rays, three faint shafts cutting diagonally down through the interior, cool and pale, striking the water, the woman's wet shoulder and the doves' backs, while the corners and the vaulted ceiling above stay in deep shadow; the stained glass throws small colored patches of light onto the floor near the apse. The air is still, and dust settled on the ground lies in a fine even film across the dry stone flagstones, dust settled on the ground, undisturbed except where the pool's edge is damp; motes drift slowly inside the light shafts. The composition is cool throughout, cool colors -- grey stone, blue-green water, teal and violet glass, dark green plants, the doves' off-white the brightest note -- and the contrast is pushed high, [[[high contrast]]], the light shafts and the pale doves standing out hard against the deep shadowed stone, the whole image perfectly sharp from the foreground ripples to the far window, no blur anywhere. Calm, hushed, sacred stillness.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
AI artwork
Avatar image of V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
((lady bathing)), 1girl, 8 doves, eight doves perched, birds, broken glass window, twigs growing through window, branches through broken pane, shattered glass, dim sun rays, god rays, dust settled on the ground, dust motes, reflecting pool, calm water, moving waters, ripples, stone basin, wellspring, wild plants on walls, vines, moss, stained glass mosaic windows, colourful glass, cool colors, blue palette, teal, muted cyan, simple aesthetic, high contrast, dull ambience, sharp focus, no blur, full focus, intricate detail, wide shot, from side, cinematic composition, photorealistic blender render, dramatic lighting, atmosphere A wide cinematic shot from slightly above eye level, looking across a still, dim stone chamber towards a tall arched window whose glass has been shattered; the broken pane holds a jagged web of empty lead and a few surviving shards, and cold twigs and thin branches push in through the gap, their leaves catching a faint light. In the shallow reflecting pool at the centre, ((a lady bathing)) stands waist-deep, water at her hips, the surface breaking into concentric rings and slow moving waters that run outward and lap against the pool's carved rim; her skin is wet and glistening, and her reflection in the water is darker and softer than she is. Eight doves are perched in a loose scatter: one on the pool's rim, one on a fallen stone, three along the windowsill's broken edge, one on a low branch pushing through the window, and two on the far ledge behind her—each a small pale shape against the stone, their heads at different angles, some looking down at the water. The wellspring feeds the pool from a concealed opening in the far wall; faint streams of water move across the bottom of the basin, visible through the clear water. Wild plants and dark moss creep up the walls in long vertical streaks, and the tall stained glass mosaic windows along the right wall glow with dim panels of blue, teal and violet, their colours scattered weakly across the floor. Dim sun rays descend through the broken window in one broad, dusty shaft, striking the water and the woman's shoulder; the light is weak and cool, and beyond that shaft the room drops into deep shadow. Dust settled on the ground lies thick along the dry margins of the floor and the edges of the pool, with faint footprints and disturbed patches near the waterline. Everything is perfectly sharp and in focus, from the nearest broken shard to the far mosaic panels, with no blur or softness anywhere. Cool colours throughout—cold stone, teal water, blue and green glass, pale dove grey—against the high contrast of the dark room and the single shaft of light. Quiet, still, contemplative.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
AI artwork
Avatar image of V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
1girl, solo, adult woman, bathing, sitting in shallow water, long wet hair, wet skin, from behind, over-shoulder composition, looking back over shoulder, doves, perched, multiple doves, bird on windowsill, bird on ledge, bare shoulders, bare back, calm reflecting pool, moving water, ripples, broken window, shattered glass, twigs, branches, branch growing through window, stained glass window, mosaic glass, wild plants, vines on wall, ivy, moss, dust motes, sunbeam, god rays, dim light, cool color palette, blue and teal and stone grey, ruined interior, wellspring, spring water, cinematic shot, wide shot, sharp focus, crisp, clear, no blur, detailed, HDR, physically based rendering, subsurface scattering on wet skin, atmospheric, serene, quiet The camera sits low behind her near the waterline and slightly to her left, in a wide cinematic composition: the woman is seen from behind and above the hips, her back to the lens, head turned so that her right cheek and one lowered eye show past the curtain of her own wet hair. She sits on a submerged stone step at the shallow lip of a circular spring-fed reflecting pool, hips settled, both knees bent toward the far rim, feet flat on the algae-slick floor below the surface; her weight rests on her right hip with her left hand braced flat on the pool's carved stone edge, water beading the whole length of that forearm. Her long wet hair clings in dark ropes over her spine and right shoulder blade, dripping, the strands at the ends floating out into the pool where the water moves. Circling ripples spread from her waist and thighs and cross the entire basin, and where those ripples flatten the surface the water mirrors the arched window opposite her, breaking its stained-glass colours into wavering bands; the water is darker and softer than the glass it reflects. Four pale doves are perched along the broken sill and the bent frame of the great arched window in the midground wall: one on the intact lower mullion, two tucked close together inside the empty lead tracery of a shattered pane, one on a leaning branch that has grown in through the fracture and bends under its weight, and that branch's leaves hang directly overhead in the foreground, softly out of the near plane. Through the broken window a gnarled branch thrusts inward, bark ridged, twigs and buds pushing past jagged teeth of glass still set in the lead; the stained glass that survives is a mosaic of cool blue, sea-green and pale violet fragments in lead cames, and the low dim sun behind the wall drives its beams through the gaps so coloured shafts slice the dust which hangs thick in the air, settling in a pale even film on the dry stone paving, on the pool's rim, on the sill, on the doves' folded wings and the top-facing surfaces of the ivy, while nothing settles on the vertical faces. Wild plants have colonised the walls: ivy and thin creeper run down the mortar joints, moss fills the cracks, fern fronds spill from a spandrel and dip toward the water. The light is the only source, cool morning sun filtered through foliage and glass, sparse and low-contrast, leaving the corners of the vault in deep shadow; in the pool it strikes the lit faces of the ripples and their crests, and no caustic pattern reaches the shaded back wall. The palette is restrained and cold -- wet slate, green-black, bone-pale stone and pale bird white, with the only saturation in the stained glass and in her dark wet hair. Behind her, beyond the pool, the spring's source seeps from a cracked stone wellspring head in the back wall, its thin fall adding one steady thread of moving water to the surface. Everything from the film of dust on the foreground rim to the furthest ivy leaf is tack-sharp and crisply resolved, with no blur anywhere but the natural motion of the water, quietly devotional, still.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי

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