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ちょな子

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ちょな子

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side view, four girls, group of 4, walking, dungeon, pink mist, pink fog, blush, flushed cheeks, sweat, sweat on face, sweatdrop, fidgeting, squirming, restless, clothes clinging to skin, wet clothes, clinging fabric, female swordswoman, far right, female thief, second from right, female mage, second from left, priestess, far left, armored boots, silver cuirass, white tunic, brown leather trousers, dark brown leather vest, leather leggings, utility belt with pouches, deep purple hooded robe, gold embroidery, leather sandals, long white gown, blue silk trim, gold cross pendant, pink tentacles, tentacles from floor to ceiling, pink slime, pink leeches, cave walls, stone floor, profile, walking in a line, looking forward, looking to the side, head turned, open mouth, panting, half-closed eyes, arm at side, hands clenched, hunched shoulders, no earrings, hair unadorned, full body A true side-view composition: the four adventurers are seen in strict profile, strung out in a single-file line that runs left to right across the frame, and every one of them faces the right edge as they walk. Leftmost is the priestess — slim, long white gown with blue silk trim, the gold cross resting on her collarbone, both hands knotted in the sodden front of her skirt. Beside her the mage, deep purple hooded robe with gold embroidery pulling dark and heavy against her thighs, sandals slapping the wet stone, hood slipped back so her damp hair sticks to her temple. Next the thief, dark brown leather vest and matching leggings painted to her body, one hand hovering over the pouches at her utility belt, the other pressed flat to her stomach. Far right and slightly ahead of the rest, the swordswoman, silver breastplate over a white tunic that has gone translucent and stuck to her back and ribs, leather trousers clinging at the knees, her sword hanging at her hip and bumping her thigh with each step. All four cheeks are flushed deep pink, sweat runs in visible beads down every temple, jaw and throat, and every one of them is mid-fidget — hips shifting, shoulders drawn up, thighs pressed together as they step, none of them walking cleanly. Their eyes flick sideways toward the far wall and down at their own clinging clothes; the priestess bites her lip, the mage's mouth hangs open on a pant, the thief wears a tight grimace, the swordswoman's brow is crumpled. Behind and above them the dungeon opens into a vaulted stone hall: from cracks in the floor pink tentacles rise in glossy wet columns and curve toward the ceiling, thick and segmented, beaded with moisture; fat pink slime blobs cling to the walls and pool along the flagstone seams, half-translucent, each with a soft highlight; pink leeches wriggle across the wet floor and up the base of the far wall, their bodies ringed and shiny. Pink mist drifts through all of it in slow ribbons, densest at floor level and thinning toward the ceiling, catching the light. A single cold bluish torch-glow comes from deep in the corridor ahead at the right, so the four are rim-lit along their leading edges — brow, nose, chest, knee — while their backs fall into a dim violet shadow, and the pink fog glows where that light passes through it, throwing faint pink bounce onto every flushed cheek. The floor is slick enough that each boot and sandal leaves a wet print that fades behind them, and the trailing mist curls into the wake of their passing. Palette of pink, violet, wet stone grey and the individual costume colours, nothing warm except the blush and the wet shine on skin. Humid, breathless unease.
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オリジナルプロンプト
横からの構図、ピンクの霧が漂うダンジョンを歩く女冒険者4人組、全員頬を紅潮させて顔に汗をかき、もじもじしている、服は肌に張り付いている。 右から女剣士、女盗賊、女魔法使い、女神官。 背景に地面から天井に向かって生えるピンクの触手、ピンクのスライム、ピンクの蛭、を配置
モード
flash
縦横比
1824 x 1104
プロンプト自動変換

利用したモデルとLoRA

Tsubaki.3 Flash - AI Modelのカバー画像

PixAI DiT.3

Tsubaki.3 Flash
1.88k

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side view, four girls, group of 4, walking, dungeon, pink mist, pink fog, blush, flushed cheeks, sweat, sweat on face, sweatdrop, fidgeting, squirming, restless, clothes clinging to skin, wet clothes, clinging fabric, female swordswoman, far right, female thief, second from right, female mage, second from left, priestess, far left, armored boots, silver cuirass, white tunic, brown leather trousers, dark brown leather vest, leather leggings, utility belt with pouches, deep purple hooded robe, gold embroidery, leather sandals, long white gown, blue silk trim, gold cross pendant, pink tentacles, tentacles from floor to ceiling, pink slime, pink leeches, cave walls, stone floor, profile, walking in a line, looking forward, looking to the side, head turned, open mouth, panting, half-closed eyes, arm at side, hands clenched, hunched shoulders, no earrings, hair unadorned, full body A true side-view composition: the four adventurers are seen in strict profile, strung out in a single-file line that runs left to right across the frame, and every one of them faces the right edge as they walk. Leftmost is the priestess — slim, long white gown with blue silk trim, the gold cross resting on her collarbone, both hands knotted in the sodden front of her skirt. Beside her the mage, deep purple hooded robe with gold embroidery pulling dark and heavy against her thighs, sandals slapping the wet stone, hood slipped back so her damp hair sticks to her temple. Next the thief, dark brown leather vest and matching leggings painted to her body, one hand hovering over the pouches at her utility belt, the other pressed flat to her stomach. Far right and slightly ahead of the rest, the swordswoman, silver breastplate over a white tunic that has gone translucent and stuck to her back and ribs, leather trousers clinging at the knees, her sword hanging at her hip and bumping her thigh with each step. All four cheeks are flushed deep pink, sweat runs in visible beads down every temple, jaw and throat, and every one of them is mid-fidget — hips shifting, shoulders drawn up, thighs pressed together as they step, none of them walking cleanly. Their eyes flick sideways toward the far wall and down at their own clinging clothes; the priestess bites her lip, the mage's mouth hangs open on a pant, the thief wears a tight grimace, the swordswoman's brow is crumpled. Behind and above them the dungeon opens into a vaulted stone hall: from cracks in the floor pink tentacles rise in glossy wet columns and curve toward the ceiling, thick and segmented, beaded with moisture; fat pink slime blobs cling to the walls and pool along the flagstone seams, half-translucent, each with a soft highlight; pink leeches wriggle across the wet floor and up the base of the far wall, their bodies ringed and shiny. Pink mist drifts through all of it in slow ribbons, densest at floor level and thinning toward the ceiling, catching the light. A single cold bluish torch-glow comes from deep in the corridor ahead at the right, so the four are rim-lit along their leading edges — brow, nose, chest, knee — while their backs fall into a dim violet shadow, and the pink fog glows where that light passes through it, throwing faint pink bounce onto every flushed cheek. The floor is slick enough that each boot and sandal leaves a wet print that fades behind them, and the trailing mist curls into the wake of their passing. Palette of pink, violet, wet stone grey and the individual costume colours, nothing warm except the blush and the wet shine on skin. Humid, breathless unease.
ちょな子
AI artwork
Avatar image of ちょな子
side view, four girls, group of 4, walking, dungeon, pink mist, pink fog, blush, flushed cheeks, sweat, sweat on face, sweatdrop, fidgeting, squirming, restless, clothes clinging to skin, wet clothes, clinging fabric, female swordswoman, far right, female thief, second from right, female mage, second from left, priestess, far left, armored boots, silver cuirass, white tunic, brown leather trousers, dark brown leather vest, leather leggings, utility belt with pouches, deep purple hooded robe, gold embroidery, leather sandals, long white gown, blue silk trim, gold cross pendant, pink tentacles, tentacles from floor to ceiling, pink slime, pink leeches, cave walls, stone floor, profile, walking in a line, looking forward, looking to the side, head turned, open mouth, panting, half-closed eyes, arm at side, hands clenched, hunched shoulders, no earrings, hair unadorned, full body A true side-view composition: the four adventurers are seen in strict profile, strung out in a single-file line that runs left to right across the frame, and every one of them faces the right edge as they walk. Leftmost is the priestess — slim, long white gown with blue silk trim, the gold cross resting on her collarbone, both hands knotted in the sodden front of her skirt. Beside her the mage, deep purple hooded robe with gold embroidery pulling dark and heavy against her thighs, sandals slapping the wet stone, hood slipped back so her damp hair sticks to her temple. Next the thief, dark brown leather vest and matching leggings painted to her body, one hand hovering over the pouches at her utility belt, the other pressed flat to her stomach. Far right and slightly ahead of the rest, the swordswoman, silver breastplate over a white tunic that has gone translucent and stuck to her back and ribs, leather trousers clinging at the knees, her sword hanging at her hip and bumping her thigh with each step. All four cheeks are flushed deep pink, sweat runs in visible beads down every temple, jaw and throat, and every one of them is mid-fidget — hips shifting, shoulders drawn up, thighs pressed together as they step, none of them walking cleanly. Their eyes flick sideways toward the far wall and down at their own clinging clothes; the priestess bites her lip, the mage's mouth hangs open on a pant, the thief wears a tight grimace, the swordswoman's brow is crumpled. Behind and above them the dungeon opens into a vaulted stone hall: from cracks in the floor pink tentacles rise in glossy wet columns and curve toward the ceiling, thick and segmented, beaded with moisture; fat pink slime blobs cling to the walls and pool along the flagstone seams, half-translucent, each with a soft highlight; pink leeches wriggle across the wet floor and up the base of the far wall, their bodies ringed and shiny. Pink mist drifts through all of it in slow ribbons, densest at floor level and thinning toward the ceiling, catching the light. A single cold bluish torch-glow comes from deep in the corridor ahead at the right, so the four are rim-lit along their leading edges — brow, nose, chest, knee — while their backs fall into a dim violet shadow, and the pink fog glows where that light passes through it, throwing faint pink bounce onto every flushed cheek. The floor is slick enough that each boot and sandal leaves a wet print that fades behind them, and the trailing mist curls into the wake of their passing. Palette of pink, violet, wet stone grey and the individual costume colours, nothing warm except the blush and the wet shine on skin. Humid, breathless unease.
ちょな子
AI artwork
Avatar image of ちょな子
side view, four girls, group of 4, walking, dungeon, pink mist, pink fog, blush, flushed cheeks, sweat, sweat on face, sweatdrop, fidgeting, squirming, restless, clothes clinging to skin, wet clothes, clinging fabric, female swordswoman, far right, female thief, second from right, female mage, second from left, priestess, far left, armored boots, silver cuirass, white tunic, brown leather trousers, dark brown leather vest, leather leggings, utility belt with pouches, deep purple hooded robe, gold embroidery, leather sandals, long white gown, blue silk trim, gold cross pendant, pink tentacles, tentacles from floor to ceiling, pink slime, pink leeches, cave walls, stone floor, profile, walking in a line, looking forward, looking to the side, head turned, open mouth, panting, half-closed eyes, arm at side, hands clenched, hunched shoulders, no earrings, hair unadorned, full body A true side-view composition: the four adventurers are seen in strict profile, strung out in a single-file line that runs left to right across the frame, and every one of them faces the right edge as they walk. Leftmost is the priestess — slim, long white gown with blue silk trim, the gold cross resting on her collarbone, both hands knotted in the sodden front of her skirt. Beside her the mage, deep purple hooded robe with gold embroidery pulling dark and heavy against her thighs, sandals slapping the wet stone, hood slipped back so her damp hair sticks to her temple. Next the thief, dark brown leather vest and matching leggings painted to her body, one hand hovering over the pouches at her utility belt, the other pressed flat to her stomach. Far right and slightly ahead of the rest, the swordswoman, silver breastplate over a white tunic that has gone translucent and stuck to her back and ribs, leather trousers clinging at the knees, her sword hanging at her hip and bumping her thigh with each step. All four cheeks are flushed deep pink, sweat runs in visible beads down every temple, jaw and throat, and every one of them is mid-fidget — hips shifting, shoulders drawn up, thighs pressed together as they step, none of them walking cleanly. Their eyes flick sideways toward the far wall and down at their own clinging clothes; the priestess bites her lip, the mage's mouth hangs open on a pant, the thief wears a tight grimace, the swordswoman's brow is crumpled. Behind and above them the dungeon opens into a vaulted stone hall: from cracks in the floor pink tentacles rise in glossy wet columns and curve toward the ceiling, thick and segmented, beaded with moisture; fat pink slime blobs cling to the walls and pool along the flagstone seams, half-translucent, each with a soft highlight; pink leeches wriggle across the wet floor and up the base of the far wall, their bodies ringed and shiny. Pink mist drifts through all of it in slow ribbons, densest at floor level and thinning toward the ceiling, catching the light. A single cold bluish torch-glow comes from deep in the corridor ahead at the right, so the four are rim-lit along their leading edges — brow, nose, chest, knee — while their backs fall into a dim violet shadow, and the pink fog glows where that light passes through it, throwing faint pink bounce onto every flushed cheek. The floor is slick enough that each boot and sandal leaves a wet print that fades behind them, and the trailing mist curls into the wake of their passing. Palette of pink, violet, wet stone grey and the individual costume colours, nothing warm except the blush and the wet shine on skin. Humid, breathless unease.
ちょな子
AI artwork
Avatar image of ちょな子
side view composition, 4girls, female adventurers, walking, dungeon corridor, group of four, pink fog, mist, flushed cheeks, blush, sweat on face, sweatdrop, fidgeting, squirming, restless, clothes clinging to skin, wet clothes, tight clothing, pink tentacles, tentacles from floor to ceiling, pink slime, pink leeches, from side, full body, wide shot, order left to right: priestess, mage, thief, swordswoman, female swordswoman, steel breastplate, white linen tunic, brown leather trousers, female thief, dark brown leather vest, leather leggings, female mage, deep purple robe, gold trim, pointed hat, female priestess, white and blue liturgical gown, gold cross pendant, knee bent, hand at collar, hand on own hip, looking to the side, uneasy expression, open mouth, panting, pink palette, volumetric light, taut wet fabric, background creatures, no gore A strict side view at roughly eye level, the four women strung across a wide dungeon corridor so that their right-to-left order is unambiguous: the swordswoman nearest the right edge, the thief second from right, the mage third from right, the priestess at the far left. They walk in a loose staggered file, bodies turned in profile to the camera, all four leaning slightly forward into the corridor as if half-pushing through thick air. The swordswoman at right leads: steel breastplate over a white linen tunic, brown leather trousers; her weight is on her forward left leg, right heel lifted off the flagstones, one hand rises to tug the collar of the tunic away from her throat while the other hovers open at her hip. The thief, second from right, dark brown leather vest and leggings, is caught mid-step with her shoulders twisted and both hands plucking at the hem of her vest; her chin is turned half away, one knee bent inward. The mage, third from right, deep purple robe with gold trim and a pointed hat, walks with her robed thighs pressed together and one hand fisted in the fabric at her hip, the pointed hat tipped as she ducks her head. At the far left the priestess in the white and blue liturgical gown, gold cross pendant swinging against her chest, stands nearly stopped, one foot turned inward on the toe, both hands clasped low and pressed together in front of her. Every face is turned so the profile is visible: cheeks flooded pink to the ears, brows drawn up, lips parted in panting breaths, sweat beading at the temple and jaw and running shining down the side of each throat; each gaze flicks sideways — at the corridor ahead, at the walls, at one another's backs — never at the camera. The wet clothing is the detail budget: weave visible where the damp tunic and the leather vest and the purple robe and the gown are pulled taut and dark against the skin, seams stretched, hems weighted down, a shiver of tension in the fabric at shoulders and hips. Pink fog drifts in long horizontal veils between the women and the camera, thinning their silhouettes at the legs and pooling along the floor; it diffuses the light so everything is milky rose with no hard edge. Behind them the corridor recedes: thick pink tentacles erupt from the flagstones and climb to the ceiling, tapering and glistening where they rise; a mass of pink slime spreads across the floor at the base of one wall and seeps in a slow glossy sheet toward the walkers; pink leeches cling in clusters on the far walls and hang in glistening strands from the ceiling and from the tentacles. The tentacle bases occlude the lower half of the corridor behind the group, and the fog layer in front softens the priestess's left shoulder and the swordswoman's right arm at the frame edges. A single soft rose glow comes from deep in the corridor behind them, so the fronts of their bodies are darker and their rims are lit, and each of the four casts a short shadow forward along the wet floor. The palette is entirely pinks — rose, magenta, diluted blood-pink for the creatures, flesh-pink for the flushed skin, off-pink white for the priestess's gown — with the darker leathers and steel reading as muted browns and grey against it. Molten pink atmosphere, oppressive heat, uneasy.
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