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AI artwork featuring #ソードアート・オンライン, #アスナ and #完全拘束
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アスナ・ソードアート・オンライン

#ソードアート・オンライン#アスナ#完全拘束
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character: asuna_(sao), copyright: sword_art_online 1girl, asuna_(sao), long brown hair, very long hair, braid, brown eyes, eight-heads-tall proportions, slender tall figure, full-body black bag, mummified in tight black fabric, seamless black body bag from neck to ankles, no gaps, bare head and neck exposed above the bag collar, leather strap buckled around neck, leather strap buckled around chest, leather strap buckled around stomach, leather strap buckled around thigh, leather strap buckled around ankle, arms sealed inside the bag, hands hidden inside bag, fabric stretched over hand shape, hands pressing up under the cloth, gaffer tape gag, gray tape over mouth, tape ends stuck to her cheeks, writhing on floor, struggling, arched back, twisted torso, bound, captured, distress, furrowed brows, wide frightened eyes, sweat, parted lips under tape, lying on side, warehouse, sunlight streaming in, dust motes in light shafts, full body, from above, high angle, wide shot The camera looks down from a high angle, nearly overhead but tilted enough to keep her full length from crown to toes inside the frame. She lies on her side on a bare concrete warehouse floor, her whole body from the collarbones down sealed inside a single tight black fabric bag that hugs every contour with no gap at the neck, ankles or anywhere between. Five dark leather straps cinch the bag against her: one around her throat just under the jaw, one across the chest, one over the stomach, one biting into the upper thigh and one around her ankles, each with a small metal buckle sitting off-center on the visible side and each pulling a shallow crease into the taut black cloth. Her arms are swallowed entirely by the bag, and the fabric over her stomach bulges with the faint shape of a hand pushing up from inside, knuckles barely readable as ridges in the stretched material. Her head is bare: long brown hair, a braid among it, spills loose and tangled across the concrete, strands sticking to her damp temple. A strip of gray gaffer tape is pressed flat over her mouth, its ends wrinkled and stuck down onto both cheeks. Her back arches and her hips twist as she thrashes, heels dragging, shoulders rolling, one knee bending up against the fabric; her brows are drawn hard together, eyes wide and wet, sweat beading along her hairline and jaw. The warehouse is large and empty around her: ribbed metal walls, a couple of steel support columns, a roller shutter door far behind, and pallets and crates pushed back into shadow. Tall narrow windows high up on the left let hard shafts of afternoon sun slant down through dusty air, and the light falls in bright stripes across the concrete and across her body, brightening one side of the black bag to a soft gray sheen while the rest sinks into deep shadow; the pooled shadows under her hips and shoulder are sharp-edged where the light is strongest, and the floating dust in the beams makes the shafts themselves visible. The palette is restricted to black fabric, warm brown hair, gray tape, dusty amber sunlight and cold blue-gray concrete shadow. Style: clean cel-shaded anime rendering with crisp hard-edged shadows, flat uncluttered color fills, precise linework and a restrained realistic sense of weight in the fabric and the straps. tense, airless dread
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オリジナルプロンプト
首から下を足の先まで隙間なく黒い袋に入れられて首、胸、腹、太腿、足首を革のベルトで締め付けられて、両手も袋の中にしまい込まれている。布の下からかろうじて手の形が浮き上がっている、床の上をのたうちまわっているSAOのアスナ。八頭身。口にはガムテープを貼られている。陽光が差し込む倉庫に監禁されている。
モード
pro
縦横比
768 x 1280
サンプリング方法
Euler
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換

利用したモデルとLoRA

ほかの類似作品

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AI artwork
余
character: asuna_(sao), copyright: sword_art_online 1girl, solo, asuna_(sao), long_hair, brown_hair, very_long_hair, braid, brown_eyes, eight_head_tall, full_body_enclosure, black_body_bag, black_sack, enclosed_body, neck_to_toes_coverage, leather_belts, belt_around_neck, belt_around_chest, belt_around_abdomen, belt_around_thighs, belt_around_ankles, tight_binding, struggling, writhing, squirming, lying_on_floor, on_side, arched_back, bound_arms, arms_against_sides, duct_tape_over_mouth, silver_duct_tape, sealed_mouth, wide_eyes, furrowed_brow, distressed, warehouse, sunbeam, sunlight, dust_motes, concrete_floor, from_above, high_angle, dutch_angle, foreshortening, sigh, trembling, sweat, motion_lines, clenched_hands, Shot from above in a steep high angle tilted a few degrees onto a dutch slant, looking down into a bare concrete warehouse: Asuna lies on her side on the cold floor, her whole body from the collarbones down sealed inside one tight matte black sack that stretches from her neck to the tips of her toes with no seam or opening anywhere — every contour of her eight-heads-tall figure, the long legs and the narrow waist, reads as a smooth black silhouette under the taut fabric, toes pressing into the cloth at the far bottom end. Five broad leather belts cinch the bag hard against her: one flat band at the base of her throat, one across the chest, one biting in at the abdomen, one around the upper thighs and one lashed around both ankles, each belt creasing the sack into a pinch of bunched cloth at its edges and each buckle turned to a different clock position as the straps have twisted with her thrashing. Her spine arcs and her hips twist off the floor, shoulders and knees both taking her weight as she rolls; the sack bunches in deep folds behind her knees and at the small of her back where she curls, and her bare bound feet kick a short scuff of grey dust along the concrete, the trailing grit marking how far she has already writhed. A strip of silver duct tape seals her mouth corner to corner, pressed flat over her lips with one wrinkled edge lifting slightly at the corner; her brown eyes are wide above it and stare sideways out of frame past her own shoulder, brows drawn hard together, a thin sheen of sweat at her temples. Her very long brown hair has come loose from its braid and fans out across the concrete in a dark spread, strands pulled straight where her head has dragged and a few stuck to the tape's edge. High in the warehouse wall a broken clerestory window lets a single hard shaft of warm afternoon sunlight knife down through the dusty air, laying a bright bar across the black bag at her waist and the thigh belt, where the taut fabric catches a thin grey specular sheen while everything outside the beam sinks into cool blue shadow; dust motes hang visibly in the beam, the only light source, and beyond its pool the corners of the warehouse go nearly black. Palette of matte black, silver tape and warm gold light against cold blue-grey concrete. Claustrophobic, desperate.
余命一万一日
AI artwork
余
character: asuna_(sao), copyright: sword_art_online 1girl, solo, asuna_(sao), long_hair, very_long_hair, brown_hair, braid, brown_eyes, eight-heads-tall, tall_female, bound, bondage, full_body_bag, black_bag, body_bag, enclosed_in_bag, neck_to_toe_coverage, leather_belt, belt_around_neck, belt_around_chest, belt_around_abdomen, belt_around_thigh, belt_around_ankle, tight_straps, duct_tape_over_mouth, tape_gag, gagged, lying, on_floor, on_side, s-shaped_pose, curled_body, warehouse, indoors, sunlight, sunbeam, dust_motes, concrete_floor, from_above, high_angle, wide_shot, looking_up, helpless, restrained, blush, sweat, half-closed_eyes, trembling, bound_legs, bound_arms, cinematic_lighting The camera looks down from a high corner of the warehouse, wide and slightly tilted, so the whole of her reads in one glance against the bare concrete. She lies on her left side in an S: hips rolled one way resting on the floor, shoulders turned back the other, knees bent and drawn up, ankles crossed — the long black bag following every bend so the S is drawn by the bag's own creases, not just by her body. Only her head emerges at the top of the bag; the fabric closes snug at the base of her skull with no gap. Five leather belts cinch the bag to her — one thick strap around the throat just under the jaw, one below the bust, one across the abdomen, one around the upper thigh, one around the ankles — each pulled so tight that the bag puckers in short radial creases either side of the band and the leather bites into the fabric. The bag itself is matte black, light-absorbing, taut, showing the shape of her through it, seams running down the sides. Her very long brown hair, released from its braid, spills out over the concrete in loose strands, some strands caught under the throat belt, the rest fanning toward the camera. A strip of grey duct tape crosses her mouth, its edges slightly lifted, creased where her lips press beneath it. Her brown eyes are open and turned up toward the light shaft falling from the high window, brows drawn, a faint sheen of sweat at her temple, one strand of hair stuck to her cheek. A trapezoid of sunlight from a high grimy window cuts diagonally across the floor and across the middle of the bag, the rest of her falling into cool shadow — the light is the only source, and beyond its edge the concrete goes dim. Dust hangs in the beam. Around her, the warehouse: rusted steel uprights, stacked pallets, crates, a dry-floored aisle. Her shoulder and hip press dents into a thin layer of dust on the concrete, and the belt around her ankles leaves a small shadow line under the fabric. Colour is strictly black bag, brown leather, brown hair, grey concrete and one shaft of warm daylight. Helpless, still.
余命一万一日
AI artwork
余
character: asuna_(sao), copyright: sword_art_online 1girl, solo, asuna_(sao), brown_hair, very_long_hair, long_hair, braid, floating_hair, brown_eyes, eight-heads-tall proportions, tall, head visible above a sealed black body bag, black bag covering entire body from neck to toes with no gaps, black cloth sack, leather belt around neck, leather belt around chest, leather belt around stomach, leather belt around thighs, leather belt around ankles, cinched tight, duct tape gag, tape over mouth, silver duct tape across lips, arms trapped inside the bag, legs together inside the bag, writhing, struggling, twisting torso, arching back, on floor, lying on side, from above, dutch angle, warehouse, wooden crates, concrete floor, sunbeams, dust motes, harsh sunlight from high window, bound, restrained, captivity, sweat, distress, furrowed brow, wide-eyed, tears in eyes, parted lips against tape, clenched fists inside the bag, tension lines, half-closed eyes, trembling, quivering Shot from above at a tilted dutch angle, the camera looking down into a bare concrete warehouse where a single figure twists across the floor. Her head is the only part of her free of the bag: eight-heads-tall proportions read in the long, narrow span of the sack from her neck to her toes, sealed black fabric stretched taut and seamless, so the length of her limbs shows only as the shape pressing through the cloth. Five leather belts bite in at the neck, the chest, the stomach, the thighs and the ankles, cinched hard enough that the fabric bunches into tight folds on either side of each strap and the leather edges press pale indents into the sheen. She is caught mid-writhe: hips rolled onto one side, torso twisted the other way, back arched off the concrete so a sliver of shadow shows under the bag, heels drumming, both arms swallowed inside the sack and pushing against the cloth from within. Silver duct tape crosses her mouth corner to corner, wrinkling the skin at the edges, her lips working and parting uselessly beneath it. Very long brown hair fans out loose and badgeless across the grey floor, a braid flung across the concrete, strands slipping over the tape and lifting with every thrash of her head. Her brown eyes stare wide up toward the window, lids trembling, a wet gleam gathering at the outer corners; her brows draw together hard and her jaw tenses under the tape. The warehouse is large and empty: stacked wooden crates in the midground, a rusted beam crossing the upper frame, high shuttered windows in the background letting hard sunlight pour in as visible slanted shafts. Dust motes drift slowly through the beams, thickest where the light is strongest; everything beyond the shafts sits in cool shadow. The concrete catches one bright trapezoid of sun on which her shoulder and hair are laid, and the belts throw short sharp shadows onto the black fabric not the floor, since the fabric itself is raised off the ground. Palette limited to black, silver tape, warm brown hair, deep greys and a single hot gold of the sun. Harsh high-contrast daylight, small gleam on sweat at her temple. Gritty, tense, uneasy.
余命一万一日
AI artwork
余
character: hatsune_miku 1girl, solo, hatsune_miku, twintails, very_long_aqua_hair, aqua_eyes, hair_between_eyes, eight_heads_tall, tall_female, black_sleep_sack, full_body_bag, body_bag, encased_in_fabric, neck_to_toes_covered, leather_straps, strap_around_neck, chest_strap, waist_strap, thigh_straps, ankle_straps, buckled_straps, duct_tape_over_mouth, tape_gag, mouth_sealed, silver_tape, lying, on_floor, on_side, curled_up, knees_drawn_up, bound, immobilized, warehouse, indoor, sunlight, sunbeam, dusty_air, wooden_floor, wooden_crates, high_window, looking_at_viewer, half-closed_eyes, furrowed_brow, distressed, sweat, bound_arms, arms_trapped_inside, from_above, full_body, wide_shot, dutch_angle, dramatic_lighting, chiaroscuro Shot from above on a slight dutch angle, the whole length of the figure fits in frame: one girl lies on her side on a rough plank warehouse floor, eight heads tall even folded, her whole body from the collarbones down swallowed by a matte black sleep sack that tapers to a closed rounded foot, only her head and the narrow collar of bare neck emerging. Her knees are drawn up inside the sack, hips rolled a little toward the camera, shoulder carrying her weight against the boards, and the fabric pulls taut over the curve of her hip and pools in heavy creases at the small of her back. Five wide dark-brown leather straps cinch the sack and bite in, each with a dull brass buckle turned to the side: one high at the throat, one across the chest, one over the abdomen, one around the thighs, one at the ankles — the sack bulges between the straps, and the ankle strap gathers the loose empty end of the fabric past her feet. Both arms are sealed inside the sack along her body, only a faint ridge where a hand presses against the cloth from within. A strip of silver duct tape is pressed flat across her mouth, its edges wrinkled and lifting slightly at one corner, the skin around it faintly compressed. Her long aqua twintails spill loose across the floorboards behind her head, strands catching in the gaps between planks, one tail trailing out of frame. Her aqua eyes are wide and turned up toward the viewer, brows drawn, a fine sheen of sweat on her temples, breath held behind the tape. Light: a shaft of hard afternoon sun slices through a high dirty window at the upper left, laying a bright parallelogram across the floor that cuts across her cheek, the throat strap and one hip; dust motes drift visibly inside the beam. Everything outside the shaft sits in deep brown shadow, and the sack's black fabric shows a soft grey sheen only where the light grazes it. Palette: black, worn brown wood, dull brass, pale silver tape and the cold aqua of her hair and eyes, nothing else. Background: stacked wooden crates and a rusted steel doorframe receding into darkness, faint illegible stencilled marks on the crates. Confined, tense.
余命一万一日

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