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AI art "エドワード・エルリック&エンヴィー、ホムンクルス|鋼の錬金術師" featuring #鋼の錬金術師, #エドワード・エルリック and #アルフォンス・エルリック
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エドワード・エルリック&エンヴィー、ホムンクルス|鋼の錬金術師

『鋼の錬金術師』のエドとアルの兄弟愛がたまらない一枚です。機械鎧の質感や二人の表情から伝わる絆に、見るたび心が熱くなります。二人のやり取りをもっと見たいと思ったら、いいねとフォローで応援してくれると嬉しいです!

#鋼の錬金術師#エドワード・エルリック#アルフォンス・エルリック
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character: edward_elric, envy_(fma) 2boys, edward elric, envy, blonde hair, long hair, single braid, braided ponytail, ahoge, yellow eyes, black shirt, black pants, white gloves, red coat, automail left arm, automail left leg, black hair, long straight hair, hair between eyes, purple eyes, headband, black crop top jacket, off shoulder, bare shoulders, long sleeves, leaning close, leaning forward, head tilt, one eye closed, smug, grin, :d, tongue out, teasing, flicking forehead, index finger on another's forehead, pointing at another, looking at another, eye contact, close-up, cowboy shot, from side, dutch angle, upper body, two-shot, playful, mischievous, indoors, warm lamplight, night The shot is a tight dutch-angled two-shot from the side at chest height, tilted a few degrees, the two of them crowded into the frame shoulder to shoulder with barely a hand's width between their faces. Edward Elric fills the left half, turned three-quarters toward the right of frame: blond braid slung forward over his right shoulder, its tip flipped back across his collar, loose strands escaping at his temple, the antenna strand of hair springing up. His black shirt sits under the red coat, sleeves shoved up past the elbow so his white-gloved right hand is free, and the coat hangs open, its hem swinging out of the crop at the lower right corner. His left arm, the steel automail, is drawn back and braced against the doorframe behind him, elbow locked, taking his weight so his chest stays open and his chin lifts. His right hand is up between them, gloved index finger pressed flat into Envy's forehead just above the bridge of the nose, denting the skin there and pushing that head slightly back on its neck. Edward's grin is lopsided and open, one corner of the mouth pulled high, one brow arched, one eye squeezed shut in a wink; his open yellow eye is fixed on the point where his finger meets the other's forehead. Envy occupies the right half, leaning in rather than away: shoulders rolled forward, the black crop-top jacket slipping off both bare shoulders and hanging in long sleeves that swallow the wrists, the drawstring of the collar pulled loose. Black straight hair falls in long flat panels on either side of the face, the bangs parted to leave a strip of forehead between the eyes, headband cutting across the crown. The index finger on the forehead tips Envy's chin up and tilts the whole upper body back a few degrees, but the hips stay forward and planted, so the body forms a shallow bow. Purple eyes are open under half-lowered lids and cut sideways and down toward Edward's winking eye, not the finger; the smile is a slow, deliberate smirk with the tongue just visible between the teeth at one corner. One long-sleeved forearm has come up across Edward's chest, the fabric-padded wrist resting against the red coat's lapel, fingertips curled into the collar without gripping it. The room behind them is a dim workshop interior: a doorframe and a worn wooden bench in the midground, tools and shelves dissolving into the darkness of the deep background, illegible. A single oil lamp sits out of frame low and to the left; it is the only light source. Warm amber light strikes the left side of Edward's face and the front of his automail arm, catching a hard specular streak along the steel plates, and it throws a rim of warm light along Envy's jaw and the bare slope of one shoulder, while the far sides of both heads and the whole right edge of the frame fall into deep brown-black shadow. Their joined shadow is cast backward and to the right onto the doorframe, one elongated mass with two heads. The palette stays in warm amber, red, steel grey, black cloth and blond, with Envy's purple eyes the one cool note. The white glove compresses visibly against the forehead, the skin dimpling around the fingertip. Tender, teasing.
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オリジナルプロンプト
エドワード・エルリックと、エンヴィー、がいちゃちゃしてる
モード
pro
品質タグ
﹝プロンプト﹞
縦横比
1104 x 1824
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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AI artwork
Avatar image of Anthony
character: winry_rockbell, edward_elric, edward_elric_(full_metal__alchemist), copyright: full_metal_alchemist 2girls, edward_elric, winry_rockbell, black suit, red dress shirt, open collar, long blonde hair, braid, ahoge, yellow eyes, automail left arm, white gloves, blonde hair, blue eyes, ponytail, sidelocks, swept bangs, black dress, apron, juliet sleeves, black gloves, looking at himself, mirror, smiling, closed-mouth smile, soft eyes, doing hair, hands in another's hair, standing behind, leaning in, from side, cowboy shot, indoor, warm lamp light, wooden room, Side-on view at chest height: he stands at the left of the frame in front of a tall oval dressing mirror, she stands just behind his right shoulder. The mirror is angled toward the camera so the glass carries his reflection in profile — the only place his face is fully seen is the mirror's surface, where his yellow eyes are turned inward on his own reflected image, his lips closed in a small, real smile that reaches the corners of his eyes. The actual head in the foreground is turned three-quarters away from us toward the glass, so what we see of him is the line of his cheek, the point of his jaw, and the mass of his hair under her hands. He wears a black suit jacket, sharply tailored, worn open, over a red dress shirt whose collar stands open at his bare throat; his white-gloved hands hang relaxed and empty at his sides, one thumb hooked lightly at his jacket pocket, weight on his back foot so his shoulder dips toward the mirror. His left arm is automail, the metal plates cool and pale where the lamplight catches their edges through the open jacket cuff. Winry leans in from behind his right shoulder, her chin near his temple, both hands buried in his long blonde hair: her left palm gathers the loose fall of it at his nape while her right hand twists the plait upward, one strand drawn taut between her fingers, the braid half-finished so it hangs short and thick behind his ear and the unbound length spills over his jacket collar. Her own blonde hair is swept back off her forehead and tied in a ponytail with the sidelocks falling free; her blue eyes are lowered to the work of her hands, lashes down, mouth pursed in concentration around a faint, pleased tilt at one corner. She wears her black dress with its puffed juliet sleeves and white apron, black gloves off — bare fingers in his hair. Contact points: her chest against his shoulder blade, her right knee against his hip, her fingertips pressing the hair to his scalp, his jacket sleeve brushing her forearm. Light comes from a single warm lamp low at the right of the frame; it rims her apron and the side of his face, glints along the mirror's beveled edge, and leaves the back of the room in a soft brown dimness, with their two shadows thrown large and overlapping on the wall behind them. Hair dust floats in the lamp's beam — the one visible trace of what her hands are doing. A wooden floor, a chair back, a folded towel on the dresser; the palette held to warm amber, deep black, the red of the shirt, and pale blonde. Intimate, easy.
Anthony
AI artwork
r2
character: edward_elric, artoria_pendragon_(lancer)_(fate), copyright: fullmetal_alchemist, fate/grand_order (anime screencap:2.0), (official art:1.5), smooth skin, sharp focus, (clean lines:1.2), Edward Elric from Fullmetal Alchemist with his red coat and Artoria Pendragon Lancer from Fate/Grand Order with her Servant outfit, together as a couple, in Edward's house, in the living room. Artoria leans down to kiss Edward in his lips, holding his head with both hands. Artoria closes her eyes. Edward's face is red like a tomato from blushing while he has a surprise look on his face. (anime coloring:2.0)
RSHD205

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