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- モード
- flash
- スタイル
- 90年代レトロセル画
- 縦横比
- 1632 x 1232
スタイル: 90年代レトロセル画
利用したモデルとLoRA
ほかの類似作品
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3girls, 1boy, male focus, three people, two brides, one on each side, man in the middle, cheek kiss, double cheek kiss, kissing both cheeks simultaneously, simultaneous kiss, heart-shaped eyes, heart-shaped pupils, heart eyes, visible cleavage, cleavage, brides' dresses, wedding dress, heart-shaped frame of light, glowing heart frame, floating hearts, heart motifs, love hearts, upper body, close-up, from above, slight dutch angle, head tilt, leaning in, eyes closed for the brides, blush, light smile, open mouth, looking at viewer, hands on shoulders, hugging, arms around neck, heart-shaped bokeh, warm golden light, backlit glow, glowing outline, cute, glossy, cel shading, clean outlines, flat high-contrast colors, strong hand-drawn animation look, warm golden yellow palette, cream background, deep brown, olive green accents,
Seen from slightly above and tipped a little off-level, a single warm golden tableau fills the frame: a young man sits dead center in the middle of the composition, an easygoing grin broken open across his face, his head tipped gently back, and where his eyes should be sit two fully drawn heart-shaped pupils, glossy and bright, a pulse of glow radiating around each one. On his left and on his right, a bride leans in and presses her lips to his cheek — the two kisses land at the same instant, each bride's hand coming up to cup the far side of his jaw so his head stays caught between them. Both brides tilt inward, their temples nearly meeting above his brow; their eyes are shut in contentment, lashes low, the corners of their mouths curving against his skin. Each bride wears a strapless pale-ivory gown; the sweetheart neckline sits low and they lean forward, showing a clear curve of cleavage above the fabric, chests lit warm, the ivory catching the glow. Their shoulders are bare, and their hair falls in loose golden waves that tumble past their cheeks toward his collar, one bride's waves swinging to the right, the other to the left, so his face is framed between two falls of hair. Behind the three of them a ring of light traces a perfect heart shape, hanging in the air as a glowing outline, brightest along its top arcs and thinning where it passes behind their shoulders; tiny hearts drift in the air around them, some small and crisp in the foreground, some softer and farther back, and a few heart-shaped highlights blur out of focus and hover at the frame's edges. The only light source is that warm golden heart glow behind and around them, so their faces and hands are rim-lit bright gold, the undersides of their chins and the deep folds of the dress fabric fall into soft brown shadow, and no light comes from anywhere else — beyond the glow ring the ground is an absolute, seamless dark olive-green darkening to near black. The whole picture holds to a warm golden yellow, ivory cream, deep warm brown and dark olive register: gold in the light ring and the drifting hearts, cream in the dresses and skin highlights, brown in the shadows and their hair's darker strands, olive in the dark behind them. A few loose strands of the brides' hair lift and catch the glow where their lips press, pressed flat and warmed by the contact, and the man's grin presses up into both cheeks. Effortlessly sweet, giddily adored.
息耐者カール
息
3girls, 1boy, male focus, three people, two brides, one on each side, man in the middle, cheek kiss, double cheek kiss, kissing both cheeks simultaneously, simultaneous kiss, heart-shaped eyes, heart-shaped pupils, heart eyes, visible cleavage, cleavage, brides' dresses, wedding dress, heart-shaped frame of light, glowing heart frame, floating hearts, heart motifs, love hearts, upper body, close-up, from above, slight dutch angle, head tilt, leaning in, eyes closed for the brides, blush, light smile, open mouth, looking at viewer, hands on shoulders, hugging, arms around neck, heart-shaped bokeh, warm golden light, backlit glow, glowing outline, cute, glossy, cel shading, clean outlines, flat high-contrast colors, strong hand-drawn animation look, warm golden yellow palette, cream background, deep brown, olive green accents,
Seen from slightly above and tipped a little off-level, a single warm golden tableau fills the frame: a young man sits dead center in the middle of the composition, an easygoing grin broken open across his face, his head tipped gently back, and where his eyes should be sit two fully drawn heart-shaped pupils, glossy and bright, a pulse of glow radiating around each one. On his left and on his right, a bride leans in and presses her lips to his cheek — the two kisses land at the same instant, each bride's hand coming up to cup the far side of his jaw so his head stays caught between them. Both brides tilt inward, their temples nearly meeting above his brow; their eyes are shut in contentment, lashes low, the corners of their mouths curving against his skin. Each bride wears a strapless pale-ivory gown; the sweetheart neckline sits low and they lean forward, showing a clear curve of cleavage above the fabric, chests lit warm, the ivory catching the glow. Their shoulders are bare, and their hair falls in loose golden waves that tumble past their cheeks toward his collar, one bride's waves swinging to the right, the other to the left, so his face is framed between two falls of hair. Behind the three of them a ring of light traces a perfect heart shape, hanging in the air as a glowing outline, brightest along its top arcs and thinning where it passes behind their shoulders; tiny hearts drift in the air around them, some small and crisp in the foreground, some softer and farther back, and a few heart-shaped highlights blur out of focus and hover at the frame's edges. The only light source is that warm golden heart glow behind and around them, so their faces and hands are rim-lit bright gold, the undersides of their chins and the deep folds of the dress fabric fall into soft brown shadow, and no light comes from anywhere else — beyond the glow ring the ground is an absolute, seamless dark olive-green darkening to near black. The whole picture holds to a warm golden yellow, ivory cream, deep warm brown and dark olive register: gold in the light ring and the drifting hearts, cream in the dresses and skin highlights, brown in the shadows and their hair's darker strands, olive in the dark behind them. A few loose strands of the brides' hair lift and catch the glow where their lips press, pressed flat and warmed by the contact, and the man's grin presses up into both cheeks. Effortlessly sweet, giddily adored.
息耐者カール
息
3girls, 1boy, male focus, three people, two brides, one on each side, man in the middle, cheek kiss, double cheek kiss, kissing both cheeks simultaneously, simultaneous kiss, heart-shaped eyes, heart-shaped pupils, heart eyes, visible cleavage, cleavage, brides' dresses, wedding dress, heart-shaped frame of light, glowing heart frame, floating hearts, heart motifs, love hearts, upper body, close-up, from above, slight dutch angle, head tilt, leaning in, eyes closed for the brides, blush, light smile, open mouth, looking at viewer, hands on shoulders, hugging, arms around neck, heart-shaped bokeh, warm golden light, backlit glow, glowing outline, cute, glossy, cel shading, clean outlines, flat high-contrast colors, strong hand-drawn animation look, warm golden yellow palette, cream background, deep brown, olive green accents,
Seen from slightly above and tipped a little off-level, a single warm golden tableau fills the frame: a young man sits dead center in the middle of the composition, an easygoing grin broken open across his face, his head tipped gently back, and where his eyes should be sit two fully drawn heart-shaped pupils, glossy and bright, a pulse of glow radiating around each one. On his left and on his right, a bride leans in and presses her lips to his cheek — the two kisses land at the same instant, each bride's hand coming up to cup the far side of his jaw so his head stays caught between them. Both brides tilt inward, their temples nearly meeting above his brow; their eyes are shut in contentment, lashes low, the corners of their mouths curving against his skin. Each bride wears a strapless pale-ivory gown; the sweetheart neckline sits low and they lean forward, showing a clear curve of cleavage above the fabric, chests lit warm, the ivory catching the glow. Their shoulders are bare, and their hair falls in loose golden waves that tumble past their cheeks toward his collar, one bride's waves swinging to the right, the other to the left, so his face is framed between two falls of hair. Behind the three of them a ring of light traces a perfect heart shape, hanging in the air as a glowing outline, brightest along its top arcs and thinning where it passes behind their shoulders; tiny hearts drift in the air around them, some small and crisp in the foreground, some softer and farther back, and a few heart-shaped highlights blur out of focus and hover at the frame's edges. The only light source is that warm golden heart glow behind and around them, so their faces and hands are rim-lit bright gold, the undersides of their chins and the deep folds of the dress fabric fall into soft brown shadow, and no light comes from anywhere else — beyond the glow ring the ground is an absolute, seamless dark olive-green darkening to near black. The whole picture holds to a warm golden yellow, ivory cream, deep warm brown and dark olive register: gold in the light ring and the drifting hearts, cream in the dresses and skin highlights, brown in the shadows and their hair's darker strands, olive in the dark behind them. A few loose strands of the brides' hair lift and catch the glow where their lips press, pressed flat and warmed by the contact, and the man's grin presses up into both cheeks. Effortlessly sweet, giddily adored.
息耐者カール
息
3 people, 1 man in center, 2 brides flanking him, bride on each side, cheek kiss, kissing both cheeks simultaneously, man with heart-shaped eyes, heart-shaped pupils, cleavage, bridal dress, wedding dress, deep neckline, heart-shaped light frame, heart frame, floating hearts, heart background, glowing frame, straight-on composition, upper body, close-up, group shot, arms linked, eyes closed brides, blush, open mouth, warm gold palette, cream and amber, deep brown hair, cel shading, clean outlines, flat high-contrast colors, anime screencap
A tight frontal group composition: three figures filling the frame from chest up, the man planted dead centre and the two brides leaning in from either side so that their lips press flat against the left and right planes of his cheeks. The bride on the left is the taller of the two — warm golden-blonde hair swept up and pinned back, a cream bridal gown with a scooped neckline, her right hand gripping the man's left upper arm just below the shoulder, her left hand lifted and flattened against his chest, her eyes squeezed shut in the kiss, lashes fanned, her cheekbone compressed and dimpling where it presses his skin. The bride on the right is shorter, deep chestnut-brown hair falling loose past her jaw, an amber-tinted gown with a plunging neckline that shows the soft upper curve of her cleavage between the fabric edges, both her hands cupped on the man's right shoulder and the back of his neck, her eyes also shut, one heel lifted off the ground with the lean. Between them the man's torso is broad and steady, his weight sunk back on his heels, chin slightly raised, and his eyes are wide open: each pupil has become a solid glossy heart, the two hearts bright and slightly asymmetric in size, the whites gleaming, his mouth open in a delighted slack grin, hot colour across both cheeks and the bridge of his nose, his own arms hanging loose and forgotten at his sides. Contact is continuous and enumerated — the two women's lips, his two cheeks, their fingers on his sleeve and nape, their shoulders overlapping his. All three heads tilt toward the centre so the group reads as a triangle, the brides' hair swinging forward into his collar with the lean.
Behind and around them a single heart-shaped frame of light encloses the trio: a luminous ribbon-like outline of warm gold tracing a large heart whose lower point sits below the frame's bottom edge and whose lobes arc above their heads, the glow soft and blooming, brightest along its inner edge so that a rim of light spills onto the tops of their hair and the shoulders nearest the frame. The band of light casts a faint warm bounce on the skin it faces while the shadows under chins and inside the necklines stay deep brown. Small hearts float in the air around them — a scattering of solid and outlined hearts, some blurred and near the lens, some crisp, drifting in from the corners at different sizes, a few catching the gold glow along one edge. Light is frontal and warm from the frame itself, the only source; beyond it the ground falls to a deep olive-brown green.
Palette is disciplined: warm golden yellow and cream for the frame glow and the garments' highlights, pale butter-cream for skin highlights, amber and deep brown for the two brides' hair and the shadowed folds, dark olive green for the ground and the negative space beyond the heart. Background is a flat cream-to-gold wash inside the heart shape with the olive darkness outside it, so the lit heart silhouette separates cleanly from the field. Cel-shaded with clean outlines, flat high-contrast fills, minimal simple shadows, and hand-drawn TV-anime frame crispness.
A detail of physics to hold: the two brides' lips compress his cheeks enough to dimple them, and each woman's hair, swinging forward, has been flattened against his jaw where it has landed, tiny strands sticking to the skin. Overwhelmingly affectionate, joyfully excessive.
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