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- オリジナルプロンプト
- (8k, best quality, masterpiece:1.2),solo girls,enmaided,18years old, full body,standing,the Western-style guest rooms. victorian maid dress(outfit)={Silk,tight clothes,black victorian maid dress,Gold-embroidered trim,layered dress,too many frills,long sleeves, bell sleeves, very long dress,maxi skirt,juliet sleeves,very wide sleeves,sleeves past wrists,white petticoat,frilled skirt,frilled apron, frilled shirt collar,white gloves,frilled gloves,An apron with a chest panel,white apron,long apron,Black tights,A skirt long enough to cover the ankles,black mary janes.loafers,white Maid's Cap.white Maid's Hat,collar jewel,earrings,}, bow =｛（white Gigantic bowtie:1.5.） at the neckline,back bow,white hair bow,glove bow,｝ ,fujimaru ritsuka (female), ritsuka, short hair, orange hair, ahoge, one side up, yellow eyes, breasts,
- モード
- ultra
- 品質タグ
- ﹝プロンプト﹞
- 縦横比
- 1408 x 1408
- サンプリング方法
- Euler
- ネガティブ
- lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換
利用したモデルとLoRA
ほかの類似作品
続きを読む
nk
character: fujimaru_ritsuka_(female)
solo, 1girl, 18 years old, full body, standing, western-style guest room interior, victorian maid dress, silk, tight-fitting clothes, black victorian maid dress, gold-embroidered trim, layered dress, too many frills, long sleeves, bell sleeves, very long maxi dress, maxi skirt, juliet sleeves, very wide sleeves, sleeves past wrists, white petticoat, frilled skirt, frilled apron with chest panel, white long apron, frilled shirt collar, white gloves, frilled gloves, black tights, ankle-length skirt, black mary janes, loafers, white maid's cap, white maid's hat, collar jewel, earrings, white gigantic bowtie at neckline, back bow, white hair bow, glove bow, short hair, orange hair, ahoge, one side up, yellow eyes, breasts, hair ornament, hair between eyes, scrunchie, dutch angle, cowboy shot leaning to full body, weight on one leg, hand on apron chest panel, head tilt, looking at viewer, light smile, one eyebrow raised, (8k, best quality, masterpiece:1.2)
A slight low dutch angle tilts the whole frame so the room's dado rail and tall window run on a diagonal, and the girl stands at three-quarter length in the middle of a Western-style guest room, her full figure inside the frame from the crown of her white maid's cap to the black mary jane loafers on the parquet. She is caught mid-motion, torso swiveled a quarter-turn on the ball of her left foot while her right heel has just settled, the ankle-length black silk skirt swinging a beat behind her so the hem lifts enough to show the white frilled petticoat and the black tights above the shoe, then falls back to cover the ankles again.
Her right hand rests flat on the apron's white chest panel, fingers splayed over the frilled fabric, and the glove's small white bow sits just above the wrist; her left arm hangs slightly out from the hip, the juliet sleeve's very wide bell falling open past the wrist so the frilled white cuff and glove bow show at the bottom of the drape. Her head tips to her left shoulder in a small questioning tilt, one eyebrow arched above the other, yellow eyes looking straight into the lens with a light closed-lip smile that is more challenge than welcome; the orange ahoge springs up off her crown and the one-side-up tuft of orange hair, tied off with its scrunchie, flops over in the opposite direction to the head tilt. The gigantic white bowtie at the neckline sits huge and crisp against the black silk collar, collar jewel glinting at the throat, earrings catching the window light, and the sculpted bodice pulls taut across her bust with the gold-embroidered trim tracing the seams before the skirt layers and the frilled apron overtake it in a cascade of white frills.
Behind and around her the guest room is read only in the negative space the tilt opens up: a tall sash window at frame left with heavy dark drapes and a pale sheer, a strip of patterned wallpaper, a corner of a wooden bedpost and a wash of Turkish rug at the bottom edge, the back bow at her waist visible as she turns. Daylight rakes in from that window at a low afternoon angle, striking the left side of the cap, the shoulder of the black silk and the flared white apron with a warm edge while the right side of her body falls into cool soft shadow, and a long soft shadow of her standing figure stretches across the parquet towards the viewer. Late-afternoon gold on black silk, poised and faintly teasing.
Ni Ke (Nike)
nk
character: fujimaru_ritsuka_(female)
solo, 1girl, 18 years old, full body, standing, western-style guest room interior, victorian maid dress, silk, tight-fitting clothes, black victorian maid dress, gold-embroidered trim, layered dress, too many frills, long sleeves, bell sleeves, very long maxi dress, maxi skirt, juliet sleeves, very wide sleeves, sleeves past wrists, white petticoat, frilled skirt, frilled apron with chest panel, white long apron, frilled shirt collar, white gloves, frilled gloves, black tights, ankle-length skirt, black mary janes, loafers, white maid's cap, white maid's hat, collar jewel, earrings, white gigantic bowtie at neckline, back bow, white hair bow, glove bow, short hair, orange hair, ahoge, one side up, yellow eyes, breasts, hair ornament, hair between eyes, scrunchie, dutch angle, cowboy shot leaning to full body, weight on one leg, hand on apron chest panel, head tilt, looking at viewer, light smile, one eyebrow raised, (8k, best quality, masterpiece:1.2)
A slight low dutch angle tilts the whole frame so the room's dado rail and tall window run on a diagonal, and the girl stands at three-quarter length in the middle of a Western-style guest room, her full figure inside the frame from the crown of her white maid's cap to the black mary jane loafers on the parquet. She is caught mid-motion, torso swiveled a quarter-turn on the ball of her left foot while her right heel has just settled, the ankle-length black silk skirt swinging a beat behind her so the hem lifts enough to show the white frilled petticoat and the black tights above the shoe, then falls back to cover the ankles again.
Her right hand rests flat on the apron's white chest panel, fingers splayed over the frilled fabric, and the glove's small white bow sits just above the wrist; her left arm hangs slightly out from the hip, the juliet sleeve's very wide bell falling open past the wrist so the frilled white cuff and glove bow show at the bottom of the drape. Her head tips to her left shoulder in a small questioning tilt, one eyebrow arched above the other, yellow eyes looking straight into the lens with a light closed-lip smile that is more challenge than welcome; the orange ahoge springs up off her crown and the one-side-up tuft of orange hair, tied off with its scrunchie, flops over in the opposite direction to the head tilt. The gigantic white bowtie at the neckline sits huge and crisp against the black silk collar, collar jewel glinting at the throat, earrings catching the window light, and the sculpted bodice pulls taut across her bust with the gold-embroidered trim tracing the seams before the skirt layers and the frilled apron overtake it in a cascade of white frills.
Behind and around her the guest room is read only in the negative space the tilt opens up: a tall sash window at frame left with heavy dark drapes and a pale sheer, a strip of patterned wallpaper, a corner of a wooden bedpost and a wash of Turkish rug at the bottom edge, the back bow at her waist visible as she turns. Daylight rakes in from that window at a low afternoon angle, striking the left side of the cap, the shoulder of the black silk and the flared white apron with a warm edge while the right side of her body falls into cool soft shadow, and a long soft shadow of her standing figure stretches across the parquet towards the viewer. Late-afternoon gold on black silk, poised and faintly teasing.
Ni Ke (Nike)
nk
character: fujimaru_ritsuka_(female)
solo, 1girl, 18 years old, full body, standing, western-style guest room interior, victorian maid dress, silk, tight-fitting clothes, black victorian maid dress, gold-embroidered trim, layered dress, too many frills, long sleeves, bell sleeves, very long maxi dress, maxi skirt, juliet sleeves, very wide sleeves, sleeves past wrists, white petticoat, frilled skirt, frilled apron with chest panel, white long apron, frilled shirt collar, white gloves, frilled gloves, black tights, ankle-length skirt, black mary janes, loafers, white maid's cap, white maid's hat, collar jewel, earrings, white gigantic bowtie at neckline, back bow, white hair bow, glove bow, short hair, orange hair, ahoge, one side up, yellow eyes, breasts, hair ornament, hair between eyes, scrunchie, dutch angle, cowboy shot leaning to full body, weight on one leg, hand on apron chest panel, head tilt, looking at viewer, light smile, one eyebrow raised, (8k, best quality, masterpiece:1.2)
A slight low dutch angle tilts the whole frame so the room's dado rail and tall window run on a diagonal, and the girl stands at three-quarter length in the middle of a Western-style guest room, her full figure inside the frame from the crown of her white maid's cap to the black mary jane loafers on the parquet. She is caught mid-motion, torso swiveled a quarter-turn on the ball of her left foot while her right heel has just settled, the ankle-length black silk skirt swinging a beat behind her so the hem lifts enough to show the white frilled petticoat and the black tights above the shoe, then falls back to cover the ankles again.
Her right hand rests flat on the apron's white chest panel, fingers splayed over the frilled fabric, and the glove's small white bow sits just above the wrist; her left arm hangs slightly out from the hip, the juliet sleeve's very wide bell falling open past the wrist so the frilled white cuff and glove bow show at the bottom of the drape. Her head tips to her left shoulder in a small questioning tilt, one eyebrow arched above the other, yellow eyes looking straight into the lens with a light closed-lip smile that is more challenge than welcome; the orange ahoge springs up off her crown and the one-side-up tuft of orange hair, tied off with its scrunchie, flops over in the opposite direction to the head tilt. The gigantic white bowtie at the neckline sits huge and crisp against the black silk collar, collar jewel glinting at the throat, earrings catching the window light, and the sculpted bodice pulls taut across her bust with the gold-embroidered trim tracing the seams before the skirt layers and the frilled apron overtake it in a cascade of white frills.
Behind and around her the guest room is read only in the negative space the tilt opens up: a tall sash window at frame left with heavy dark drapes and a pale sheer, a strip of patterned wallpaper, a corner of a wooden bedpost and a wash of Turkish rug at the bottom edge, the back bow at her waist visible as she turns. Daylight rakes in from that window at a low afternoon angle, striking the left side of the cap, the shoulder of the black silk and the flared white apron with a warm edge while the right side of her body falls into cool soft shadow, and a long soft shadow of her standing figure stretches across the parquet towards the viewer. Late-afternoon gold on black silk, poised and faintly teasing.
Ni Ke (Nike)
nk
character: fujimaru_ritsuka_(female)
solo, 1girl, maid, full body, standing, short hair, orange hair, ahoge, one side up, yellow eyes, breasts, 18 years old, black victorian maid dress, silk, tight clothes, gold-embroidered trim, layered dress, too many frills, long sleeves, bell sleeves, very long dress, maxi skirt, juliet sleeves, very wide sleeves, sleeves past wrists, white petticoat, frilled skirt, frilled apron, frilled shirt collar, white gloves, frilled gloves, apron with chest panel, white apron, long apron, black tights, skirt covering ankles, black mary janes, loafers, white maid's cap, white maid's hat, collar jewel, earrings, gigantic white bowtie, back bow, white hair bow, glove bow, from below, cowboy shot, dutch angle, head tilt, hands clasped in front, looking down at viewer, light smile, one eyebrow raised, western-style guest room, (8k, best quality, masterpiece:1.2)
Shot from a low, slightly tilted angle near the floor of a Western-style guest room, the young woman stands full-length in the centre of the frame, her black silk Victorian maid dress hem brushing the patterned rug so that only the toes of her black mary jane loafers peek out. Her weight rests on her left leg, right knee softened and slightly forward, torso turned a few degrees off-axis while her chin tips down toward the lens. Short orange hair is gathered on one side with a white hair bow, a single ahoge springing above; yellow eyes look down at the viewer under a faint, amused closed-lip smile, one brow lifted. A white maid's cap sits over the crown, gold-embroidered trim traces the frilled shirt collar where a jewel glints, earrings catch the light, and a gigantic white bowtie fills the neckline above the apron's chest panel. The white frilled apron runs long to the ankles over the layered, over-frilled maxi skirt, and the juliet bell sleeves — silk, wide and hanging past the wrists — end in white frilled gloves with small bows near the cuffs. A back bow sits at the rear waist, glimpsed as the skirt sways. Her hands are clasped loosely at her waist.
The room behind her is a Western-style guest salon: a tall sash window at the left spills cool daylight across the rug, a wingback armchair and a small side table with a lamp occupy the midground at right, patterned wallpaper and a framed mirror recede in soft focus. The window light strikes the left side of her face and the gloss of the silk, warm lamplight filling the shadow side. Dust drifts visibly in the slanted beam. The palette holds black silk, ivory frills, and gold thread against muted rose-and-cream wallpaper. Unhurried and quietly elegant.
Ni Ke (Nike)
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