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Gams
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- オリジナルプロンプト
- A full-body, eye-level illustration of a young woman in her 20s, the star singer of the grandest ballroom in Shanghai, whose voice and smile fill every table on a Saturday. The vibe is jazz-age Shanghai, and the whole image feels golden, romantic and flirtatious, the golden height of the jazz age in the East. She is lovely and gorgeous, with a sprinter's build: above average height, with average shoulders, a lean, clearly defined body, a narrow waist, firm hips, a round, muscular bottom and heavily muscled thighs, every line of her taut and quick, and medium, shapely breasts. She has warm golden-tan skin with a soft glow, a heart-shaped face with high cheekbones, a small, straight nose and full rosebud lips, and large, wide-set grey-blue eyes with long, darkened lashes. Her expression is warm and flirtatious, her lips parted mid-song in a soft, knowing smile and her grey-blue eyes half-lidded and shining. Her hair is very long and wavy: soft, even S-shaped waves from the crown all the way down, one unbroken length falling past her shoulders and waist, down to her knees, full and flowing, from a deep side part with no bangs, and its colour is a golden blonde: a warm, sunny yellow-gold blonde with rich gold highlights. She wears a bias-cut evening gown of liquid gold silk satin that pours over her body from thin spaghetti straps, its deep cowl neckline draping low between her breasts, the satin skimming her waist and hips and falling to the floor in a pool of gold, with a side slit rising high up her left thigh and a narrow belt of tiny gold glass beads at her waist, a white gardenia corsage pinned at the base of her right strap, so that her shoulders, her arms above the gloves, the deep line of her cowl neckline and her left leg in the slit are bare. Long gloves of white satin rise above her elbows with a bracelet of square-cut diamonds worn over the left glove, gold T-strap heels with rhinestone buckles show at the hem, and she wears long Art Deco earrings of carved jade drops hung from fans of gold and tiny diamonds. Her makeup is a deeper rose flush across her cheekbones, a smoky taupe shimmer on her lids with a fine black liner and darkened lashes, thin, finely plucked pencil brows, a glossy crimson lip and a luminous, powdered skin finish. The setting is the stage of a grand Art Deco ballroom in Shanghai on a Saturday night, packed with period detail: a sprung dance floor of polished maple inlaid with a gold sunburst spreads below the stage, where couples in evening clothes and qipaos dance, and mirrored columns topped with gilded fans rise to a coffered ceiling hung with three enormous tiered crystal chandeliers. Behind her a jazz band in white dinner jackets plays on a stepped bandstand with a gold Deco shell, a trumpet, saxophones, a double bass and a grand piano gleaming black, and tables draped in white linen with champagne buckets, pink shaded lamps and orchids ring the floor. Lacquer-red curtains with gold tassels frame the stage, and a row of footlights in fluted glass lines its edge. A cigarette girl in a pillbox hat carries her tray between the tables, waiters in white gloves pour champagne from silver buckets, and a balcony of private boxes with brass rails looks down on the floor. In the foreground, softly out of focus, a champagne coupe and a white orchid on a table edge sit at the lower left, and the scalloped edge of a stage footlight glows at the lower right. She stands at a tall chrome microphone stand at the front of the stage with her body turned three-quarters toward the viewer, her weight on her right leg so her left knee bends forward and slides out through the slit. Her right gloved hand rests lightly on the stand below the microphone, her left hand floats out to her side with the fingers softly curved as she sings, and her hip sways toward the band. Her very long golden hair falls in heavy waves down her back and over one shoulder, the ends brushing the backs of her knees, and she sings to the viewer with her soft, knowing smile. The warm, sparkling light of the crystal chandeliers high above her is the dominant light: it falls across her forehead, her cheekbones and the bridge of her nose, glows on her glossy crimson lips, puts a scatter of tiny bright sparks in her grey-blue eyes and pours down over her bare shoulders, the cowl of gold satin and the long line of her leg. The much weaker golden glow of the footlights at the stage edge rises onto the underside of her chin, her gloved hand and the hem of the gown. The light ripples in long, liquid highlights down the bias-cut satin, sparks on the diamonds, the beaded belt, the rhinestone buckles and the earrings, and blazes along the edges of her golden waves in a warm rim. Her golden-tan skin takes a warm, glowing sheen wherever the light reaches, with a soft glow along her collarbones. The far end of the ballroom falls into deep, warm shadow, scattered with the small pink glows of the table lamps. Luminous Impasto style: clean, digitally painted linework with glossy, warm-toned rim light and backlight as the dominant shading trait, a palette that skews warm and deep over dark grounds, and a finish defined by dramatic, luminous backlighting rather than paint texture, the chandeliers and footlights wrapping her in glossy, glowing rims of gold. Rendered in extreme detail, an intricate, hyper-detailed masterpiece: every ripple of the bias-cut satin and each bead of the belt, the stitching of the satin gloves, each diamond of the bracelet, the chrome of the microphone, every crystal drop of the chandeliers, the instruments of the band, the inlaid sunburst of the floor and the orchids on the tables drawn sharply and precisely. The palette is very rich: liquid gold and champagne, lacquer red and jade, white satin, chandelier sparkle and warm amber, black lacquer and maple, warm golden-tan skin and golden-blonde hair.
- モード
- standard
- 縦横比
- 1280 x 960
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