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参加作品
PixAI「ハロウィン不思議クラブ」特別コンテスト - 今宵、彼岸屋にて#PixAI Halloween 2026
パラメーターを見る
- オリジナルプロンプト
- kasane teto, extremely large breasts, gigantic breasts, gigantic ass, extremely thick thighs, gigantic thighs, 1girl, playing the electric guitar, hair over eyes, eyes hidden under hair, hidden eyes, blinding bangs, half-covered ass, superthighs, cleavage cutout, żółkiewski świętosław źdźbłowski, 1boy, polish boy,,
- モード
- flash
- 縦横比
- 1104 x 1824
プロンプト自動変換
利用したモデルとLoRA
ほかの類似作品
続きを読むcharacter: kasane_teto
1girl, 1boy, kasane_teto, twin_drills, red_hair, drill_hair, ahoge, hair_between_eyes, hair_ribbon, bow, hair_bow, hair over eyes, blinding bangs, eyes hidden under hair, extremely large breasts, gigantic breasts, cleavage cutout, gigantic ass, extremely thick thighs, gigantic thighs, superthighs, half-covered ass, playing the electric guitar, holding guitar, guitar strap, polish boy, from below, dutch angle, wide shot, dynamic pose, open mouth, :d, looking to the side, two people
The camera sits low and tilted, looking up at two figures on a small cluttered stage, the dutch angle rolling the floor a few degrees clockwise so the nearest figures lean into the frame. In the foreground left, a girl with long red hair styled in two heavy drill curls, an ahoge springing from the crown, a small red bow pinning the left drill near the temple, and a ribbon at the back; her bangs fall long and blinding straight down over her brow, the strands closing like a curtain over both eyes so nothing of them shows, hair between the eyes, her mouth open in a wide half-laughing grin turned toward the other player. She stands wide-stanced with her weight on her left leg, hips cocked right, knees bent, the right foot up on the low monitor wedge at the stage lip, and her huge soft bust spills through a deep rectangular cleavage cutout in her dark grey jacket, the cutout edged with black piping; below, an extremely thick pair of thighs, superthighs, stretches the grey skirt seams tight, and the skirt's hem is half-covered by a red-and-black guitar slung across her body, the waist of the guitar riding across the back of her hip so a broad half of her gigantic rear shows behind the strap line where the skirt lifts. Both hands grip the guitar: her left hand high on the neck, fingers curled over the fretboard, her right forearm braced against the body of the guitar at the bridge, a pick pinched at the tip of her thumb and index, the red-and-black strap biting into her shoulder. To her right in the midground stands a Polish boy, pale-skinned, light brown hair swept back and a little shaggy, freckles across the bridge of his nose, sharp jaw, wearing a black short-sleeve shirt over a white tee with a faded print, dark trousers and scuffed boots; he leans his weight back onto his heels, chin lifted and shoved forward as he plays, and his eyes go sideways and down to her fretboard, tracking her hand. The guitar's body turns flat toward the camera, a single muscular reflection along its upper horn. One lamp hangs overhead behind the pair, throwing warm light down onto the tops of their heads, the tops of the guitar bodies and the tops of their forearms, while the undersides of chins, the guitar bellies and the floor beneath them fall into cool shadow that pools between the monitor wedges; the only other light is a dim blue spill washing the backdrop, so the darkness behind them is nearly total. The palette is stripped to red, black, warm skin tones and that single blue spill, with red landing in her twin drills, the bow, and the guitar body. Sawdust and a cable's loose coil sit on the stage boards, a fold in the backdrop echoing the dutch angle's diagonal. Loose, blunt and unpolished.
nhân nhàn nhai nhãn nhăn nhó nhận nhẫn
character: kasane_teto
1girl, 1boy, kasane_teto, twin_drills, red_hair, drill_hair, ahoge, hair_between_eyes, hair_ribbon, bow, hair_bow, hair over eyes, blinding bangs, eyes hidden under hair, extremely large breasts, gigantic breasts, cleavage cutout, gigantic ass, extremely thick thighs, gigantic thighs, superthighs, half-covered ass, playing the electric guitar, holding guitar, guitar strap, polish boy, from below, dutch angle, wide shot, dynamic pose, open mouth, :d, looking to the side, two people
The camera sits low and tilted, looking up at two figures on a small cluttered stage, the dutch angle rolling the floor a few degrees clockwise so the nearest figures lean into the frame. In the foreground left, a girl with long red hair styled in two heavy drill curls, an ahoge springing from the crown, a small red bow pinning the left drill near the temple, and a ribbon at the back; her bangs fall long and blinding straight down over her brow, the strands closing like a curtain over both eyes so nothing of them shows, hair between the eyes, her mouth open in a wide half-laughing grin turned toward the other player. She stands wide-stanced with her weight on her left leg, hips cocked right, knees bent, the right foot up on the low monitor wedge at the stage lip, and her huge soft bust spills through a deep rectangular cleavage cutout in her dark grey jacket, the cutout edged with black piping; below, an extremely thick pair of thighs, superthighs, stretches the grey skirt seams tight, and the skirt's hem is half-covered by a red-and-black guitar slung across her body, the waist of the guitar riding across the back of her hip so a broad half of her gigantic rear shows behind the strap line where the skirt lifts. Both hands grip the guitar: her left hand high on the neck, fingers curled over the fretboard, her right forearm braced against the body of the guitar at the bridge, a pick pinched at the tip of her thumb and index, the red-and-black strap biting into her shoulder. To her right in the midground stands a Polish boy, pale-skinned, light brown hair swept back and a little shaggy, freckles across the bridge of his nose, sharp jaw, wearing a black short-sleeve shirt over a white tee with a faded print, dark trousers and scuffed boots; he leans his weight back onto his heels, chin lifted and shoved forward as he plays, and his eyes go sideways and down to her fretboard, tracking her hand. The guitar's body turns flat toward the camera, a single muscular reflection along its upper horn. One lamp hangs overhead behind the pair, throwing warm light down onto the tops of their heads, the tops of the guitar bodies and the tops of their forearms, while the undersides of chins, the guitar bellies and the floor beneath them fall into cool shadow that pools between the monitor wedges; the only other light is a dim blue spill washing the backdrop, so the darkness behind them is nearly total. The palette is stripped to red, black, warm skin tones and that single blue spill, with red landing in her twin drills, the bow, and the guitar body. Sawdust and a cable's loose coil sit on the stage boards, a fold in the backdrop echoing the dutch angle's diagonal. Loose, blunt and unpolished.
nhân nhàn nhai nhãn nhăn nhó nhận nhẫn
character: kasane_teto
1girl, 1boy, kasane_teto, twin_drills, red_hair, drill_hair, ahoge, hair_between_eyes, hair_ribbon, bow, hair_bow, hair over eyes, blinding bangs, eyes hidden under hair, extremely large breasts, gigantic breasts, cleavage cutout, gigantic ass, extremely thick thighs, gigantic thighs, superthighs, half-covered ass, playing the electric guitar, holding guitar, guitar strap, polish boy, from below, dutch angle, wide shot, dynamic pose, open mouth, :d, looking to the side, two people
The camera sits low and tilted, looking up at two figures on a small cluttered stage, the dutch angle rolling the floor a few degrees clockwise so the nearest figures lean into the frame. In the foreground left, a girl with long red hair styled in two heavy drill curls, an ahoge springing from the crown, a small red bow pinning the left drill near the temple, and a ribbon at the back; her bangs fall long and blinding straight down over her brow, the strands closing like a curtain over both eyes so nothing of them shows, hair between the eyes, her mouth open in a wide half-laughing grin turned toward the other player. She stands wide-stanced with her weight on her left leg, hips cocked right, knees bent, the right foot up on the low monitor wedge at the stage lip, and her huge soft bust spills through a deep rectangular cleavage cutout in her dark grey jacket, the cutout edged with black piping; below, an extremely thick pair of thighs, superthighs, stretches the grey skirt seams tight, and the skirt's hem is half-covered by a red-and-black guitar slung across her body, the waist of the guitar riding across the back of her hip so a broad half of her gigantic rear shows behind the strap line where the skirt lifts. Both hands grip the guitar: her left hand high on the neck, fingers curled over the fretboard, her right forearm braced against the body of the guitar at the bridge, a pick pinched at the tip of her thumb and index, the red-and-black strap biting into her shoulder. To her right in the midground stands a Polish boy, pale-skinned, light brown hair swept back and a little shaggy, freckles across the bridge of his nose, sharp jaw, wearing a black short-sleeve shirt over a white tee with a faded print, dark trousers and scuffed boots; he leans his weight back onto his heels, chin lifted and shoved forward as he plays, and his eyes go sideways and down to her fretboard, tracking her hand. The guitar's body turns flat toward the camera, a single muscular reflection along its upper horn. One lamp hangs overhead behind the pair, throwing warm light down onto the tops of their heads, the tops of the guitar bodies and the tops of their forearms, while the undersides of chins, the guitar bellies and the floor beneath them fall into cool shadow that pools between the monitor wedges; the only other light is a dim blue spill washing the backdrop, so the darkness behind them is nearly total. The palette is stripped to red, black, warm skin tones and that single blue spill, with red landing in her twin drills, the bow, and the guitar body. Sawdust and a cable's loose coil sit on the stage boards, a fold in the backdrop echoing the dutch angle's diagonal. Loose, blunt and unpolished.
nhân nhàn nhai nhãn nhăn nhó nhận nhẫn
character: kasane_teto
1girl, solo, kasane teto, red hair, twin drills, drill hair, ahoge, hair between eyes, hair ribbon, hair bow, red eyes, hair over eyes, eyes hidden under hair, hidden eyes, large breasts, large ass, playing the electric guitar, electric guitar, guitar strap, holding guitar, strumming, fingers on frets, grey jacket, long sleeves, grey skirt, pleated skirt, ribbon, buttons, boots, from side, cowboy shot, dutch angle, head tilted down, parted lips, motion blur on hair drills, stage lighting, looking down at guitar
A three-quarter side view from a low dutch angle, camera tilted so the whole frame leans, catching her from the knees up. One girl alone on a dim stage, turned three-quarters away from the lens, her head tipped forward so the long red fringe falls in a flat curtain completely over her eyes — the eyes are gone behind that red curtain of hair, no glow, no glint, only the fine strands and the shadow they hold. From under the fringe the tip of her nose and the lower half of her face show: lips parted in a silent exhale, jaw slightly slack with concentration, a faint sweat sheen at the temple from the heat of the lamps. Her twin red drill curls hang heavy on either side of her head, each one spiralling down past her shoulders, and the small ahoge tuft springs up at the crown; the drills swing forward with the tilt of her head, tips catching the light.
She wears the grey jacket open over the shirt, sleeves long to the wrists, the ribbon and buttons at the collar, a pleated grey skirt falling over full hips. The jacket is pushed back openly over a full, heavy chest that strains the shirtfront, the fabric pulling in tight horizontal creases across it; the skirt sits wide over generous hips and a full backside, the pleats splaying outward where they stretch across the curve and her weight pushes the hem out to one side.
The electric guitar is slung across her body on a wide black strap that cuts diagonally over her chest, the strap pressing a shallow groove into the fabric. The guitar's body rests against her hip and lower ribs, its curve tilted with the dutch angle; her left hand grips the neck high up, fingers curled over the fretboard, wrist bent; her right hand hangs at the strings near the bridge, a pick pinched between thumb and forefinger, mid-downstroke so one string is caught blurred. Her weight is on the back foot, front knee slightly bent, hip cocked to balance the guitar, one boot planted forward.
Lighting comes from a single hard spot from the upper left, a stage beam: it rims the top of the drills and the ahoge in a hot line, lays a bright streak down the guitar's upper edge, and throws the front of her body into shadow from the chest down — the light does not reach her hidden eyes, which stay in the darkness under the fringe. Beyond the pool of the spot the darkness is absolute, with no visible floor edge, no crowd, no detail. Palette: deep reds of hair and one thin red gleam on the guitar's body, grey jacket and skirt, warm white highlight, everything else swallowed by black. Emphasis on the hands, the strap compression and the fabric stretch at the chest and hips. Brooding, coiled energy.
nhân nhàn nhai nhãn nhăn nhó nhận nhẫn
もっと探す
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(mai)
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