Nov 9, 2026

【お知らせ】生成速度の低下とGPUリソース不足について — PixAIをご利用の皆さまへいつもPixAIをご利用いただき、誠にありがとうございます。現在、PixAI全体で生成速度が低下し、通常よりも生成待ちの時間が長くなっています。ご利用の皆さまにはご不便をおかけしており、心よりお詫び申し上げま…

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centaura fan art

投稿日は Nov 9, 2026

cmk0303

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copyright: precure 1girl, precure, cure eclair, despair, crying, blood tears, tears streaming down cheeks, empty eyes, facing forward, looking straight ahead, head and shoulders, upper body only, cropped at shoulders, numerous soldiers, korean soldiers, wwii-era uniforms, world war 2, rifles, helmets, group of men, standing formation, high contrast, silhouette, red and black background, intense red, black silhouette, poster layout, split composition, left-right split, text, "CENTAURA", "another", "ONLY THE DEAD HAVE SEEN THE END OF WAR", typography, upper left text, upper right text, full-body high-contrast silhouette style, no outline detail, flat shapes, negative space A vertical poster-style composition read as a single image divided left and right, rendered entirely in a full-body high-contrast silhouette style: every figure reduced to a solid black shape with no interior linework, the whole picture built from flat black shapes against an intense red field, with the red itself deepening from a blazing scarlet near the center to a dark oxblood red at the outer edges so the background is a gradient of the same hue rather than a second color. On the left half, framed as a head-and-shoulders bust cropped at the shoulders with the lower body entirely outside the poster edge, Cure Eclair: her silhouette shows a young girl's rounded head and the flared wing-shaped profile of her layered hair sweeping out to either side, the scalloped crown of her headpiece and the small pointed ear-like forms of her hair ornament breaking the outline at the top of her skull, and the high collar and shoulder curves of her costume clipping off cleanly at the crop line. She faces the viewer straight on, her head level and dead square to the camera, her face a flat black mask; her eyes are cut open as two pale voids in the black, blank and unfocused, aimed straight out at the viewer. From each of those eyes pour two hard-edged streams of blood, drawn as jagged elongated red-black trails that run down her cheeks, break over the jawline and drip off the chin, with one thin runnel sliding down the side of her neck into the collar of her costume; the streams catch the light as a brighter red rim along one edge and go almost black at the other, so they read as wet and heavy rather than as paint. Her shoulders are just below level, one dropping slightly lower than the other, the whole bust sagging with despair rather than held upright. In the upper left, well above and to the left of her head, the large display lettering "CENTAURA" cuts wide and heavy across the red, and directly beneath it, much smaller, sits the word "another" in a lighter, thinner face, both set in flat black, both crisply lettered and square to the poster's edge. On the right half, filling the whole of that side from the mid-height down to the bottom edge and receding in two overlapping rows into the depth of the red, a formation of numerous WWII-era Korean soldiers rendered as solid black silhouettes: the nearer row large, the further row smaller and set slightly higher, all in field caps and steel helmets, packs and slung rifles breaking the outline of their shoulders, some standing with rifles at their sides, one with a rifle butt resting on the ground, their hands on slings and straps, every head turned back toward the left half of the poster so the entire formation aims its gaze across the split toward the girl, and their massed silhouette crowds the right edge and bleeds off it. High in the upper right, above the soldiers' heads and on the red field, a block of three lines of condensed capital lettering reads "ONLY THE DEAD HAVE SEEN THE END OF WAR", set in flat black across the red, aligned to the right margin. The red between the two halves acts as a clean vertical gutter of negative space, a seam of brighter scarlet where the black mass of the girl's bust and the black mass of the soldiers almost meet, and no figure crosses it. Light is graphic rather than located: the brightest red sits behind the girl's head, so her black silhouette is thinnest-looking at the crown and the blood tears take their rim-light from it, while the soldiers stand in the darker oxblood region at the right and lower edges, their silhouettes losing their outer contours into the dark. The palette admits only black, red, the pale white of her eye voids and the blood's brighter rim, nothing else. Poster-flat, sharp-edged, no soft shading, no texture beyond the crisp edge of the print. Hopeless, monumental.

centaura fan art

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