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character: zen'in_maki, copyright: jujutsu_kaisen 1girl, solo, zen'in maki, short hair, black hair, glasses, burn scars, scarred skin, large breasts, miniskirt, school uniform, tight uniform, revealing, cowboy shot, from below, leaning forward, looking down at viewer, half-closed eyes, smirk, seductive smile, blush, collarbone, arms behind back, dutch angle, A dutch-tilted cowboy shot from below, so the diagonals of the frame rise up toward her. One young woman stands tilted off the vertical, weight sunk into her left hip, her right knee slightly bent forward through the pleated hem of the dark uniform miniskirt; her shoulders roll back and her arms fold behind her so her elbows disappear past her waist, the stance arching her chest forward and up into the low camera. The uniform is the tight, short-cut version: a dark blazer pulled taut across a large bust, the buttons straining in a shallow diagonal line, the white shirt collar open, and a knife-pleated miniskirt barely covering the tops of her thighs. Her hair is cropped short and black, cut close at the nape and swept across her brow; rectangular glasses sit on the bridge of her nose, one lens catching a thin hard glint. Burn scars cover her skin everywhere it shows: mottled pink and pale ridges running up her neck, crawling across her collarbones and down the backs of her hands, and sweeping in uneven sheets over her bare thighs and knees. Her chin tucks down toward her collarbone and her half-lidded yellow-brown eyes look down the length of the lens into the viewer, the outer brow lifted, one corner of her mouth pulled into a lopsided smirk. A breath lifts the collar at her throat. The setting is a dim interior corridor with dark panels receding into the background, blurred and low, the negative space between the corridor's vanishing lines leaving her entire upper body clear. The single light source is a tall window just off frame at the left, out of shot; it strikes the left side of her cheek, the glasses' left lens, the left ridge of her collarbone and the front swell of her uniform, and its cast shadow falls behind her shoulder onto the wall, hard-edged and darker toward the right. Dust motes drift in the shaft. The palette is restrained: deep charcoal and black in the uniform and corridor, the warm pale ochre of her skin, the dull pink of scar tissue, and a low amber wash in the window light, nothing else admitted. The crop cuts her just above the knees and the floor is never shown, so the depth below her is left to the tilt of the frame. Cool, quietly insolent.
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オリジナルプロンプト
呪術廻戦の禪院真希は短髪で、眼鏡をかけてて、全身に火傷跡がある かなり胸が大きくて、いつものあのミニスカートのエロい制服を着ていて
モード
flash
縦横比
1104 x 1824
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AI artwork
Avatar image of ウンマー
character: zen'in_maki, copyright: jujutsu_kaisen 1girl, solo, zen'in maki, short hair, black hair, glasses, burn scars, scarred skin, large breasts, miniskirt, school uniform, tight uniform, revealing, cowboy shot, from below, leaning forward, looking down at viewer, half-closed eyes, smirk, seductive smile, blush, collarbone, arms behind back, dutch angle, A dutch-tilted cowboy shot from below, so the diagonals of the frame rise up toward her. One young woman stands tilted off the vertical, weight sunk into her left hip, her right knee slightly bent forward through the pleated hem of the dark uniform miniskirt; her shoulders roll back and her arms fold behind her so her elbows disappear past her waist, the stance arching her chest forward and up into the low camera. The uniform is the tight, short-cut version: a dark blazer pulled taut across a large bust, the buttons straining in a shallow diagonal line, the white shirt collar open, and a knife-pleated miniskirt barely covering the tops of her thighs. Her hair is cropped short and black, cut close at the nape and swept across her brow; rectangular glasses sit on the bridge of her nose, one lens catching a thin hard glint. Burn scars cover her skin everywhere it shows: mottled pink and pale ridges running up her neck, crawling across her collarbones and down the backs of her hands, and sweeping in uneven sheets over her bare thighs and knees. Her chin tucks down toward her collarbone and her half-lidded yellow-brown eyes look down the length of the lens into the viewer, the outer brow lifted, one corner of her mouth pulled into a lopsided smirk. A breath lifts the collar at her throat. The setting is a dim interior corridor with dark panels receding into the background, blurred and low, the negative space between the corridor's vanishing lines leaving her entire upper body clear. The single light source is a tall window just off frame at the left, out of shot; it strikes the left side of her cheek, the glasses' left lens, the left ridge of her collarbone and the front swell of her uniform, and its cast shadow falls behind her shoulder onto the wall, hard-edged and darker toward the right. Dust motes drift in the shaft. The palette is restrained: deep charcoal and black in the uniform and corridor, the warm pale ochre of her skin, the dull pink of scar tissue, and a low amber wash in the window light, nothing else admitted. The crop cuts her just above the knees and the floor is never shown, so the depth below her is left to the tilt of the frame. Cool, quietly insolent.
ウンマー
AI artwork
Avatar image of ウンマー
character: zen'in_maki, copyright: jujutsu_kaisen 1girl, solo, zen'in maki, short hair, black hair, glasses, burn scars, scarred skin, large breasts, miniskirt, school uniform, tight uniform, revealing, cowboy shot, from below, leaning forward, looking down at viewer, half-closed eyes, smirk, seductive smile, blush, collarbone, arms behind back, dutch angle, A dutch-tilted cowboy shot from below, so the diagonals of the frame rise up toward her. One young woman stands tilted off the vertical, weight sunk into her left hip, her right knee slightly bent forward through the pleated hem of the dark uniform miniskirt; her shoulders roll back and her arms fold behind her so her elbows disappear past her waist, the stance arching her chest forward and up into the low camera. The uniform is the tight, short-cut version: a dark blazer pulled taut across a large bust, the buttons straining in a shallow diagonal line, the white shirt collar open, and a knife-pleated miniskirt barely covering the tops of her thighs. Her hair is cropped short and black, cut close at the nape and swept across her brow; rectangular glasses sit on the bridge of her nose, one lens catching a thin hard glint. Burn scars cover her skin everywhere it shows: mottled pink and pale ridges running up her neck, crawling across her collarbones and down the backs of her hands, and sweeping in uneven sheets over her bare thighs and knees. Her chin tucks down toward her collarbone and her half-lidded yellow-brown eyes look down the length of the lens into the viewer, the outer brow lifted, one corner of her mouth pulled into a lopsided smirk. A breath lifts the collar at her throat. The setting is a dim interior corridor with dark panels receding into the background, blurred and low, the negative space between the corridor's vanishing lines leaving her entire upper body clear. The single light source is a tall window just off frame at the left, out of shot; it strikes the left side of her cheek, the glasses' left lens, the left ridge of her collarbone and the front swell of her uniform, and its cast shadow falls behind her shoulder onto the wall, hard-edged and darker toward the right. Dust motes drift in the shaft. The palette is restrained: deep charcoal and black in the uniform and corridor, the warm pale ochre of her skin, the dull pink of scar tissue, and a low amber wash in the window light, nothing else admitted. The crop cuts her just above the knees and the floor is never shown, so the depth below her is left to the tilt of the frame. Cool, quietly insolent.
ウンマー
AI artwork
Avatar image of ウンマー
character: zen'in_maki, copyright: jujutsu_kaisen 1girl, solo, zen'in maki, short hair, black hair, glasses, burn scars, scarred skin, large breasts, miniskirt, school uniform, tight uniform, revealing, cowboy shot, from below, leaning forward, looking down at viewer, half-closed eyes, smirk, seductive smile, blush, collarbone, arms behind back, dutch angle, A dutch-tilted cowboy shot from below, so the diagonals of the frame rise up toward her. One young woman stands tilted off the vertical, weight sunk into her left hip, her right knee slightly bent forward through the pleated hem of the dark uniform miniskirt; her shoulders roll back and her arms fold behind her so her elbows disappear past her waist, the stance arching her chest forward and up into the low camera. The uniform is the tight, short-cut version: a dark blazer pulled taut across a large bust, the buttons straining in a shallow diagonal line, the white shirt collar open, and a knife-pleated miniskirt barely covering the tops of her thighs. Her hair is cropped short and black, cut close at the nape and swept across her brow; rectangular glasses sit on the bridge of her nose, one lens catching a thin hard glint. Burn scars cover her skin everywhere it shows: mottled pink and pale ridges running up her neck, crawling across her collarbones and down the backs of her hands, and sweeping in uneven sheets over her bare thighs and knees. Her chin tucks down toward her collarbone and her half-lidded yellow-brown eyes look down the length of the lens into the viewer, the outer brow lifted, one corner of her mouth pulled into a lopsided smirk. A breath lifts the collar at her throat. The setting is a dim interior corridor with dark panels receding into the background, blurred and low, the negative space between the corridor's vanishing lines leaving her entire upper body clear. The single light source is a tall window just off frame at the left, out of shot; it strikes the left side of her cheek, the glasses' left lens, the left ridge of her collarbone and the front swell of her uniform, and its cast shadow falls behind her shoulder onto the wall, hard-edged and darker toward the right. Dust motes drift in the shaft. The palette is restrained: deep charcoal and black in the uniform and corridor, the warm pale ochre of her skin, the dull pink of scar tissue, and a low amber wash in the window light, nothing else admitted. The crop cuts her just above the knees and the floor is never shown, so the depth below her is left to the tilt of the frame. Cool, quietly insolent.
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