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DENISE
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- オリジナルプロンプト
- cabello corto, peinado hacia atrás, cabello naranja y negro ,ojos grices , piel clara, piernas grandes cintura grande, caderas grandes,pechos medianos ,cadera ancha,piernas enormes, cadera enorme, cintura enorme, cintura ancha, curvas pronunciadas, cadera grande, , piernas gruesas, caderas gruesas, cintura voluptuosa, cadera voluptuosa, , cintura gigante, cadera gigante, piernas gigantes, anillos negros en los dedos, tatuaje(elina) en el cuello, gargantilla de puas, cabello alborotado ,varios zarcillos en una oreja, maquillaje negro, labial negro, cuerpo completo, piernas bastante gruesas, muslos grandes, vestido ajustado corto manga larga negro, piel suave, Camisa negra corta, chaqueta larga oscura, lentes redondos, lapiz en forma de daga cinturón de placa dorada, botas altas, medias negras altas, guantes largos sin dedos, sentada en una oficina iluminada
- モード
- flash
- 縦横比
- 1104 x 1824
プロンプト自動変換
利用したモデルとLoRA
ほかの類似作品
続きを読む
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1girl, solo, full body, sitting, short hair, orange and black hair, two-tone hair, swept back hair, messy hair, tousled hair, grey eyes, light skin, soft skin, medium breasts, thick thighs, huge thighs, thick legs, wide waist, voluptuous waist, wide hips, huge hips, pronounced curves, black rings, ring on finger, tattoo, neck tattoo, "elina" tattoo, spiked choker, multiple earrings, earrings on one ear, black makeup, black lipstick, round glasses, dagger-shaped pen, gold plate belt, high boots, tall black socks, long fingerless gloves, fingerless gloves, tight black dress, short dress, long sleeves, black shirt, short shirt, long dark jacket, dark jacket, office, indoors, sitting on desk, desk, chair, crossed legs, leaning back, looking at viewer, from below, full body, cowboy shot,
Full body, seen from a low angle slightly below waist height, so the desk edge cuts across the lower foreground and the figure rises above it. A woman with short, messy, swept-back two-tone hair — orange with black streaks — sits on the edge of a dark wooden office desk in a black office. She is perched on the desktop with one hip settled against the wood, one leg crossed over the other at the knee, the top foot swinging free; her thighs and hips press wide and heavy against the tight black long-sleeved dress, which strains across her chest and hips, and her enormous legs taper into tall black socks and high black boots that hang just above the floor. Over the dress she wears a short black shirt left open and a long dark jacket that falls past her hips behind her. A wide gold plate belt cinches her waist; a dagger-shaped pen is tucked into it, blade-point down. Long fingerless gloves run up her forearms, black rings band several bare fingers, several small hoop earrings climb one ear, and a spiked choker rings her throat just above the tattoo reading "elina" on the side of her neck in black script. Round glasses sit low on her nose; her eyes are grey and half-lidded, black makeup smudged at the lash line and black lipstick on a faint smirk, her gaze leveled straight at the viewer over the rims. One gloved hand rests flat on the desk beside her hip, the other holds the dagger-pen loosely, tapping its point against the desktop. Behind her, a dark office recedes: a shelf of files, a shaded lamp, a window with blinds. A single warm desk lamp on the far corner is the only light, raking her from the left so the right side of her face and body falls into cool shadow, and her short hair throws a soft-edged shadow onto the wall behind her; the room beyond the lamp's pool drops to near-black. Palette held to black, orange, gold and the cold grey of her eyes, nothing else admitted. Quiet, dangerous, effortlessly sharp.
DENISE
d
1girl, solo, short hair, slicked back hair, green and black hair, messy hair, gray eyes, light skin, soft skin, makeup, black lipstick, black eyeshadow, round glasses, spiked choker, multiple earrings, one ear, black rings, ring, tattoo, neck tattoo, "elina" tattoo, medium breasts, wide waist, wide hips, huge hips, thick thighs, large thighs, thick legs, huge legs, pronounced curves, short tight black dress, long sleeves, short black shirt, long dark jacket, black thigh-highs, tall boots, long fingerless gloves, gold plate belt, dagger-shaped pencil, sitting, office, full body, from below, looking at viewer, crossed legs, leaning back, arm support, hand on own hip, head tilt, smirk, half-closed eyes
The camera sits low, near the office floor, tilted up so the seated figure dominates the frame from boot soles to the crown of her head in one full-body vertical. She is planted in a heavy swivel office chair behind a dark wooden desk, one boot heel hooked over the opposite knee in a crossed-leg sit, her weight sunk into the chair's right armrest where her forearm presses down and her gloved fingers curl over its edge. Her other hand rests flat across the desk blotter, the black ringed fingers spread, the dagger-shaped pencil caught between the index and middle finger with its blade-point aimed at the paperwork. The short tight black long-sleeved dress pulls across her chest and clings at the waist beneath the unbuttoned short black shirt, and the long dark jacket hangs open off her shoulders, its hem spilling past the seat in heavy folds. The gold plate belt sits square at her hips and catches the desk lamp in one hard glittering line. Black thigh-high stockings disappear into the tops of the tall boots, and the long fingerless gloves leave her fingertips bare where they grip the armrest and the pencil.
Her head is tilted back and to one side, chin lifted, short messy green-and-black hair slicked back with strands breaking loose at the temples and behind her ear, where a stack of small hoops and studs runs up the cartilage. Her neck carries the tattoo reading "elina" in dark script, half-circled by the spiked choker, the metal points tipped with the lamp's warm light. The round glasses sit low on her nose and her gray eyes look straight down the lens past their rims, one brow arched, black lipstick pulled into a lopsided smirk.
The office is small and close: filing cabinets stacked to the left, a shelf of binders behind her shoulder, a desk lamp at frame right with a green glass shade. That lamp is the only light source — its warm pool falls across the desk, her forearms, the gold belt and the side of her jaw; beyond it the room drops into deep brown shadow, and her shadow is thrown long and distorted up the back wall. Palette: black, deep brown wood, warm amber lamplight, the green of her hair and the lamp shade answering each other, and the single gold flash of the belt. The pencil's shadow on the blotter lies sharper and darker than the pencil itself. Smug, after-hours confidence.
DENISE
d
1girl, solo, short hair, swept back hair, messy hair, tousled hair, orange and black hair, two-tone hair, grey eyes, fair skin, soft skin, full body, sitting, office, huge thick legs, huge thighs, giant wide thick hips, wide hips, voluptuous waist, medium breasts, pronounced curves, black rings, ring on finger, neck tattoo, tattoo reading "elina", spiked choker, multiple earrings, earrings on one ear, black makeup, black lipstick, round glasses, tight short black dress, long sleeves, short black shirt, long dark jacket, golden plate buckle belt, dagger-shaped pencil, high boots, black thighhighs, long fingerless gloves, fingerless gloves, bare fingertips, looking at viewer, legs crossed, leaning back, hand on desk, from side, cowboy shot angle
A full-body view seen from a low three-quarter side angle inside a cramped, dim private office, the camera set slightly below the seated woman's eye level so her enormous lower body dominates the lower half of the frame and the ceiling drops away out of shot. She sits in a worn oxblood leather office chair that is pushed back from a cluttered dark-wood desk, her weight settled onto her left hip, the chair groaning and its leather visibly compressed and creased beneath her, one armrest bowed under her forearm. Her right leg is crossed high over her left knee, the black thighhigh stretched taut across the huge thigh, the stocking's elastic band biting a faint line into the soft fair skin just above it; her left foot is planted flat on the floor in a tall lace-up boot whose heel digs into the carpet, a small ring of scuffed pile around it. The tight short black long-sleeved dress clings over her medium breasts and pronounced curves and rides up over her wide hips; the short black shirt sits open over it, and the long dark jacket hangs off her shoulders and spills down the chair's back, its hem and one sleeve caught under her thigh. The golden plate buckle on her belt catches the light at her waist. Her long fingerless gloves run past her elbows, ending in bare fingertips; black rings band several of her fingers, which drum on the desk edge beside a stack of papers. A slim dagger-shaped pencil lies on the blotter where she set it down, point toward the viewer.
Her short orange-and-black hair is swept back from her forehead in a tousled, messy fall, a few strands escaping at the temples and one lock springing loose at the crown, black sections alternating with orange across the top and sides. Round glasses sit on her nose, their lenses catching two hard pinpoint reflections. Her grey eyes look straight out at the viewer over the rims, lids heavy with black makeup, black lipstick parted slightly; a small mole of light on her lower lip. The spiked choker rings her throat, its spikes throwing tiny shadows onto the fair skin, and just above the collarbone the tattoo "elina" reads in fine dark lettering, angled slightly with the curve of her neck. A row of several small earrings climbs the rim of her visible ear. The desk lamp is the only light source, a green-shaded banker's lamp at the desk's far corner: it throws warm amber light across her right cheek, the glasses, the gold buckle and the tops of her thighs, and leaves the far wall, the bookshelf and the corner of the room beyond its pool in absolute darkness. Her long shadow stretches across the carpet toward the viewer. The palette holds only black, warm amber, oxblood leather, fair skin and the flash of orange in her hair. Quietly imposing.
DENISE
d
1girl, solo, full body, sitting, office, short black hair, wet hair, slicked back, messy hair, gray eyes, pale skin, soft skin, medium breasts, wide waist, enormous hips, thick thighs, huge legs, voluptuous, pronounced curves, black dress, short dress, tight dress, long sleeves, black shirt, short shirt, long dark jacket, black jacket, round glasses, spiked choker, multiple earrings, one ear, black rings, fingerless gloves, long gloves, gold belt buckle, plate belt, dagger-shaped pen, black lipstick, black makeup, high black stockings, knee-high boots, tattoo, neck tattoo, "elina" tattoo, sitting at desk, from above, cowboy shot, looking down, legs crossed, leaning back, smug, half-closed eyes, tilted head, hand resting on cheek, other hand holding pen, wet hair strands, tousled hair, skin glistening, warm desk lamp light, dark office, wooden desk, leather chair, dramatic shadows, high contrast
A vertical full-body shot from above, looking down into a dim office where one woman sits in a high-backed leather chair behind a heavy wooden desk. The camera is angled from above and slightly to her left, so her whole seated figure reads against the dark floor, one knee crossed over the other, the heel of the top boot hooked behind the calf of the lower leg. Her short black hair is wet and slicked back from her forehead, but strands have broken loose and dried at odd angles, tousled and messy against her temples and nape. The overhead light is cool and the desk lamp is warm; they meet on her pale skin, which carries a soft sheen along her cheekbone, her bare fingers, and the rise of her chest. Her gray eyes are half-closed and fixed downward at a dagger-shaped pen she turns between the fingers of her right hand; the black rings on her fingers catch the lamp, and the long fingerless glove ends at her forearm with the skin of her wrist exposed below the cuff. She leans back into the chair, weight settled through her hip onto the seat, left elbow propped on the armrest, left hand curled up to support her cheek, the spiked choker riding at the base of her throat. On the right side of her neck, exposed by the swept-back hair and the open collar of the short black shirt, the tattoo reads "elina" in dark ink. Her left ear, turned slightly toward the lamp, carries several small earrings along the helix. Round glasses sit low on her nose, the lenses catching two small reflections of the lamp, and her black lipstick is set in a faint lopsided smirk, one brow arched. The short tight black long-sleeved dress fits close to her medium bust and cinches at the waist above a wide gold plate belt buckle; the long dark jacket is worn open over it, its hem falling past the chair's armrest. Her thick thighs press together beneath the short hem, high black stockings climbing past the knee into the knee-high boots, the fabric stretching taut over the swell of her legs. Behind her, tall filing cabinets and a shuttered blind fade into shadow; the lamp is the only warm source, and beyond its pool the office falls into a deep, even darkness. Mood: quietly dangerous, effortlessly composed.
DENISE
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
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이름
이름
1
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